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general

iTunes Bankruptcy

I think when I sit down to write, I now spend more time trying to figure out what I want to listen to than I do actually writing, and that’s a problem.  My mind bounces between two solutions: one is to spend some inordinate amount of time and money finding all new music that moves me.  The other is to declare iTunes bankruptcy, and either delete every song in my iTunes library, or rate every single one at zero stars, then put it on shuffle and re-rate everything until the 11,000-some tracks more accurately describe what I like, instead of the current rating situation.  I think I “finished” rating all of my music, aside from new additions, in about 2007, and I would like to think I have evolved since then, but who knows.

( A few more facts.  Total tracks: 11,397.  Added in 2011: 426. In 2010: 504. Added since the beginning of 2007, which was my last big iTunes crash/rebuild: 5334.  Number of tracks that are “from” 2011: 122.  Number from 1989-1995, when I was in college: 2114.)

I think when I’m at the height of my collector snobdom, my worst fear is that I will become one of those people that lock into a certain artist or time period and never acknowledge that there is any music outside of that sphere of influence, ever.  I dated a girl in college who was like this with Billy Joel, and it (plus the fact that she was bat-shit insane, but there’s a cart/horse situation here) were the reason I walked away from that relationship like an unemployed person walks away from a $500,000-underwater mortgage.

But keeping up with new music is work.  I briefly tried to do this when I was reviewing new music for a now-dead web site, and it seems like the easier it is to get music, the harder it is to find music.  I can turn on iTunes genius and fire up Pandora or Spotify and point my web browser at a million different news sites and fan sites and get up-to-the-second email blasts from my favorite artists, but it seems like I find about 4% of what I used to find by wasting half my Saturday going from A to Z at a half-dozen different local record stores.  And it seems like the more I buy or download, the less potent the music is.  When I was in high school and could only afford to buy a tape a week, almost every one of those tapes was gold.  Now. I can add a hundred tracks at a clip to my library, and I still can’t name an album I bought in the last year that can stand up to repeat plays.

Albums are always time machines for me, but I’m finding the harder it is to find an album, the higher the chance of it being powerful to me.  An example: I accidentally found out about Gary Moore in 1988, while on a record buying spree in Canada.  A guy working at a store in Stratford told me I should really check him out, and I did, and I loved it.  A couple of those albums were indelibly marked on my past, and of course those tapes got lost or fell apart, and I went for years wishing I could hear them again.  And in the 90s, finding those things was next to impossible; they were out of print, or were “imports” and I never could track them down, and doing a web search on Gary Moore (Alta Vista back then, I think) would turn up maybe four hits, none helpful.  When I eventually found those albums, they were absolutely efficacious, and transported me through time like I suddenly had a Delorean with attached flux capacitor.  I think if I would have been able to just type two words and a credit card number into a browser and instantly hear those songs, it would have been nowhere near as powerful as spending months scouring every non-chain record store in Seattle.

But now I worry about listening to those tracks so much that they won’t work anymore, just like how I worry about drinking my twelfth diet coke of the day and still feeling lethargic.  I wonder if I should set aside that discography and find something new, and hope it will someday be my bridge back to 2011.  I hope that someone else out there is making something as mind-altering as the music I cherished 20 years ago.  And I wonder how I will find it, especially when I mention this to people and they say, “Oh, you need to listen to Arcade Fire.  They have like ten members or something.”

OK, now take this entire article and replace music with books.  Same thing.

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general

10 Absolutely Bizarre Wikipedia Articles

Whenever I get writer’s block, I hit wikipedia.  It’s arguable if it’s better or worse to fall down an internet k-hole by reading every single serial killer article you can find on wikipedia, but my hope is that I’ll eventually mine all of this for a good reference to throw in a story.

Here’s a short list of wikipedia articles that I’ve read recently that are truly bizarre:

  1. Banana equivalent dose – The amount of radiation you absorb by eating one banana.  (Yes, you absorb radiation from eating bananas.  Helicopter parents: let’s ban them!)
  2. Berners Street Hoax – Two men had a bet that one of them could turn a random address the most talked-about address in London in a week; antics ensue.
  3. Ota Benga – The Bronx zoo had a human as an exhibit.  In the 20th century.  This is a truly fucked up and sad story.
  4. FedEx Express Flight 705 – Want to read about one of the most demented hijacking schemes ever?  Here you go.
  5. Self-surgery – If you ever read alt.tasteless, you already know where I’m going with this one.
  6. Dyatlov Pass incident – When hikers wander off for no reason barefoot in heavy snow in the Ural mountains and are later found with fractured skulls, missing tongues, and no signs of struggle, a serious WTF situation occurs.
  7. Human Interference Task Force – How do you tell people for the next 10,000 years not to screw around with a buried crypt of radioactive waste?  The US government formed a task force of scientists, anthropologists, and science fiction writers to brainstorm this.  One linguist proposed creating a religion based on radioactive waste, that would create myths and legends surrounding the spent fuel rods, which would be handed down from generation to generation and eventually produce some asshole that would take people’s money to build a water park.
  8. New Swabia – Did you know Nazi Germany still has a territorial claim on Antarctica? You do now.
  9. Phineas Gage – My favorite story of a railroad worker having a metal spike drilled through his skull by an explosion and surviving.
  10. List of unusual deaths – This one is the god damned mother lode.  You could kill an entire day reading this.

Happy reading, and let me know your favorites, too.

Categories
reviews

Your Holiday Shopping List, Should You Choose To Accept It

It’s almost Christmas!  Or it’s almost Hanukkah, and maybe it’s almost Kwanzaa (not sure), and it’s definitely almost the Firestorm, if you worship Satan.  But it’s definitely that time of year where you spend your hard earned money on carefully thought-out presents for all of your family, and maybe get a fruit basket in return.  And a week from today, the criminally insane will converge on local big box stores to beat the shit out of each other to get a crappy DVD player made by slave labor in China out of toxic plastic, that will work for roughly 37 minutes before exploding.

So, you looking for some gifts that aren’t made by children in sweatshops that might actually promote an artist and maybe make a person think?  How about some books?  Here’s my list of books I’ve read lately that aren’t big-6 published, written by people without a massive marketing budget:

