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general

Mister, if you don’t shut up I’m gonna kick one hundred percent of your ass!

It’s been like a month since I’ve made any kind of update here, which can only mean one of two things: I decided to go to Mexico and write about the drug trade, and got myself killed by Narcoterrorists, or I’m deep in the middle of writing a book and feel all of my energy has to go there.  And it’s the latter, this time.  So there.

I think I have a title for this book.  I think it’s close to done, but I now need to read it four times and find all of the mistakes.  It’s what you would call in the software world feature complete.  Maybe not, but close.  I’m pretty sick of it right now, which is a good sign that I’m done with it.  So there’s that.

I don’t remember why, but I pulled out one of my paper journals the other day and read it.   I journaled obsessively in spiral notebooks from the end of 1993 up until a couple of years ago, at which point it sort of fell off, as my life became far too boring to chronicle, and all of my energy went into other writing projects.  I regret that, and wish I would have done what I did for years, filling at least a page per day of a standard college-rule notebook.  I was reading this journal from 1996, which was amazing.  I guess I consider that a non-year of sorts, because it wasn’t as big of a deal as 1995, when I moved to Seattle, or 1999, when I moved to New York.  1996 was the start of a pretty relaxing period for me, with a steady job and a steady girlfriend, a regular routine and most of my writing on autopilot.

But, reading the journal, I realize it wasn’t.  I was perpetually single at that point in life, and really struggling with meeting people in this new city.  I had a couple of out-at-second-date situations, and this one dating situation with a girl that went to U of W that absolutely crushed me.  I had all of this dental work done, and spent a lot of time chewing up mass amounts of Tylenol to combat the shoddy work this dentist did to my teeth.  And I really struggled with my first two books.  The grand total of this, by October or so, was a crippling depression, a near-suicidal run where I really didn’t know what I was doing and how I would come out of the other side.  It’s strange though, because when I look back at my history from a high level, I sort of remember going to a new shrink at that time, but mostly just remember leaving my first job and settling into a more 9 to 5 gig where all of my coworkers were older with kids, and that I mostly read a lot of books and published a zine.

What’s really interesting to me about this period is all of the entries I have surrounding Rumored to Exist.  First, there was a lot of puling about the direction the book was taking, and the challenges involved in writing it.  There’s one set of entries, which maybe I should scan, which is a long numbered list of all of the problems I had at the time with the writing, and what needed to be resolved before I could continue.  And then a week later was an entry talking about why I needed to kill the whole project.  And a week or two after that was a post talking about how I’d completely restructured the book.  This continued for something like six years, so the feeling that I’m in over my head on an endless road with this book I’ve been kicking around for about 9 months doesn’t feel so bad to me.

Speaking of, I should get back to it.  I would really like to wrap this thing up in the next few weeks.  Stay tuned.

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general

The Annotated Rumored to Exist, Hardcover edition

So I wanted a hardcover of Rumored to Exist, because I’m funny about that, so I made one.  Check it:

http://www.lulu.com/shop/jon-konrath/the-annotated-rumored-to-exist/hardcover/product-20974619.html

It’s a hardcover edition of the annotated version that I originally released in 2004.  In fact, it’s the exact text from the 2004 version.  I would have preferred to go over it again, starting with the 2011 re-release and add back in the annotations and do something else with the book blah blah blah but I don’t have time.

Differences in this edition:

  • Hardcover, with a slip jacket.
  • The paper quality is slightly better than standard POD.  It’s more of a cream color.
  • The cover is an alternate of the original cover.  Same location, but taken during a snow storm.
  • The back cover is a bunch of my notes on legal pads and post-its, along with the post card sent from the Astrodome by Larry Falli.
  • A ten-page introduction explaining the history of the book (up to 2004).
  • A facts and figures section.
  • A Q&A about the book.
  • The 2002 first edition text (possibly with some minor changes) in a different layout.
  • 547 footnotes explaining parts of the text.  This isn’t some DFW/Nabokov “the footnotes are another work of literature” thing; it’s just straight-up reference material.
  • No UPC or ISBN.  Only for sale at Lulu.  No digital edition.

I don’t expect anyone to buy this – I just did it so I could have a nice hardcover on the shelf.  If you do buy it, expect a great delay from lulu.  It took them two weeks to send mine.  But I think it’s worth the $20 – it’s very nice to see it with the glossy slipcover and everything.

OK, back to work on the next one.

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general

Rumored to Exist, haiku edition

I totally forgot about this.  A long time ago, I found this program that would scan a text file and generate haiku from it.  I don’t know exactly how it worked; I guess it would find syllable counts of 5-7-5 in the text.  So of course, I fed Rumored to Exist into it.  It looks like it was a copy of the text from shortly before it was published, and not the final draft. Some of these are uncannily funny.  It’s like doing some Burroughs cut-up shit – some of it is hopelessly random, but some of it fits together far too perfectly.

Here’s the best of the output from it.  Maybe I should put this all in Helvetica and dump it into a pocket book.

I could feel the hair
on my head falling out, my
muscles atrophying.

CIA was outside
in a van, or his phone was
ready to give out.

I couldn’t even
email her and ask if she
was the same person.

He couldn’t bring a
gun into a federal
building anyway.

Uralic-Altaic
and Latin American
languages blended.