  • Small Town Punk by John Sheppard – This is probably one of the best self-published books I’ve ever read.  All of John’s stuff is awesome, and maybe I’m biased because I published Tales of the Peacetime Army.  Make sure to get the original 2002 edition, and not the 1997 abortion. (It’s not in print, but there are many copies floating around for $5, which is the best five bucks you could possibly spend.)
  • Mostly Redneck by Rusty Barnes – I only know him as a friend-of-friend through Timothy Gager, which was enough for me to put down the cash.  This is 18 short stories of hard living in rural Appalachia, and each one is so precisely crafted, with absolutely no waste.  He’s got a way of really haunting you, getting something wedged very deep in your head in a thousand words.  Great stuff.
  • Treating a Sick Animal by Timothy Gager – Speaking of, check out Gager’s latest collection of flash fiction.  It contains 40-some shorter pieces, each just as lethal as the last.  What’s even more amazing than the quality of his writing is the tremendous speed at which he turns out this precision work.  He’s probably written four stories better than anything I’ve ever done in the time it takes me to finish this post.
  • How Some People Like Their Eggs by Sean Lovelace – Lovelace is a writer in Indiana (he teaches at my sister’s alma mater of Ball State) and he has a blog that almost entirely talks about nachos.  There’s two things I like about this chapbook, aside from the quality of the prose.  One is that Lovelace has a way of coming up with very unique forms, twisting and clever structures that make me think, “god DAMN why didn’t I do that?”  (Example: the titular piece is a list of how famous people like their eggs.)  The other thing I like is that this is a real damn chapbook: a carefully designed, really printed on quality paper chapbook.  It’s not just a POD 6×9 trade paperback, which is awesome.
  • Johnny Astronaut by Rory Carmichael and I, An Actress: The Autobiography of Karen Jamey by Jeffrey Dinsmore – These are both kindle reissues of the Awkward Press editor’s earlier novels.  He’s added bonus materials to both, and priced them at 99 cents each, so they’re well worth the look.
  • Between Panic and Desire by Dinty W. Moore – This is truly awesome creative nonfiction, the telling of a person’s life in hilarious autobiographical sketches, knitted together in a way that tells more than the whole story, and then breaks to throw in some quiz questions or go off on a different tangent.  It’s like a mix of Vonnegut at his best, but replace the aliens with tripping acid at the top of the World Trade Center.
  • Powering the Devil’s Circus, Redux by Jason Jordan – A collection from the editor of decomP, this is a dozen stories and a novella of experimental work, with plenty of mention of metal, which I of course like.
  • Tomorrowland by Grant Bailie – The UPS guy literally showed up with this one as I was typing this post.  It’s a collection of interwoven stories, and looks promising.  I loved his books Cloud 8 and Mortarville, so this looks awesome.
  • Fistful of Pizza by Jon Konrath – Most importantly, buy my damn book!  Nine twisted stories, and it’s only 99 cents on the kindle.  Break in that new Kindle Fire by reading about a parody of the Ben Hur chariot race, filmed with small breed dogs around a set designed like a 1970s Times Square filled with heroin addicts and pornographers.  Also available in print for you luddites.

I’m sure I forgot a few others, but check these out – thanks!

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general

The Ides of November

This is how clean my car currently is.

I can’t believe it’s almost Thanksgiving.  Living in California has really put the zap on my ability to discern between months, since it perpetually feels like it’s April.  I guess we’re now going into the rainy season, and we’ve got more constantly gloomy weather.  This is the season where I never know when to wash my car, and it’s even worse now that I only fill up my car’s gas tank maybe every 6 to 8 weeks.  I usually go through the coin-op drive-through wash that gives you a $2 discount when you also buy a tank of gas.  The last time I did this, the person in front of me drove on the tracks wrong, then kept backing up and resetting the machine over and over.  I would have gotten out, went up to their window, and asked “WHAT THE FUCK ARE YOU DOING” except I was 100% sure that the second I stepped into the wash bay, the machines would start.

I haven’t updated in a while, and it’s more of the “what should I be writing here?” sort of thing.  Earlier this year, I made a concerted effort to post more weird stories here, and that resulted in a few issues.  First, the stories were all great, as far as I’m concerned, but I don’t think enough people found them.  And because I published them here first, I basically could not submit them to other zines or journals, who typically want first publication rights.  I realize what I should have done is submitted all of them elsewhere, and then reprinted them here later, or put the rejects that nobody wanted on this site.  Or I should have saved all of them and sewn them together into a new book, then published excerpts of it here.  There is something to be said with the constant demand to put new stuff here, and how that deadline forces me to produce more.  I’d honestly love to have a weekly column somewhere that absolutely forced me to write a thousand words, due at midnight Tuesday, every single week.  I just read that latest Bukowski collection, and that’s basically what forced him to write for a long time.  But print is dead, and blogs are dying, and within a year, there will be something like twitter that only lets you post a single word per update,  and super-micro-mini-flash fiction will be all the rage, which doesn’t bode well for a guy that can barely warm up in 500 words.

The other issue with this is that I never want to write journal entries here, the creative nonfiction sort of thing where I chronicle current life or past memories.  I’ve had a long conflict with which fork in the road to take with my writing, either the ‘straight’ fiction like my first book, or the strange absurdist humor stuff like my second book.  And the answer is very clearly the latter, since that is who I am and what I do best.  But sometimes I feel like I need to write a quick status update or rant or whatever, and maybe that’s the stuff that needs to live here.

So, yeah – status.  I tried to write a book for Nanowrimo and that did not work, for all of the usual reasons.  I started by loading up on caffeine and just capturing straight brain dumps of my unconscious memories, pure automatic writing at its most random.  The first takes of this were pure genius, but as I started to think about the scaffolding needed to continue this for 50,000 words, a plot started to unfold, and it became yet another generic Campbell Hero’s Journey ripoff about zombies and time travel.  And the more I overthought this, the more it became hackneyed and cliched and stupid.  So I quit just shy of the halfway mark.  I think there are some good pieces in there that could be turned into decent shorter things, but I need to seriously set that one aside and work on real stuff.

I also switched to a Kinesis Advantage keyboard, which has been a real albatross around my neck.  The contour and the key tactile operation is awesome, but it really requires you to be a touch typist, and I am not.  I practiced with a touch typing tutor program, and used the exercises that came with the keyboard, but it is still at maybe 50% of my normal typing speed, with a lot more mistakes.  The more I type, the better it gets, but I’m noticing a lot of common actions rely on muscle memory.  Like when I copy and paste, I don’t think “command-c, command-v”; I think left thumb and the two keys up and to the right of said thumb.  Moving the command key to roughly where the H is on my old keyboard makes me have to stop and think as I cut and paste.  And I don’t want to think when I type – I want the words to pour directly from my brain to the buffer.  Thought control would be nice, but I think that’s in the same category as jet packs and commercial travel to Mars.

My last book, Fistful of Pizza, has continued to sell at the rate that makes this most definitely a labor of love.  But I have been getting some very good comments on it from people, which is nice.  I have about enough stories to publish another collection like this, and I’ve been editing and messing with that a bit.  I have no title and no idea on the cover, and I don’t want to sink my productivity by spending all of my free time browsing stock photo sites forever.  I also don’t want to pay someone hundreds of dollars to design a cover for me, so this might take a while.

Things have been otherwise quiet.  Sold the old house, just about to finish buying the new one.  I’ve been reading a lot of independent authors lately, and should probably post a list  of all of them.  I got the new iPhone, which I like.  I had to upgrade to Lion, which I do not like.  It’s cold here now, although I now define “cold” as 50, whereas I was born in a place where “cold” was roughly -60.  I will feel the wrath of this when I do the usual Midwestern holiday visit next month, which typically involves a temperature change of at least 50 degrees, an almost mandatory head cold, and some amount of shoveling snow.  It should be interesting.

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general

Everlong

I somehow got sucked into watching this documentary about the Foo Fighters yesterday.  I have a generally neutral attitude toward Dave Grohl and his band; I vaguely thought he was an interesting guy, based on the fact that he later did some work with Lemmy and other heavy metal icons in Probot, and he could have just fucked off after his time with Nirvana and played golf or something, but he decided to keep going with music and keep grinding it out, which is more endearing to me.

I was probably too busy trying to collect every obscure Carcass bootleg to really pay attention through most of the Foo Fighters’ rise, but I found a lot of the music in it oddly familiar.  Back when I worked at Spry, a fair amount of CD swapping went on when we spent long hours locked in our respective offices, and someone had a copy of the band’s first album, which I must have spent some time playing while toiling away at whatever Windows Help project I was screwing with at the time.  I think I also heard a lot of the songs on the radio back in the late 90s.

That part of the documentary set off the nostalgia works in me, the stock shots of mid-90s Seattle that reminded me of my time there.  I lived in two different Seattles, and one was those cutaway shots of Belltown coffee houses and the old Moore Theater and a monorail in the background, the Seattle of Singles and Sub-Pop bands and freaky art galleries and experimental films in the back of the Speakeasy bar and grill where 17 people showed up to watch a video of a guy from Idaho dressed as a very unconvincing Olivia Newton John singing badly at a talent show.  (Seriously.)

(The other Seattle was the one that, I think, made me eventually leave, which was the October to March solid grey sky and pissing rain and constant 48 degrees depression.  I liked my time in Seattle greatly, but that part of it, that seasonal affective disorder catalyst really put the zap on me, made the walls close in on me.  I think if I would have moved to a bigger apartment, would have gotten into the habit of jumping on a flight to Vegas for a 4-day weekend every once in a while, and would have bought a full-spectrum light, I probably would have hung in for much longer.  But I didn’t, and I lasted four years.)

I used to listen to a lot of radio back then, which seems strange to me now, especially since radio has all but died.  But between tapes, I’d listen to 107.7, which was the big “grunge” station in the 90s, when Seattle was the capitol of alt-music fame.  I never really got into grunge, and by the time of my arrival in 1995, the movement had all but died, but Marco Collins and the rest of the KNDD staff still pumped out a lot of now-classic alt-rock that got stuck in my subconscious.  I had my own very specific programming for writing and in-car music, but I would fall back to whatever The End played, especially during late nights.

I remember many Fridays when I’d do the usual routine of Denny’s and Tower and Borders and back home for hours and hours of trying to write these god damned books.  I’d load up my 6+1 CD changer, and after those ran through, I’d flip on the radio.  And all of these songs would play: Smashing Pumpkins, Presidents of the United States, Everclear, Beck, Garbage.  And the Foo Fighters would always appear in the mix too.  At that point, that late at night, or early in the morning, I wouldn’t be paying any attention to the lyrics or artists or whatever, because I’d be so burned into the words and the muse, but now I hear some of those old songs and it reminds me of those late nights, trying to get the rest of a chapter done before the automatic sprinklers seven stories down would switch on and fill the background with their hissing and clicking, signaling that it was once again 5:00 AM and the sun would start burning across the horizon and it was time for me to dose up on Tylenol PM and quit for the night.

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general

On the death of a New Balance customer

So Steve Jobs died, right on the heels of everyone taking a shit on the iPhone announcement and the new model not being able to read minds, turn straw into gold, or last sixteen weeks on a one-hour battery recharge.  Cause of death is assumed to be his pancreatic cancer, but this is a guy who was in the middle of a fierce legal battle with a company that uses PowerPoint for design documents, bug databases, legal briefings, and product mockups, so it’s possible he bought it from extreme eyestrain.  At any rate, the internet is swimming with heartfelt tributes from weepy Apple fans who are all remembering how Jobs invented the Apple II, Mac, and iPod, which is news to Steve Wozniak, Jon Rubenstein, and Jef Raskin, respectively.

I got started on the Apple II way back in grade school, although when it came time to actually own a machine, I got a Commodore 64.  That was a no-brainer; a C-64 cost $200, and a similarly-equipped Apple was about two grand.  And when it came time in college to gear up, a Mac Plus cost about $2500, while a cobbled-together PC cost a few hundred bucks.  By that time, Jobs moved on to bigger things, like the NeXT computer, and I took many a walk across campus to screw around on those high-end magnesium black cubes.

Even though I made a living helping people deal with their dying Macs over the phone (“shut down all of the other apps; reboot; zap the PRAM”) I never actually owned one. I did, however, identify as a Mac User.  Between a few long-term loans of old classic Macs and the hours spent in the Mac labs on campus, I did quite a bit of work on the machines.  I laid out my first zines in Pagemaker, and used the GUI-fied version of WordPerfect back when the 5.1 PC version was just a blue and white DOS box on a screen.  I probably identified with the Mac as some form of rebellion, of being different than all of the other masses of business school droids sitting in front of Windoze machines, plunking away at Lotus 1-2-3 spreadsheets.  And back in the early 90s, if you wanted to edit images or record sound or cut movies or do page layout, you used a Mac.  PC people could whip out the virtual dick measured in kilobytes and megahertz and brag about how much more they got for their dollar, but at the end of the day, they were sitting at a C: prompt, typing in all caps.

I eventually bought my own Mac, and have since bought a bunch of different iPods and iPads and iPhones and other iStuff that has made life easier and more fun.  And Steve Jobs was somewhat responsible for that, or at least responsible for the company from not completely going into the shitter in the late 90s.  But it always irks me a bit when people say he “invented” the stuff.  I’ve always been more of a fan of the Other Steve and his hacking of hardware that eventually led to the Apple II, or the futurist (and former tech writer) Jef Raskin, whose ideas about different computing paradigms eventually transformed into the Macintosh.  I’ve always liked the design of the Mac, but that’s also not entirely his deal, either (Jerry Manock).

Jobs falls squarely into the schizophrenic relationship Americans have with CEOs.  They don’t deserve their high salaries, but when a company fails, it’s entirely their fault.  They don’t invent things, but they do.  I am not saying either of these is right or wrong, but it amazes me when people believe both of these things.  And in the case of Steve Jobs, it always infuriates me when people think a CEO should single-handedly be involved with every aspect of a company.

This management belief is the one thing that pissed me off the most about Jobs.  Not that he did this incorrectly, but that he led so many managers to believe that if you acted like an egotistical asshole and got your thumbs in every aspect of a product’s lifecycle, you would be treated like a goddamn genius and get fantastic results.  I’ve worked for several managers like this, the kind of people who are in charge of a billion-dollar company, but need to copy-edit every single page of a stupid user manual that nobody will read, and then waste all of your time insisting they know more about technical writing than you do.  Just because Steve Jobs did the same shit, doesn’t mean anybody that did that would get the same results.  It’s like suddenly becoming a Nazi sympathizer will somehow help you become a leading auto manufacturer.