I thought it would be
in Ohio, it turns out
it was in Japan.

Klan was headquartered
less than an hour from the
governor’s mansion.

Nick told me about
a version of MovieLine
that worked for pornos.

Skee-Ball tickets and
a Hubert Selby, Jr.
tattoo on my cock.

I drilled her right there
on the tile. Within a month,
it became mundane.

I was so bored I
masturbated to the JC
Penny catalog.

Doctor McCarthy
will see you now,” the nurse yelled
across the concourse.

RM: No, you dumb fuck,
I said it was like some bitch
puking on your dick.

That’s been my breakfast
every morning for the
last decade, still is.

Carve your name in my
brain if you think it will stop
the fucking nightmares.

I wish it was a
computer, but even my
computer was dead.

They brainwash kids with
angel dust, impregnated
in blue star tattoos.

I should invest my
money in whether or not
I should take a piss.

X-ray comparisons
between the Dark Lord of the
Sith and John Merrick.

Bread, bread… Ghostbusters
caught the holy ghost in one
of those ecto-traps.

I finished the loaf
of bread, and drank a gallon
of flat Perrier.

Marco said. “Not the
film, but a perfect view of
the event itself.

I found myself in
the men’s room of the DNA Lounge
in San Francisco.

God would have to send
back Ahnold to the manger
to try to stop it.

They could even let
the good guys win and it might
be entertaining.

It would make a good
recordable MiniDisc
commercial, really.

And I had hours
to find Nick and get back on
a plane for New York.

Jed cracked open a
cold one while Elrod, well, cracked
open a cold one.

With my extensive
studies in vomit, I can
spot fake puke at yards.

Tito, reading from
a copy of USA
Decay. “Fuck!” I said.

It didn’t feel like
skin-to-skin contact like the
package claimed either.

I could grind them down
and make counterfeit paper
pulp in my bathtub.

Never give money
to strangers, unless you know
just how strange they are.

It’s like that Cheech and
Chong movie where they had a
truck made out of dope.

I shove the clipboard
up his ass. Okay, so I
have issues with UPS.

But I won’t pay those
bastards at Time-Warner
for their mind control.

I liked the Behind
the Music on Ice-T though.
He’s pretty funny.

I need you to go
thirty clicks up the river
and catch this frisbee.

I dropped a fiver
on the counter for my drink,
and ran for the door.

The human body
is engineered to fail in
an emergency.

I raped the cancer
surgery reward with a
Dremel moto-tool.

Leisure Suit Larry
with a vibrating pager
attached to your wong.

And you couldn’t sleep
on the beach and bum tourists’
change at this resort.

I never went to
class, so I’d have a lot of
trouble finding them.

Outside, sirens were
going off everywhere, the
riot underway.

Peter Criss threw his
drumsticks to the screaming fans
in the coach section.

Plus when I wore it
all day, I lost five to ten
pounds in sweat. Nitrous…

Pure oxygen rushed
through the nosepiece, and
I inhaled deeply.

The Gremlin didn’t
have AC, or even a
functional vent fan.

I could pick up my
paycheck, and I didn’t have
a dime to my name.

Tito finally
bitch-slapped him and told him
to shut the fuck up.

John Voight would play the
chief, and utter the “I’m too
old for this shit” line.

With some napkins and
a straw that’ll work in the
ambulance, of course.

I’d break em in half
on the first stroke.” “Dude, I think
you’re fucked up,” Nick said.

Shooting Six People
in the Fucking Face with a
Bulldog Revolver.

I checked out all of
those religious books and drenched
them in human blood.

I asked about this,
he said it kept the CIA
from reading his mind.

Weren’t you born in
like ’61?” “Dude, I was there, but
not during the war.

IQ test last night, so
I know I’m not stupid, but
it could be the drugs.

Santa Claus shapes in
a piece of plywood with a
table saw sans guards.

I’m gonna fuck him,
and break that god damned gimp arm
in half with my cock.

I pour gasoline
all over myself and light
myself on fire.

I pushed him, and watched
him fall to his death. Then I
went to 7-Eleven.

Man, and that’s why I
kept setting off the metal
detectors. It worked.

Her only piece of
photo ID was a postcard
of Niagara Falls.

I can’t just write “THIS
IS MONEY” on a piece of
paper and spend it.

I figured they had
to use potent stuff to keep
out the cockroaches.

I got the second
one, and found the first, she could
have it. She’s gone too.

 

Categories
general

Another story from another kind of book

I’m still editing this book. It’s going to take a while, and I hate this part of the process more than anything, because it’s not the process of creating, of writing hundreds and thousands of words, and it’s not the process of holding a finished book in your hands, so it’s painstaking. And I have all of these crazy ideas popping in my head that don’t fit within this book, for the next one or the one after, and it’s a beast to try and write those down and not forget them while I’m doing the equivalent of removing cat hair from a mohair sweater. But it’s getting there.

I have a 115,000-word manuscript that’s a complete train wreck, something that’s a book like Summer Rain but covers the entire six years I was in Bloomington. I’ve all but written off Summer Rain, partly because that’s not what I write anymore, and partly because there’s a certain pain to nostalgic autobiographical fiction that I like a bit too much to spend all of my time with it. In many senses, I think of Summer Rain as a failure, and use that to justify never going back to that kind of writing. But since the book went to Kindle, a couple of people have read it and said it really resonated with them, which makes me wonder if I was on to something.

Anyway, here is part of a story, or rather an experience, that I outlined and forgot. It’s not a story story, it’s just some loose thoughts.

I used to have a bus pass at IU, when I was a freshman. I guess now the buses at IU are free, but back then, you had to pay some obscene amount to get a little sticker on your ID so you could ride them. You could also pay a fraction of that for a nights and weekends pass, which is what I did. I didn’t have a car, so I’d take the bus out to College Mall all the time. It was a huge pain in the ass, but it beat walking.

I had a really good friend, V, this girl who was also on the computer all the time, and even though she was only about a year older than me, we had this almost big sister/little brother relationship, and she’d always listen to me pule about my various relationship problems. She wanted to be a shrink, and I was crazy, so this dynamic worked well, and we traded emails pretty much daily.

I used to call her dorm a lot, and she’d never be there, because computers cost more than cars, and nobody had them, so you’d go camp out in a computer cluster to get your fix. And I used to leave messages so much with her roommate L that we started chatting, asking each other about our days, and that led to conversations, and that led to me calling L just to talk to her, and not V. We’d have these marathon phone sessions, even though we never met in person, maybe because we never met in person. In these strange, protracted, intimate, three or four hour long confessionals, we talked about love and sex and partners and life and fears and hopes. And we’d flirt, and joke around, but it never became a “hey, let’s go grab a drink” or “let’s put a name to a face” – there was never an attempt at conversion, in crossing over to the other side. And we did have these insane talks about sex every once in a while, at two in the morning, where she’d confess that she could have twenty-minute orgasms or I’d talk about how I was certain my English teacher was trying to fuck me. But it was all in this strange meta-platonic phase, where we were more than friends, but never attempting to become more than friends.

I always say I never seriously became a writer until 1993, but there were fits and spurts where I’d try to knock out a short story, or I’d do something for a class, and I’d want to get serious about it. And I took the freshman writing class that first semester, and read a lot of Vonnegut, and I was an insomniac, so I’d bang out these depressing science fiction stories, and email them to her, and she’d be incredibly interested in them. And I still have some of them, and they really suck, so who knows what she was smoking. But if you want to be a writer and you show someone a story you can’t even show your girlfriend or best friend and they completely swoon over it and ask you questions about it and are genuinely impressed by it, that’s like the biggest thing they could possibly do to push a latent infatuation over the edge.

I eventually met L, ran into her at a computer lab with V, just a quick hi/hello/good to see you. She was far more beautiful than I expected. It put me in this awkward situation because she confided in me, and we talked almost every day about incredibly intimate things, but that safe place was possible because of the physical disconnect. Now we knew what we looked like, and I found her absolutely stunning, and I couldn’t really do anything about it. And I would normally email with V about these things, but this was the one person I couldn’t talk to her about. (And I was in a relationship, albeit a bad one. And L had a boyfriend too, although he was a jerk and treated her like shit, of course.)

My brain was stuck in this lurch, but I never admitted it, because I think I depended on L so much to get through that year. We would email or chat online pretty much all day every day: good mornings, good nights, the day’s frustrations, the problems with partners. I could tell her things I could not tell my girlfriend or best friends, and she was the same. We kept this line we would never cross, but it many ways, we went way past the line. It was all so comforting and supportive and wonderful, but it was also something I always feared would suddenly end when she found out how I really felt about her, or I did something stupid, or she somehow found out how much of an idiot I really was.

Anyway, the bus. I went to College Mall one night, a Friday night right before the holiday break started, when me the loser had nothing to do but go to the mall and buy Christmas candy. I went to wait for the bus, which only showed up every half hour or so, and the one person also waiting out there in the dark and cold was L. Even though our couple of in-person meetings prior to this consisted of a few dozen words while we sat at computers, we had a long time to talk, waiting for the goddamn bus to show up, and it ended up becoming another one of those long brain dumps, where we both bitched about the problems with our respective partners. I’d had a hellish Thanksgiving with my then-girlfriend, and seriously wanted to break things off with her, but instead I either invited her or got talked into inviting her to spend a week at my mom’s, which I dreaded even more than the prospect of spending the holidays at home. L had some similar turmoil going on, and we talked about that. It was back to our old pattern though, the deep dive through emotions, which felt strange while we were sitting right next to each other, but was just as immersive and familiar as when we used to do it in the middle of the night over the phone.

The bus came, and we got on board, grateful for the warmth, but because of the weird bus route, it had to go out away from the mall and then sit for 15 minutes behind the Kroger grocery while the driver took a break, before it started the loop again and went back to campus. I shared my Christmas candy with her, and we talked more, flirted, but mostly just enjoyed the time sitting next to each other, alone on this giant GMC bus. When you spend that much time in a relationship with someone, even this accelerated, half-friends half-whatever relationship, you develop your own shorthand and inside jokes and patterns and ways of speech, and we had so much of that. We could finish each others’ sentences, and had a kind of intimacy that I didn’t have in my “real” relationship. It was like some Meg Ryan movie, like I was the Billy Crystal, like we were the just friends that were so much more, and at the end of Act 3, she’d meet me at the top of the Empire State Building and we’d have the happily ever after.