Probably the thing that freaks me out the most about the death of Steve Jobs is that he was only 56, and I’m now pushing 41, and I’m not exactly making billions of dollars on any of my companies.  I’ve always hoped that by the time I got some form of cancer, the medical community would be able to inject cell-repairing nanobots into my veins and the whole thing would go away in less time than it would take for me to jet-pack over to the local Mars shuttle and catch some lunch on the red planet.  Of course, now 58% of the country believes that science should be banned from schools, and I realize I am fucked.  I should probably eat some more vegetables or something.

Anyway, Command-Option-P-R, Mr. Jobs.  Thanks for not making me spend a fifth of my life trying to figure out what the fuck copy of d011v109.sys I need to download every other time I need to read a CD-ROM.

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general

Targeted Nostalgia

Two unrelated things that aren’t have thrown me into a fit of nostalgia today: baseball and Target.

It was the last game of the season today, and despite the fact that the Rockies had a catastrophic time this year, I forced myself to listen, to take the pain and punishment of hearing them fail miserably. They won, despite having a skeleton crew of almost all third-string players and late-season replacements against a World Series-defending team. It got rough for an inning, and I thought it would all fall apart, but they pulled it out, and ended a dismal 2011, well below the .500 mark.

I listened to almost no games this year, because after about May, things imploded like an old Vegas casino making way for a new chrome-and-glass monstrosity. And this is the first year I didn’t see any Rockies games in person. In fact, I only went to one game all year, mostly because I can’t stand watching the Giants about as much as I can’t stand going to games at Oakland Coliseum. So there was a certain nostalgia to firing up the game audio today, the same way I feel after it’s been a long winter and I tune into that first game, hear the familiar announcers, get all of the standard commercials and station identification bumpers and little audio touchstones that bring me back to the summer I lived in Denver, pulling in the 850 KOA signal on my AM radio.

My year in Denver had two distinct eras, the first being the summer of 2007, when I worked from home for Frankov’s startup, and went to every day game I could afford at the one-block-away Coors Field. But then, almost exactly four years ago to the day, I got a job as a tech writer for this internet security firm. I didn’t know anybody in Denver, and suddenly found myself driving an hour a day to this high-tech campus, or as high-tech as the area had, at least. I was the second tech writer, and the first was totally consumed with his work, so we almost never talked. And because of the strange reporting structure, my own introverted mannerisms, and this mild disconnect between me and the work culture of the tech industry, I didn’t hang out with many people at work.

What do I mean by the work culture? I guess every place I lived had its own style or flavor of the tech industry. Seattle in the mid-90s was very Microsoft-driven; MSFT was practically printing their own money, and every company was either trying to keep up with them compensation-wise, was somehow dependent on them for their livelihoods, or was trying hard to be the exact opposite of them. New York was very Wall Street, except for that minor blip of “silicon alley” doofusism that vanished when the NASDAQ did. Silicon Valley is Silicon Valley, the gold standard of tech company behavior, no explanation needed.

But Denver had its own odd little identity. There were pockets of high tech, but it was held back by this attitude by some who thought it was still the wild damn west out there. Denver 2007 was just barely Seattle 1997 to me, and socially, it felt like one in maybe five people belonged to some outback conservative christian church with kids in a lockdown academy and a barefoot wife at home. This was the land of Promise Keepers, Ted Haggard, megachurches. I’d seen worse — I spent a dozen or so years in Indiana where the ratio was more like 5 out of 6.  But it wasn’t just the politics or religion; it was a combination of that, of age, of technical background, that made me feel like an outsider there.

The job didn’t have a cafeteria, and we sat four people to a mega-cube with low walls, so the idea of brown-bagging didn’t appeal to me. Instead, I’d get in my brand new little car, and drive around the neighborhood until I landed at a fast food joint. The office sat on the edge of nowhere, a half hour south of Denver, an area with a few golf courses, an executive airport, and a whole lot of high mesa desert occasionally punctuated with strips of prefab big-box culture dropped on straight roads spaced apart at a mile per. Twenty years before, it was probably all barren cattle-grazing land, when an invisible SimCity player in the sky clicked and dropped all the big names down: Safeway, Chipotle, Chili’s, and Target, with a peppering of Subways and cell phone stores. From horizon to horizon, you’d see the orange-brown Colorado high plains, littered with the same exact stores I’d seen in every other place I’d lived or visited.

I’d always end up at the same two or three places, mostly Taco Bell or McDonald’s. I’d always bring a book, sit in my car, eat the same thing every day and read. The Yaris still had the new car smell and the novelty of car ownership I’d missed during my time in New York. I think I told Sarah one time about how I preferred to eat alone like this every day, and it depressed her, but I liked it. After almost a decade of being surrounded with ten thousand people in the same city block as me, it felt so nice to be absolutely alone.

It would take me five minutes to drive to Taco Bell, and ten to eat my Mexican pizza and nachos. That meant I’d had another 40 minutes to kill, until I’d need to tech write my way through the back half of the day. I’d inevitably end up at the big Super Target on Lincoln, this massive version of the familiar red department store, a two-story version with a double-decker parking lot and a grocery store welded to the side. I’d sit on the top deck of that garage, and you could see this great expanse of nothingness to the south, rolling hills and scrub brush and mountains in the distance, the ribbon of I-25 stretching from Lone Tree and vanishing on the horizon of Castle Rock. I’d go to Target for everything and nothing, to look at the twenty-dollar polo shirts and the seventeen different kinds of car air freshener, and end up with a case of Coke and some new cat toy we didn’t need.

But I mostly went to watch, to see who ends up at a Target in the middle of the day. And the answer, at this Target, was apparently nobody, because I’d only see a small trickle of stay-at-home moms, all younger than me with a gaggle of kids in tow. This wasn’t like the LA I’d know a year later, where in the middle of the day, you’d see all kinds of people and wonder who in the hell actually worked in a town like that. This reminded me of the solitude of working a day shift at the mall back in Indiana, where you’d only run into geriatrics and pediatrics. It had this certain feel to it, a feeling that I shouldn’t be there, the same feeling I had when I skipped a day of high school and saw a world I didn’t belong in.

And the visits to Target tied into that first era. Sarah worked a lot at her job, working nights, weekends, long days. And we didn’t have cable, didn’t watch TV, didn’t do much of anything outside of work except try to regroup to get ready for more work. And it seems like we spent an inordinate amount of time at the Stapleton Target, undergoing consumer therapy by experiencing the big box lanes of SKUs in a store that we didn’t get to experience in Manhattan. We’d end up with hundreds of dollars of damage in those white and red bullseyed bags, Method, Archer, Market Pantry. I’d have the next PlayStation game that would consume my off-hours in my little office, and whatever little cellophane-wrapped junk food I’d consume at my desk while listening to those games and not writing my next book. But those trips to the world outside the womb of my home office were strikingly themed by the uniformity of the Target experience. And when the first era quickly ended and the second era made me miss it, those trips to another branch of the same outlet let me briefly revisit my lost summer.

Now, four years, later, twelve hundred miles away, and 5280 feet lower, everything is different, except a daytime run to Target. They just built a new one, about a mile from my house. Now that I work from home, I’ll end up there after lunch, to pick up a case of (now diet) Coke or a box of Claritin. And it’s a different shape, a different layout, but the same experience, the same types of daytime shoppers, the same red-shirted staff and aisles of things I don’t need but will probably buy.