That never happened, of course. V went to Germany the next year, or maybe it was Austria, and when she came back, it was a lifetime later, five or six iterations of the college friendship cycle, and we only talked one or two times since. I don’t know when or how I lost touch with L, but I did. This was 1990, and people didn’t check their email over the summer unless they were really wired in and their parents had computers with modems, which was pretty much nobody in my circle.  We could have written letters, or made long-distance phone calls, but we didn’t.  And in college, sometimes you are closer to a person than you have been with anyone in your entire life, and then six months later, they’re yet another stranger among the 40,000 other strangers on that big ten campus, and you’re dumping your heart out to someone completely different.

In the fiction story version of the tale, something would have happened.  Our hands would have touched, met, joined, and we would have known what had to happen next.  Something illicit and unsaid would transpire after that bus ride, a quiet walk back to a dorm room where a roommate was out of town for the weekend, no exchange of words, a torrid exchange of pent-up energy in the darkness. And even if the happily ever after didn’t happen, there would be a long night where our real lives didn’t matter, even if would end with the heartbreak of her going back to her stupid boyfriend and me dealing with the girl I’d end up dumping a few months later.

In reality, I saw L maybe three years later. I was in the back of my favorite record store, and saw her enter. She looked completely spent, different than the innocence mixed with sophistication of what I remembered, beaten by life and dreams unfulfilled. She was in the middle of a fight with some beardo guy, a boyfriend who followed her around like a trained lap dog, apologizing profusely for everything and nothing while she hurled insults and complained about the imaginary. I didn’t talk to her; I didn’t even want to acknowledge that it was her, for fear it would kill that perfect memory of what we had and didn’t have before.

And that was twenty years ago. All of those emails with V are lost; all of the memories of L are slowly fading from my brain. The record store is gone, the owner dead. I’m here, thousands of miles removed. And I’m writing this crazy book about a bizarre reality that’s a laugh a minute, and exactly what I want to write, but thinking about these distant episodes and revisiting them in my head makes me wonder not only what could have been, but what could end up being another story in another book that I might or might not someday finish.

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general

I do not give a god damn about the book industry

I often get dragged into discussions about the book industry, mostly because people are too stupid to know the difference between Jon and Joe and blindly throw a @jkonrath into a tweet about how publishing is dying or some dumb company is fleecing even dumber authors who did the equivalent of paying $10,000 cash for head shots.

(Side note: It’s somewhat ironic that the term for this kind of shit is “joe job” given the name of the other person involved here.)

This is annoying on many levels, mostly because it distracts me from what I’m really trying to do.  But more than that, all of this talking head parroting sometimes makes me wonder why I don’t keep up with what’s going on in the publishing world.  I don’t read trades or spend time on publishing news sites, throwing down my opinion on whatever catastrophe is currently making the rounds.  I don’t take sides on publishers versus “indies” or who signed with who or who decided to leave their publisher and self-pub or what the guy who wrote Wool ate for lunch or any of that.  I don’t care.

I do not give a fuck about the book industry.  I mean, I like to read books, and I publish the final output of my work so you can see if you want to read it.  But I am a writer.  I’m not a shameless self-promoter, and I’m not an industry insider.  And I don’t want to be.  I don’t write books for maximum profits.  I write books because they’re trapped in my soul and need to be excised like the pus from a wound.  I know it sounds pretentious to pull the “I’m an artist” card, but I’m definitely not a businessman, and I do not care about any of it.

I recently read a book called Post-Digital Print, which was one of the most inspiring books I’ve read in a long time.  It outlines every “publishing is dying” screed that has happened since 1894, and I guarantee you that about a dozen of them are things you’ve never heard about.  Almost every one was invented by a company that wanted you to buy their shit instead.  Did you know that people thought radio would replace printed books?  At the turn of the century (or a couple of decades later, I guess) part of the population thought books were turning everyone blind.  It probably had some causal relationship to the rise in optometry technology at the time, and everyone was getting glasses, whereas before that only rich people got monocles, and everyone else squinted.  Anyway, some industry geniuses said that radio would replace “the burden of reading” and save everyone’s eyesight.  And we know how that turned out.

I’m not saying print isn’t suffering.  But it’s not going away, either.  There’s going to be a whole generation of artisanal printing, letterpress chapbooks and boxed sets of limited edition prints with high-end art book covers and over-designed interiors in esoteric fonts that makes Helvetica look like Comic Sans.  Look at what happened with vinyl records.  The 8-track was supposed to kill them, then the cassette, then the CD.  There are now vinyl-only stores, limited-edition LPs with extra tracks and slick printed gatefold sleeves encasing art books and 45-remastered dual discs on 200-gram virgin vinyl.  Yes, the airport reader is going to gobble down murder mysteries on their kindle, but book collectors aren’t going to be forced to shred everything and go to e-format.

What I am saying is that these talking head industry-mongers are not authors – they are inflating their own egos for their own industry, which is fear-mongering and hand-wringing. It doesn’t help your writing.  They’re the people selling the ten dollar loaves of bread to the people who showed up late to the gold rush.  It’s all bullshit.  It’s all inconsequential.

Speaking of, gotta get writing – trying to finish the next book.  I’ll end with a quote from my buddy George Carlin that pretty much sums it all up.

I figured out years ago that the human species is totally fucked and has been for a long time. I also know that the sick, media-consumer culture in America continues to make this so-called problem worse. But the trick, folks, is not to give a fuck. Like me. I really don’t care. I stopped worrying about all this temporal bullshit a long time ago. It’s meaningless.

-George Carlin

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general

Ode to a busted cell processor

God damn it. It is broken. Again.

My PS3 is in a shop somewhere in Missouri, getting the yellow light of death beaten out of it. It went south in November and got all of the solder stripped away, the whole mess ultrasonically cleaned, then reflowed. Or something. Now it is dead again.

I am at an deadlock with this new book. 100,000 words and I don’t even know what it is about, what order things should happen. I feel like that scene in the Naked Lunch movie where Ginsberg and Kerouac show up in Tangiers and Burroughs is strung out on junk, unaware that his apartment is filled with notes and routines that would later become his most popular book, but it’s this fucked mass of scribbles and jumbles.  I wish I had a Ginsberg that would show up and unfuck this book.  I keep at it though — it will eventually make sense.

This is the time where I would fire up Black Ops and walk away for a bit, let things ferment.  This is what’s staring at me when I want to do this: loose cables and a controller hooked up to nothing.

I would go out and buy a new PS3 slim, but that’s basically paying $300 to not write.  $300 when a PS4 is months away.  And it wouldn’t even play my old PS2 games.  I’d have to pay another $100 to get a PS2 also.

I have this sick attachment to this PS3, a heavy nostalgia, because back in 2007, when S worked 80 hours a week and I was jobless, I spent hours and hours writing this book I never finished, and working for a friend’s startup for free.  But then as day became night, I would fire up this PS3 and play it for hours.  I formed this stupid emotional bond for a piece of hardware that would someday become obsolete, someday die.  I sometimes fall in these deep nostalgic k-holes for the recent past and think about Denver a lot, and one of the top five things in those memories involve this black monolith of a video game system, which is why I struggle to keep it alive and UPS it to some dude in Missouri to get it re-repaired.

I have all of these dumb games for the iPad, but that’s just tapping on a screen.  The PlayStation creates these immersive worlds I get lost in for hours.  Back when Vice City came out, I would play it for hours, like it was my full-time job.  I’d come home from work on a Friday night, order a pizza, and fire up the machine, just to wander, to get a motorcycle and drive through neighborhoods and try to jump off of stuff, watch the people walking, find secret entrances or ways to climb on rooftops.  This was after I finished Rumored, when I was in a funk about dating and meeting people, when that postpartum depression after finishing a big book really kicked my ass.  I’d hole up in my Astoria apartment for entire weekends, at the DualShock controller.  It wasn’t healthy, and it wasn’t productive, but it was.

I can’t do that anymore, but I sometimes wish I could.  I should probably ignore this and get back to this goddamn book.

Categories
reviews

Review: On the Road (film)

So I got infected with the Kerouac bug late, toward the end of college, when I fell out of the computer thing and suddenly needed to read everything I saw to learn how to write.  I locked into On the Road and loved it.  It wasn’t cool to love it – I don’t know what it was cool to read at that point in time, because I’ve never been cool.  But I liked the way the central character of the book wasn’t Dean or Sal as much as it was the blacktop-twisted terrain that made up the country between the two oceans, the open road, and how the change of seasons and passage of time was reflected in his prose.  There was also something I liked about the bond between friends, and the way these people lived on the fringes of a society that at the time was straighter than a stainless steel ruler.  I know everyone thinks of beatniks as 60s creatures, and maybe Kerouac as a 50s rebel, but this book was written about the late 40s, in the strange vacuum after the war, when a nation struggled to redefine itself, and quickly slid into a cold war.

I read a lot of Kerouac in the mid-90s, although I later got pulled into the Burroughs maze and then elsewhere, but I used to read OTR every time I travelled, be it a flight to the midwest, or a trade show in LA.  These voyages were far, far removed from what Kerouac did, but there was something relatable, the crossing of a continent, the worship of a road map, the feeling of watching the world pass you by, 65 miles an hour at a time, while you meditated and ruminated on the thoughts in your head.  And during those early years of my voyage into literature, Ginsberg was still knocking around, and he and Francis Coppola were screwing around with the idea of making this great book into a movie, which made everybody cringe with fear.  I remember them doing some blind casting call in New York, and the rumor mill churning with names like Brad Pitt and Johnny Depp.  And there was a part of me that wanted to see the film, especially since I did like Coppola’s work, and spent far too many times watching Apocalypse Now over and over and over.  But there was a much bigger part of me thinking, “don’t fuck this up.  Don’t make a hipster doofus Gap commercial out of this great book.”

The big problem with making OTR into a movie, regardless of director or producer, is how to condense this non-novel work into a flat, linear, two hour film.  We’re talking a 320-page book that consists of five parts, three giant roadtrips, and a hell of a lot of internal monologue and plotless “kicks” that relies a great deal on observations of a backdrop, rather than the plot-driven arc of a modern novel, which half the time is based on the formulaic plot arc of the typical movie, anyway.  Really the only two ways to do it is to try and compress and consolidate the scattered bits of adventure within the trips, making it into one or two action-packed blazing-fast roadtrips, or do a completely nonlinear, art-film collage of images and snapshots of the journeys, and hope that enough people who read the book would go to see it, and that you didn’t get skewered alive by people who are so ADD-addled that a Transformers sequel is not plot-driven enough for them.