This nostalgia is a painful and potent drug for me, something it’s very easy for me to get lost in.  I can waste far too much time exploring the connections and bridges of a present day to the past, grasping at these raw feelings I try to replay as a time machine to a distant era or pleasant memory.  I stumble across these things, like the smell of a faded air freshener or an old receipt to a lunch from 2002 stuffed in the back of a book, and it can trigger this rush of thoughts back to that time.  And I spent 1999 wishing it was 1992, and 2008 wishing it was 1989, and now bits of 2011 wishing I could open a window to 2007 and take a quick look again.  I wonder if I’m the only person who does this, if I’ve accidentally segmented my life into these predefined periods by moving and changing jobs, or if it would be the same if I still lived on the same street in the same town where I grew up.  It’s hard to be present in now, except that I know at some point in the future, I’ll be looking back and remembering 2011 again.  And maybe the bridge will be a consumer store, or maybe it will be a kind of food or a song or the sound of an appliance or the smell and feel of an autumn breeze at the tail-end of a long summer.   But I know that it’ll happen, at some point.

And now, I’ve gotta stop doing this, and go immerse myself in the now of trying to write my next damn book.  Stay tuned.

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general

Eversion and the mass-hallucination we call life

So Facebook recently fucked over its entire interface.  That’s big news and not big news; I mean, it’s been beaten to death in various memes, even though it just happened a matter of hours ago.  It’s big news in the sense that a somewhat-usable product has been made into a much less usable product.  It’s not big news in the sense that we’re all marching to our graves at a rate of an hour every hour, some a bit faster than that, and nobody really gives a shit about various wars and economic disasters as much as they care about the order and sorting of various updates from their friends describing their bowel movements.

What’s interesting to me is how social media sites have changed our abilities to disseminate information.  I’m almost convinced you could film an entire movie backwards, or edit it together so the events happened in reverse-chronological order, because people are so used to following feeds of information like blogs and twitter backwards.  Everyone complains about how twitter and texting is killing the letter or the long-form prose entry, how people used to write long letters, which were replaced by long emails, which were replaced by blog posts, which were replaced by 140-character bursts of information.  And I suppose that’s true.  But I also wonder about people’s ability to glue together narratives from disparate entries of text, and how that will change our perception of reality.

William Gibson, the guy who invented cyberspace, later claimed that we are already in cyberspace.  (He called it everting.) He didn’t mean that we had stupid goggles glued to our head or were immersed into some Tron wet dream.  I think back in 1995, those Lawnmower Man days, I thought there would be a sudden tipping point where computers would get enough horsepower and the right neural tap so that we’d be able to spend time in a simulated reality.  What happened instead is a parallel reality was created, and it slowly became woven into our daily lives, until we reached the point where more of this cyber-reality existed than our actual lives, and I don’t think anybody really realizes it.

Maybe I’m a bad example of this, but the bulk of my social interaction now takes place over TCP/IP.  I work from home, and aside from two meetings a week, I conduct all of my work through emails and chat rooms and bug tracking software and wikis.  And technically, my phones run through VOIP, so those are also funneled through the ether.  I talk to friends in email; I post on this blog; I write twitter updates and reply to Facebook posts; I do pretty much everything online.  I shop online; I sell books online; I post the high scores of my video games online, and prior to cutting my copy of Call of Duty in half because it was consuming all of my free time, I played against and with other people solely through my network connection, in a virtual reality where we blew each other up in deathmatches.

Look at all of the stuff that has been replaced by a digital counterpart: you download songs in iTunes instead of buying a physical CD; you get your software in binary form from an app store instead of a shrink-wrapped box.  All of your photos are JPEGs and TIFFs instead of printed on Kodak paper.  Maybe you haven’t moved to e-books yet, but a lot of people have.  Films?  Tax forms?  TV shows?  Calendars?  Maps?  It’s all another subdivision of cyberspace.  Sure, you aren’t sitting at a digital desk in the Matrix and whipping your hands around in the air to manipulate these objects.  But instead of having this completely separate world you enter by jumping in a holodeck or a VR isolation tank, you’ve got an infestation of these objects peppered throughout your regular blood-and-guts reality.

All of this works, until part of it radically changes.  In the real world, you don’t wake up and suddenly find that every house in your subdivision, instead of being arranged on streets in numerical house-number order, were sorted by their frequency of use or color.  But in a virtual world, you’re at the whim of its maker.  When you get used to consuming those status updates in chronological order and they’re suddenly sorted by some piss-poor AI that thinks it knows what’s most important, you obviously throw a fit.   Another example of this — also this week — was when Netflix suddenly decided it would be a great idea to take their existing service and split it into two parts, which completely upends the decade-old experience of putting stuff in a queue and expecting the discs to come in the mail, by complicating the situation with two entirely incompatible queues, one of them having a bafflingly stupid name.

I don’t know anything about human factors (I’m sure A’s dad could give me a lesson on it) but there’s gotta be a term or a threshold on how people react to sudden changes like that.  But is it something learned?  Will the kids born in 2011 who live a lifetime of CEOs with completely stupid UX ideas making dumb adjustments on the fly instantly adapt when their reality is suddenly shifted?  And how will a generation of people like this change the way companies work?  I grew up in a generation that, for the most part, always had email and always knew how to get on a computer and enter in a URL.  So companies started saying “fuck it – don’t ship a manual; just put the URL on the box and let them figure it out” or “we don’t need to staff a toll-free hotline, just have them email when they need to order new checks/change their password/whatever”.  And I’m fine with that, but the generation before me freaked the fuck out, and every Andy Rooney type started in with the “REMEMBER WHEN YOU COULD GO TO THE BANK AND GET THE TELLER TO HELP YOU” crap.  In twenty years, will I be saying “REMEMBER WHEN EVERYTHING WAS IN CHRONOLOGICAL ORDER?”

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general

Dot Matrix and Word Processors

I was writing about something completely different the other day, and went on this side diversion about dot-matrix printers, and thought about how a giant subset of the population (like everyone born after about 1985) never had to deal with them, while I spent far too many hours fighting them in computer labs, pulling apart the intricate pieces to pry loose jammed scraps of paper that got worked into the machinery.

There’s so many distinctive features of this whole era of printing that are long forgotten.  Dot matrix printers usually used eight little pins to stamp a ribbon as the print head jumped across the page.  My friend Matt had one of these, the Commodore 801, and the thing I remember most about it was that it was unidirectional; the little print head would zip across the page at a breakneck 50 characters per second, then the page would move up a line, and the head would return to the left.  But it didn’t print on the sweep back to the left, which meant it was half as fast as the expensive printers that would print on both passes.

The printers were also tractor-feed back then.  The paper had those little perforated runners hanging off of each end, little strips with holes in them, and the box of paper was fan-fold, so you could feed in the sheet and it would continuously chew through the giant thousand-page sheet of paper in a carton.  Then, after you spent 20 minutes staring at the printer, hoping the thing got through your term paper in one pass, you then had to fold and tear apart each page, then tear off the feed strips on either side.