I saw the movie yesterday, not really planning on it, because I honestly didn’t even know it was out yet.  And… it didn’t suck.  But it wasn’t incredible, either.

First, the film looked great.  Visually, it was astounding.  Walter Salles did a lot to capture The Road, the huge fields and pastures and ribbons of blacktop and canvasses of clouds and snow and rain and sun and everything else that makes America between the two coasts America.  And it was, for the most part period accurate.  I had fears they would recast this into a bunch of hipsters in the 2010s driving around in old ratted-out Ford coupes and saying “Daddy-o” a lot, some kind of Tarantino wet dream of old mixed into new.  And it wasn’t that.  It was the old Hudson and the old New York and San Francisco and Denver, done in such a way that it captured 1949 exactly.  I’m sure you could go over this frame-by-frame and find a doorknob that wasn’t manufactured before 1967 somewhere, but for the most part, it looked great.  And it was uncanny how some things fit the narrative so exactly.  Like there were many scenes were Sal and Dean were out on the fire escape of the Harlem coldwater flat, catching a smoke, and it looked and felt just like that famous picture of Kerouac on the roof of a New York apartment.  This all got nailed so exactly.

The acting was decent.  All of the main roles were competently done.  Garrett Hedlund was a decent Moriarity.  Tom Sturridge did okay with Ginsberg, and didn’t play him as a crazy zen hippy freak, but rather the Ginsberg he was before he devoted himself to that persona, when he struggled with who and what he was, which I really liked.  The only “known” actor to me was Kirsten Dunst, who you’d think would curse the whole thing, but she made a pretty believable Camille.

But…  something was missing, in a huge way.  The film just plodded along, from scene to scene, from season to season.  I could do it without a plot, but the touchstones weren’t there, something was missing from the movie, and it just had no soul.  If you didn’t have the book practically memorized going into this, you’d be hopelessly fucked. And if you did, you’d recognize the little scenes, and be able to piece it all together, but it would be like eating nothing but bread for dinner.  Even if it’s the best artisanal sourdough whateverthehell bread fresh out of the oven, and looked and smelled incredible, you’re still eating 137 minutes of bread and nothing else.

There were slight jabs at an agenda that bothered me, too.  I mean, when you put some distance to it, Neal Cassady was a stone cold asshole, a prick to the nth degree, dropping babies into every inviting crack he could find from Atlantic to Pacific, stealing and hustling and scamming and screwing and swindling from shore to shore and back.  Free to be you and me, but to anyone with a social conscience, this is pretty cringeworthy behavior.  And there’s been a small cottage industry of calling attention to this, led by Carolyn Cassady.  She wrote a book of memoirs called Off the Road, which painted the sordid picture of Neal and crew being a bunch of drunken assholes that left her and other women behind to fend for themselves.  And I’m not choosing sides here — I think she’s got a valid opinion here and think she’s entitled to it, and hearing about this side of the story made me that much less interested in Neal worship.  (I never read Off the Road either, and it’s possible it’s completely different than what I’m mentioning here.)  Anyway, the film threw in a few jabs of Camille yelling and screaming at Dean and throwing him out, which I guess is in the book anyway, but it seemed like they hung on that a bit to give that viewpoint a little more press.

The one thing that I really, really liked about the film was Viggo Mortensen as Old Bull Lee aka William S. Burroughs.  There wasn’t a lot of time to this story on the screen, but Viggo was dead on Burroughs, the speech and mannerisms and quirkiness, walking around his beaten Louisiana swamp ranch, croaking about revolvers and orgone accumulators.  The slight downside was Amy Adams cast as his wife; she simply did not fit into the movie at all as a drug-addled Joan Burroughs.  She’s a great actor, but far, far too perky and cheery to do something like this.  But Mortensen – man, he was incredible.  There was a scene with him sitting on the floor with a toddler Billy Burroughs, helping him draw and color on some construction paper, drawling on about vampires and sharp teeth to drain blood from people.  It was absolutely, positively brilliant, and made me wish there was a whole new reimaging of Naked Lunch with him taking over for Peter Weller.

Kristen Stewart played Marylou, which is sort of the butt of many jokes, and her lack of acting ability.  And honestly, she wasn’t bad.  She wasn’t incredible, and she certainly did not look 16, but she filled her minor role well.  Oh yeah, don’t go with your mom to this one — lots of sex, lots of fucking, and a couple of scenes of dudes kissing dudes, so this one won’t ever get shown in the midwest.

Overall, it could have been much worse.  Instead, it just wandered.  I guess that’s what the book did, too.  But books can wander like this a lot more than films, so what are you gonna do.  I’d give this a weak 6 out of 10, but honestly, the best you could possibly do for a commercially viable product is probably scraping the bottom of an 8.

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New York, Again

It feels like I was just here, but I guess that was almost a year ago.  And it feels like I just lived here, but that ended six years ago.  Six years?

Anyway.  Woke up early.  Packed a carry-on and a personal item.  Drove to SFO and left the car at the wrong terminal, the one equidistant to the Virgin America gates.  Sat at their little desks with power plugs and banged out the morning’s writing.  I’m still writing in OmmWriter half the time, and it was somewhat ironic that the fake-ass ambient drone music in the headphones was the sound of being on an old train, the clacking of the rails, and I’m in a super-futuristic airport that looks like a Kubrick wet dream, watching giant Airbus spaceships launch into the skies at near-Mach speeds.