And, of course, that never worked right.  If you didn’t line up the paper exactly, turning the little knob on the side of the printer, the end of the physical page would not match up with what the computer thought was the end of the page, and you’d get this mangled mess with a blank strip of what was supposed to be the top and bottom margins in the middle of the printed page.  The whole operation of aligning and feeding and advancing paper was a precision thing, and if the paper got folded or creased or otherwise fucked up, the printer would have no mercy and create an origami disaster out of your precious schoolwork.

The output of a dot-matrix looked like shit, and they did a lot of little tricks to get it to resemble actual type.  Like some printers had this “near letter quality” feature, where they’d do multiple passes on the same line to get a higher resolution, and they started adding more pins.  When I was at IUSB, we had armies of these Panasonic KPX-1124 printers, which had 24 pins instead of 8.  These pieces of shit were the bane of my existence back in 1991, and I spent untold hours tearing jammed paper out of these while some dumpy housewife screamed at me about her Psych 101 paper getting trashed.  (If you ever did time around one of these, watch this video and tell me if the clunking sound of that print head slamming into the left margin over and over doesn’t make you go full postal.)

It seems like everyone forgets the other bastard child of that era that made perfect typewritten letters, at the sake of glacial speeds and 120-decibel print runs.  The daisy wheel printer had a hub with a bunch of little spokes coming off of it, each one carrying a little type letter.  It could spin the wheel with a servo motor and then hammer it against the ribbon with a solenoid, making an ink impression that looked exactly like a typewritten page.  These were a big deal if you were printing out things like college admission letters, or you had an English teacher that had a hair up their ass about dot-matrix printers and wanted you to hunt down a selectric and hammer out the damn thing the old fashioned way.  Daisy wheel printers were louder than fuck, and a low-end model typically cost more than your entire computer.

But not everyone had computers.  When I was in high school, I had this “word processor” which was a glorified typewriter, except it had a single line of an LCD display, and it used a thermal print head.  It took these cartridges of some kind of crap that it could transfer to a page with a set of heated pins.  If you have one of those label maker machines, it was a similar deal, but masquerading as a desktop machine.  I think you could only type in one line at a time, and then hit return and wait a minute for it to etch onto the paper.  This wasn’t the best machine for stream-of-consciousness writing, but it was way faster than hunt-pecking on the K-Mart manual typewriter I got at a garage sale as a kid, where you’d type any faster than three characters a minute and all of the little hammers would get wrapped around each other and jam.

I somehow lucked into finding this girl in my freshman year of college that thought I was some kind of writing genius, and got her to type my papers for a semester.  I guess that sounds sort of chauvinistic, but that’s an arrangement that I feel sorry the current generation won’t find themselves in.  The “can you help me type my W131 paper?” pickup line has gone the way of the dodo.

After I wasn’t able to fully seal that deal, I dated someone who bought one of those Brother word processors, which were a very brief halfway-house between a typewriter and a computer.  It was this huge microwave oven-sized thing that was a fusion of a printer, a tiny CRT monitor, a keyboard, and the Notepad.exe program in ROM.  You could type a few pages at a time and then save them to a floppy disk (which was totally incompatible with any other computer) and then when you got it all situated and edited, you pressed a key and it would spit out the creation on actual paper.  My roommate Kirk later had one of these beasts, and I think I remember Larry working off of one for a while.  Here is a nice video of one in action.

Now, computers are cheap as hell, something it seems that most people forget, and laser printers or nice inkjets are everywhere, and we don’t really think about stuff like this.  But I remember the smell of the fine paper dust inside of a monster line printer on campus, one of these washing machine sized beasts that would mass-print thousands of pages off of VAX computers, so long as one of us consultants hooked it up with the occasional corrugated cardboard box of 17″ wide tractor feed paper, that cream and light green-lined stuff.  Every now and again, some idiot would send an ASCII-art dragon to the printer, a giant picture rendered in letters that would print banner-style across three dozen pages of paper, over the course of an hour.  (Even better, when you’re sitting in a public lab and someone in a dorm sends through a picture of a Penthouse Pet done up ASCII-style.)  That was all infinitely better than when someone would accidentally dump a binary file to the DEC LG06 in the library, and it would spit out page after page of random junk until you could get an operator in the machine room to kill the queue.

My last hurrah with dot matrix was about five years ago, when I bought a Tandy 100 off of eBay.  The guy threw in a bunch of other random crap, including a Radio Shack printer from circa 1985, with some bizarro serial cable and no chance in hell of ever working with a machine produced this century.  It went straight to the dumpster, but I probably should have videotaped it going off of a four-story building, or getting it Office Space style with a baseball bat.

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general

The Replay

I’ve been dreading this post for years, but it’s a band-aid I need to rip off.

I was at this acupuncturist in Berkeley a year ago, in some stupid last-ditch attempt at getting rid of my allergies.  (It did not work.)  And I remember laying on his table, with a dozen needles in my arms and feet and face, thinking, “I really should post something today, but I don’t want to regurgitate the same old shit, and it’s only the nine year anniversary.  I’ll wait for an even ten.”  And it’s now ten years, and everyone is either waving their flags and beating their chest and ringin’ them bells, or they’re talking about the folly of spending two billion dollars a day to catch a man that’s already dead.  And every show on TV this weekend is trying to get their spin on it, about how the world of cooking shows or pet rescue or hillbilly alligator hunting was forever changed on this day.

Seriously, fuck all of that.

It all makes me replay the day, and I do that a lot, but I don’t really think about who I was on September 10th, 2001, and what really did change.  And I play this game a lot, with a lot of other arbitrary dates.  I pull up old pictures or dig through old emails, wondering what person I was on 9/11/01 or 7/4/92 or 1/20/97 or any other date.  And I try to reconstruct it, and I always find information I’d totally forgotten.

Here’s how it ended:  I’d been sober a year, more or less.  No meetings, no steps; I just quit drinking.  But that night, my power was out, not because I lived in lower Manhattan, but because my stupid landlord had my entire apartment on two 15-watt breakers, and I was watching the news coverage on NY1 as I was running my computer and cooking in the microwave, and I blew a fuse.  And the fuse box was in a locked box in the basement, and my landlord was in Italy for a month.  So I had no power, in half my apartment, and ConEd had bigger problems on their hands, so I walked to Rob’s and he offered me a beer, and I started slamming them away.  It wasn’t because, like usual, I needed to be the life of the party and get blotto and do stupid things to make everyone else laugh.  It was because I thought if there’s ever a time to fall off the wagon, watching thousands of people die and two skyscrapers collapse was probably that day.

What I know about the weekend before: I just switched jobs, and I thought it was a huge mistake.  I was in way over my head, working as a lone writer surrounded by people who were 18 steps ahead of me.  I think I was the only person in my section of the cube sea that didn’t have a PhD.  I’d moved to New York to be in a relationship, and that ended; I’d found this job at Juno, which started out pretty awesome, and that ended.  I forgot all about this, but I’d emailed Frankov that weekend and asked him if there was anything going on out in SF, if I should pack it in and move out there.  This was post-NASDAQ crash, and he said don’t do it unless you can line something up, and that he lost his job and his apartment, and was now couch-surfing and stringing together a bunch of scraps of contract work to keep alive.  I don’t remember why I wanted to move to San Francisco, except that I wanted to leave New York, and I wanted a lot of different things, depending on the time of day.