Full flight.  No meal on the plane.  I cobbled together a fake meal of dry goods, and then realized that eating tuna while sealed in a tiny tube is a dumb idea.  Couldn’t write on the plane so I read half of Fight Club in one clip on my Kindle.  Reading a book about insomnia, being crammed in planes, and a lack of life fulfillment isn’t advisable when you haven’t slept, are crammed in a plane, and aren’t feeling fulfilled with your life.  Good book, though.

The wait for a cab took a half hour.  I was behind two women who were fresh from London, and bitching about the cabs and how you couldn’t just take the “tube” from JFK.  Well, you sort of can, but it’s not advisable.  It was raining, 30 degrees, just trying to snow.  I got a cab, headed in, and it took about 90 minutes to cover that 9 miles, as the snow started to stick.

And now I’m in my old neighborhood, the LES.  I’m staying in a hotel right by my old house.  This really freaked me out last time, and it’s doing it even more.  It’s my old hood, my old McDonald’s just down the street, my old subway stop just a couple of blocks away.  Allen, Orchard, Stanton, Delancey. We used to go to Clinton Street Bakery and Alias and walk up and down these side streets almost every day.  We’d order from Schiller’s and wait in an impossible line at the Rite Aid while they fucked up our prescriptions and talked on their cell phones instead of actually working as cashiers.  My current office is my old office, and the walk to work will be the same tomorrow morning.

I just emailed John about something and remembered how he stayed here with us at our old place, right before we left in 2007.  I know I hated a lot of things about New York, and I know I could never live here again, but I really do miss our place over there – it was the most tolerable place I’d lived here, a real gem of an apartment.  Lots of light, a deck, a nice view of a park below us, big rooms, and my own little office to hide in and try to write, although I don’t think I got anything substantial done the whole time we lived there.

My nostalgia really tortures me sometimes.  I think the ironic thing is, I’m slowly losing my memory, and I fear that at some point in the future, I will remember nothing of the past, won’t have any idea if I already ate the sandwich I’m holding in my hand, and the only thing left will be these unbearable pining feelings for certain eras of my life, specific times or places or feelings or moods that can be summed up by the menu of a restaurant or the pair of jeans I used to wear.  So I sit here, a few blocks from my old apartment, and miss that era, that feeling, even if I’m making more money and living in a nicer place and married and way more productive.  The nostalgia is overwhelming and depressing and uplifting and impossible to capture, but impossible to avoid.

It’s past my bedtime, but of course I’ll be wide awake for three more hours due to the magic of time zones.  I was so starving, I went to the sushi restaurant in the hotel, sat at the bar lined with raw fish, and ordered a cheeseburger and fries.  I’ve been impeccably good with weightwatchers for the last couple of months, but snapped, ate a day’s worth of food, and now I’m pumping with insulin and not ready to sit down and write, but I must.

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The Economics and Practicalities of Lofts

I live in a loft.  This isn’t about that.  (Maybe the coincidence somehow means it is, though.)

I was playing this game yesterday, where I tried to write every single event I could remember about a person from twenty years ago, every time I could remember us hanging out together, to try and brainstorm past just the stock two or three or five things I always remembered about them.  I’m trying not to fall down the endless nostalgia k-holes that make me want to write books about what happened back at college, because we all know how well that worked out the last time I wrote a 600-page book about college and tried to get people to read it.  But sometimes I need to write something, just to type, and this is a way to do it.

During this exercise, I remembered a strange little concept I’d almost completely forgotten: the loft.

When I lived in the dorms in Bloomington, you got two beds per double room.  They were these tiny twin beds, with a metal spring frame that hung between two wooden headboard/footboard pieces.  But when you had two people living in a single room, that meant floor space was at a premium, and the solution was to go vertical.  You could loft a bed by replacing the headboard/footboard pieces with taller frames that had pre-mounted brackets that would accept the pins on the spring, and raise the whole thing from the normal height of about a foot to somewhere around five feet off the ground.

Lofts were not included in room and board charged for the dorms.  You could probably buy a loft, maybe from someone graduating, but it seemed like a crap investment to make, especially since most people only lived in the dorms for a year.  And unless your dad was Bob Vila, you probably weren’t building one of these contraptions on your own.  This need was met by a whole network of loft rental companies.  I don’t remember the exact prices or vendors, but I seem to remember the White Rabbit book store renting lofts, plus there were lots of flyers posted on phone poles from outfits of more questionable repute offering to shave ten or twenty bucks off of the prices of the more legit renters.

A common layout was to have one bed lofted, and the other bed halfway under the other one, in an L formation.  That left half of the under-bed area free for dressers, a mini-fridge, or a beanbag chair or other odd furniture.  My first roommate bought his own loft from — I was going to say craigslist, but this was a decade before craigslist, so maybe it was one of those bulletin boards at a grocery store or in the student union.  Maybe it belonged to his brother.  I don’t know.  All I know is I didn’t want my bed half under his loft, because I didn’t want him drunkenly falling into my bed, and I also had a semi-legitimate fear that the whole operation would scissor over onto itself and collapse, killing me.  Maybe that was just an urban legend, like the guy who killed himself and the roommate getting all As.  I also remember hearing similar tales about people drunkenly falling from their lofts and cracking their head open, but that could also be Rod Stewart/stomach pump territory.