I finished my first book the year before, and it didn’t really sell.  I was struggling with finishing my second book, and in this weird funk where I didn’t know how it would ever end.  I was constantly printing drafts and editing them on the train and putting the pieces on index cards and rearranging them on the floor of my apartment and dumping the whole thing into spreadsheets to try and untangle this mess of a book into a cohesive 200 pages.  I’d start with a fresh printout, and read the first page, and think it was perfect, then move to the second, and by the 3rd or 7th or 12th page, I would get sick of the whole thing.  So the first page was damn near perfect, and pages 150-200 were unbearable.

The first page, the first section of the book starts with a scene where all of lower Manhattan was accidentally blown up by a nuclear bomb.

So on the 10th, it was a Monday.  I spent all weekend trying to buy a car on eBay.  I had a good lead on a 1980 Z-28 that some kid in Queens was trying to unload.  It had no exhaust, and there was no way it would pass a NYS emissions test.  He would reply to my emails in all caps, but not answer my questions.  I bid on an AMC Gremlin in Staten Island, but got outbid.  I also looked at a 1982 VW Rabbit convertible.  I owned one in ’92, the one in Summer Rain.  I bought a second one in ’98, when I was writing said book.  Why not a third?  But I figured Ray and Larry would give me unending shit if I bought a sorority chick car.  And I didn’t have a place to park a vehicle, and had no need for one, except for that desire to do what I did as a kid and hit the road when I got depressed, drive for one side of the tape, flip it over, drive back.

I wanted to go to Iceland.  No passport, too expensive.  I spent two weeks in Florida that summer, doing nothing in a motel room, trying to write, sleeping all day, taking long walks at night.  It just barely scratched the itch, and I needed more.  I talked to A about coming back to Bloomington to do a book reading, but I couldn’t get away with coming back to Indiana and not visiting my family, which I really didn’t want to do.  I thought about taking a flight to Nebraska, finding a Motel 6, locking myself in with no internet and nothing but the laptop, and finishing this damn book.

That afternoon, it poured rain.  I bought a lunch at this crap Chinese place downstairs, and it was inedible, so I went to Wendy’s, and it wasn’t much better.  I gave up on lunch, and went to the JetBlue web site, trying to find a vacation for October. For some reason, I bought a plane ticket to New Orleans.  I didn’t know where I would stay or what I would do, so I emailed Suzanne and Chuck, the two people who I knew who spent some time down there.  (I don’t know why I didn’t email Bart, who later became the face of Katrina for a lot of us.)

Chuck’s dead now.  I dug through all of his old emails when he died in 2007, and saw that he was one of the many people that emailed me on the 11th and 12th asking if I was still alive.

Everyone worked at this new place until 6, 7 at night.  Startup mode.  I stayed until 7, then walked in the rain, and took some pictures of people on the street, up by the Tower Records at Astor Place.  One of those pictures ended up being the first cover for Rumored to Exist.  I walked to Kiev, the Ukrainian greasy spoon diner, one of my favorite places to eat, and red-penned a draft of Rumored.  I got through the entire draft while eating pierogies, then set off to catch the N back to Astoria.

Right outside of Kiev, I ran into John, this guy I used to work with at Juno.  He said he was on the way to see a play, because he got a job reviewing theater for some random newspaper, and asked me to tag along.  We walked through the East Village to get to this Alphabet City theater, one of those hundred-seaters that’s probably a cupcake bakery now.  On the way, it poured rain, the standing-in-the-shower-fully-dressed kind of rain.  When we got to the theater, I took off my new dress shoes and literally poured out a half-liter of water.

The play was insanely boring, and I left after the first act.  When I got to the train, I realized that my draft of the book, filled with comments, had turned into a chunk of runny pulp, all of the precious corrections now a smear of pink nothingness.  I got home and took everything out of the bag: my digital camera, the minidisc player, all of my books and papers, and decided to straighten it all out in the morning.

For the record: Kiev is gone.  The Tower Records is gone.  The company I worked for is moving out of their office this month.

Digging through the old emails, I had a couple of online dating prospects going on.  One was a theater actress who would later go on to be Neighbor #2 in a Law and Order episode.  The other, who I really liked, was an artist and trained dogs.  We met up once, and I really did like her, but we never connected, and in all of our later emails, she kept talking about how she was trying to leave town because we were going to get hit with another attack any second now, which was always awkward.

Tuesday morning: my dress shoes were warped and damp and completely unwearable, but I put them on anyway.  I only needed to walk to the train station, then I could take them off and let them dry.  My bag was still wet. I threw out the pulpy Rumored draft, and decided to leave behind my digital camera.  I always brought it to snap pictures of New York streets, but I figured I wouldn’t miss anything if I left it home for a day.

I got on the N train.  I hated the N, and they just changed the schedule, adding this W train that skipped stops and ran express and made it more difficult to get to work.  The N crept into the city, and once we got past Lex, it kept getting held up at each station.  I figured it was this god damned schedule change, that the MTA had fucked it all over, and my commute would be forever filled with these delays.  It’s maybe ten till 9:00, and I was hoping to get to work by 9:00, but it’s obvious that’s not going to happen.

It’s about 9:00, and the train is being held at Union Square.  Someone gets on the train, a hispanic guy, and starts talking to me, but I have my headphones on.  Nobody ever talks to anybody on the train; it’s like using a urinal: you don’t talk to the person next to you.  I realized this was not a panhandling attempt, and took off my headphones.

“Someone flew a plane into the World Trade Center,” he said.  “They stole a plane and crashed it.”

The train was full of murmurs and misinformation.  I remember once reading about how a B-25 crashed into the Empire State Building during World War 2.  It took out a whole floor, killed a couple of people.  I figured someone stole a little Cessna or something, broke out a bunch of windows and started a big fire. I think this happened a few years before, a kid stole a Bonanza prop plane in Florida or something and flew it into his work building in the suburbs.  I wonder how they get a plane out of a building when it’s a hundred stories up?  They can’t use a crane.  I started playing engineering scenarios in my head, how to disassemble a plane with cutting torches, when the subway doors closed and the train slowly ambled south.

The N train, the train I was on, went to the WTC.  It stopped at Cortlandt Street, and you could take a tunnel into the lower concourse, and end up at the big underground mall.  When it was cold in the winter, I used to take the train there and go to the Borders at the WTC all the time.  Rob worked there, and would get me his employee discount, so I bought many a Bukowski book in that store.  That Borders is obviously gone.  And now all Borders are gone.

Just after 9:00, the train stopped again at 8th.  I anticipated another long wait, so I got out and started walking south on Broadway, to the office.  Gary, the company’s CPA, is outside of the office frantic, red-faced, looking like he’s about ten seconds from a massive heart attack.  He tells me that a bunch of people from the company are at a meeting on the 106th floor of the North tower.  The office is just north of Houston and Broadway, and I see a huge plume of smoke in the air.

The office is chaos.  Nobody has a TV; someone is trying to find a radio; our phones are alternating between working and a fast busy signal.  Nobody knows who’s at the meeting and who is en route and who hasn’t left home yet.  Nobody knows if tower 1 is the north tower or tower 2.  Someone reports that a second plane hit the other tower.  Some people are outside watching; some are trying to get their computers to work to pull up a news page.  CNN, MSNBC, and every other news site is completely unreachable. Google still worked, and they put a one-paragraph note on their minimalist index screen. (This would end up being the birth of the Google News page.)

I realize I don’t have my camera.  I walk across the street to one of those film developing/passport photo/lotto ticket places, and buy two disposable cameras.  I start walking south on Broadway, taking pictures.  I’m still thinking, “How do they put out a fire that high up? How are they going to repair this?”  For some reason, the WTC on fire reminds me of the image of King Kong on top of the towers in that horrible 1976 remake.

I see an unmarked cop car, black tinted windows, speed up Broadway the wrong way, sirens blazing, lights on.  It’s covered in about three inches of powdery grey dust.  It looks like the dust you used to see in Mt. St. Helen’s footage in the 80s.

I walked south, took pictures.  Some people were walking away from the scene, walking north.  Some police were trying to block roads, but there was so much disorganization, nobody knew what was happening.  I saw an F-15 fly over the Hudson river, at a ridiculously low altitude, maybe a few hundred feet, on its side, probably approaching Mach.  I’d never seen a fighter jet fly that low, that fast, even at air shows.

Almost ten years later, I’d see that same exact jet, same serial number, same markings, now retired and at an air museum here in California.  I touched its grey camouflage paint, the metal skin on the side by the cockpit, and instantly remembered all of this.

I went south, past Canal, snaking down West Broadway, and reached Finn Square.  By that time, the cops had completely blocked off the streets.  The towers had just collapsed.  I didn’t actually see it happen; I just saw this giant grey cloud where the towers used to be.  I walked back to the office, and I remember sitting in my cube for about an hour, trying to send off emails.  This is the email I sent to a bunch of people:

I’m OK.  The World Trade Center isn’t.  I think two or three hijacked planes hit it, and it’s gone.  The WTC is maybe a mile? south of where I work.  I was in the subway when the planes hit.
The news makes it look like it’s mt st helens with all of the raining ash, but it’s not that bad unless you are right on wall street.  I just bought two disposable cameras and walked to maybe 10 blocks north.  I saw the second tower on fire, and it was one of the most bizarre things I’ve seen in my life.  Right after I took pictures, it collapsed, but I didn’t see it happen because of the smoke.
The subways are closed, and I think the bridges are too.  I will probably sit here at work for a while, or maybe just fill my backpack with bottled water and walk home.  (it’s only like 3 miles, so it’s not horrific).
As far as the people from work, it wasn’t the CEO, but it was three others.  They had a meeting on the 106th floor of the second tower that went, so nobody knows what happened.  To say that things are freaked out here in the office would be a major understatement.
The phones are sporadic so calls are timing out or getting a fast busy.  You can try me at 212 842 8848 but don’t be alarmed if that doesn’t work.  Pass on the word that I’m OK, and I’ll let you know more when I know more.
-Jon

There was nothing anyone could do, so I started walking home.  I realized my feet were completely mangled from walking a few miles in these wet dress shoes, and I hadn’t eaten anything since that Kiev the night before.  I walked to the Astor Place K-Mart, dropped off the film at the one-hour counter to get it developed, then went to the second floor to buy a cheap pair of tennis shoes.  Fifty women in dress clothes were doing the same exact thing.  I sat in the Big K Cafe with a couple of corn dogs and fries, and tried to get my cell phone to work.  Then I realized the closest cell tower was probably on the roof of one of the two buildings.

I got my film, and the woman working at the counter was all pissed off that they were in a mad rush of film processing, and everyone had tried to get pictures of the people jumping off the towers.  I hadn’t heard about that until then.  They were saying 6,000 people probably died.

I walked to 34th Street, and the trains started running out of the city.  I got home, contemplated taking a nap.  I went to register.com and checked if kill-binladen.com was taken, and it wasn’t.  I don’t know how I knew already that it was him, if the news was saying it or if I made the connection myself, or what.

I had to get rubbing alcohol to clean my scanner to scan the pictures.  The closest drug store was in this part of Astoria that’s basically an Arab neighborhood.  There’s a mosque there, all of the hookah places, and a bunch of Pakistani and Egyptian restaurants.  I remember looking at all of the people, and seeing the nervousness on their faces, that this white guy was going to show up and start shit.  I imagined all of the store windows broken within 24 hours, people beaten up by local kids wearing American flag muscle shirts.  I thought there’s probably going to be a lot more of this in the near future.

Inside the drug store, they had on an AM radio to the news.  They were interviewing some guy at a flight school in Florida, who was saying a bunch of Saudis took classes that summer, wanting to learn how to take off and not land.  I realized that this flight school was almost exactly where I was staying that summer.  It was the same exact time.  I even looked at taking some flight lessons when I was there.  I probably ate lunch at the same Denny’s as one of the hijackers and didn’t know it.

I scanned the pictures, fielded some frantic phone calls, but could not call anyone because my phone was all messed up.  I couldn’t make outgoing calls, but sometimes a random incoming call would make it. Every time I started to take a nap, another call would come in from a worried relative.  I stayed glued to CNN.  I blew out the fuse and lost my power.  I went to Rob’s, drank beer, came home.  I wrote a lot of emails, including an email to someone I dated earlier that summer that probably said a lot of stuff I shouldn’t have said, and was pretty much akin to playing a game of poker and laying every card you had face-up.  The next day, my DSL internet went out, because of course the closest colo was in the Verizon building in lower Manhattan, which had no power, and all of their generators ran out of gas.

I didn’t go back to work for a week.  Four people died.  I didn’t know how to feel about any of this, because I just started the job, and didn’t really know anybody at the company.  We had to go to grief counseling, but it was a joke. I became this weird conduit for all of these people in the Midwest, because I was their link to the tragedies.  New York became a ghost town; the city I wanted to leave really became a place to abandon.  I cancelled my trip to New Orleans, because I didn’t even know if there was going to be an airline industry anymore.  I went to a shrink and told him to give me whatever he could, and I started taking Effexor.  That gave me something else to focus on: crippling headaches and nausea.  Within a few weeks, that went away, the drugs took over, and I got back to work, back to writing, back to bitching about my lack of a dating situation.  I’d survive.

I just realized I started by saying I didn’t want to write about this, and I’ve now written about 3500 words about it.  I have no nice ending or message to wrap this up with, except the uneasy feeling that there will never be any real closure on this, because the event will forever be fetishized.  I’m constantly told what I should think about this, and it never is what I think.  I guess that’s the big takeaway, that it’s not something that can be pigeonholed into a nice, succinct bumper sticker-sized motto or slogan.

Okay, time to turn off the TV for the weekend and go on with life.