I remember there always being a weird politic, especially with females, about who got the top bed and who got the bottom bed.  As a guy, my bed was my bed, and I’d never think about swapping beds with my roommate, especially with all of the various microscopic bugs and jizz and everything else probably inhabiting a mattress after a few months.  But I knew a few women who had a system where they would swap top and bottom bunks every month or every other week.

I don’t remember how many people lived in the dorms at IU, but it must have been in the low five figures.  When I started there in 1989, I think the total grad and undergrad population was something insane like 38,000, and there were too many people for the dorms, so RHS turned a bunch of common lounges into dorm rooms until people quit or transferred or died and they could relocate them into real rooms.  And it seemed like almost everyone had a loft, and most of those were rented.  At the beginning of the school year, you’d see these huge U-Haul trucks double-parked at every dorm, these 38-foot long monstrosities, completely filled with these giant H-shaped braces made from 4×4 lumber, along with crews of handymen hustling the heavy pieces into the dorms.  It’s strange to think of this whole economy centered around what was essentially a half-dozen pieces of dimensional lumber and a quartet of metal brackets.

The other thing, which I remembered during this free-write, was that there was always this clusterfuck during the last couple of weeks of class, because the loft rental companies had to come and pick up all of the lofts before the end of the semester, which meant you had a week or two, usually during the mad dash to study finals and finish the school year, where you had to revert the room layout to the default two-on-the-floor bed situation.  In 1993, I was dating this freshperson over at Forest, and when her roommate was up in the top bunk, we could sit in the bottom bed at night and not really disturb her.  But in that last week, when the two beds were right next to each other, that shit would not fly.

Did other schools have this same situation?  Do they still do this?  I haven’t thought about it, and wasn’t sure if I went back to a dorm in 2013 if I’d still see the same pieces of lumber that were knocking around the halls of residence in 1989, or if there’s some new, modern, brushed aluminum, iPhone-related invention I don’t even know about that’s used to elevate beds.

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Sycophantic Mezmerization

I have been writing a lot, which means I have not been writing here.  That happens.  It makes me wonder what the hell I should be writing here, especially since blogging is essentially dead and I should just be posting pictures of my cats.  (Here is a picture of one of my cats.  I have more.  Don’t tempt me.)

I feel like blogging about all of the exciting stuff that has been happening lately.  There hasn’t been any, so here is other stuff.

  • Last week, I stabbed myself in the finger with a knife, pretty much down to the bone. I have this little CRKT knife and was hacking at the tape on a box in a way you should not hack with a knife, and my left hand was holding the box, and I stabbed it into the side of the base of the finger, and it went about as far as it could.  My first thought was that I should go to the hospital, but fuck hospitals.  I’d probably have to wait hours, behind at least two or three people who were just shot by Oakland police officers, and all they’d do is get me hooked on Oxycontin.  The knife was brand new and extremely sharp, so it made a very clean slice.  I put a bunch of Neosporin in it and closed it up with a bandage, and it’s slowly healing together.  It’s made playing bass interesting.
  • I am in a weird funk with bass playing.  I feel like I would need to dedicate a ton of time to it just to advance a small amount in my ability.  It’s times like this that I feel a need to spend way more money on better gear, which is of course a sickness.  I just spent too much money on a new bass last January, so I can’t buy another one.  I still do like to turn the Zoom B-3 onto the Cliff Burton setting and play minor scales over and over and over.  Sounds cool.
  • I have been reading that Jennifer Egan Goon Squad book, and I really like it.  I went through a long run of not liking stuff I’ve been reading (aside from your book, if I just read it – that was great) and the structure of this one is really blowing me away.  It reminds me, not in content but in structure, of Jonathan Lethem’s Chronic City, which I really loved, and truly wished I could write.
  • I was at a conference last year, waiting for a lecture hall to open so we could go in and sit down, and me and Jonathan Lethem and someone else were standing next to each other, and I had my copy of the aforementioned book in my bag, and I did not say word one to him, because I am a stupid introverted fuck and never know how to talk to people.  There’s also that meeting heroes thing, or whatever.
  • Similarly, Marie once sent me Mark Leyner’s home address, and I never did shit about trying to contact him.
  • I put an SSD drive in my computer.  It’s faster, I guess.  Everyone says it makes it way faster to start programs, but the thing is, I never reboot my computer and all of my programs are always open.
  • I am over 70,000 words into the next book and have no idea what it’s about.  I am starting to get ideas about the overall structure.  I feel an overwhelming need to make it radically different than the last few books.  I also feel a strong need to get it done asap.  These two things are not compatible.
  • I saw the Oscars and they were horrible.  I bet when various outside countries like Syria or Iran look at us, they probably think we’re insane because out of all of our movies, the “best” of the “best” involved killing a terrorist, rescuing people from terrorists, and a civil war.  And pretty much everything else was franchise necrophilia of some brand that was beaten to death years before and needed to be remade because Hollywood is out of ideas, except for all of the jingoistic terrorist stuff.

Blah blah blah.  I need to get back to work.