The Wrath of Kon

Dispatches, thoughts, and miscellanea from writer Jon Konrath

  • Another story from another kind of book

    I’m still editing this book. It’s going to take a while, and I hate this part of the process more than anything, because it’s not the process of creating, of writing hundreds and thousands of words, and it’s not the process of holding a finished book in your hands, so it’s painstaking. And I have all of these crazy ideas popping in my head that don’t fit within this book, for the next one or the one after, and it’s a beast to try and write those down and not forget them while I’m doing the equivalent of removing cat hair from a mohair sweater. But it’s getting there.

    I have a 115,000-word manuscript that’s a complete train wreck, something that’s a book like Summer Rain but covers the entire six years I was in Bloomington. I’ve all but written off Summer Rain, partly because that’s not what I write anymore, and partly because there’s a certain pain to nostalgic autobiographical fiction that I like a bit too much to spend all of my time with it. In many senses, I think of Summer Rain as a failure, and use that to justify never going back to that kind of writing. But since the book went to Kindle, a couple of people have read it and said it really resonated with them, which makes me wonder if I was on to something.

    Anyway, here is part of a story, or rather an experience, that I outlined and forgot. It’s not a story story, it’s just some loose thoughts.

    I used to have a bus pass at IU, when I was a freshman. I guess now the buses at IU are free, but back then, you had to pay some obscene amount to get a little sticker on your ID so you could ride them. You could also pay a fraction of that for a nights and weekends pass, which is what I did. I didn’t have a car, so I’d take the bus out to College Mall all the time. It was a huge pain in the ass, but it beat walking.

    I had a really good friend, V, this girl who was also on the computer all the time, and even though she was only about a year older than me, we had this almost big sister/little brother relationship, and she’d always listen to me pule about my various relationship problems. She wanted to be a shrink, and I was crazy, so this dynamic worked well, and we traded emails pretty much daily.

    I used to call her dorm a lot, and she’d never be there, because computers cost more than cars, and nobody had them, so you’d go camp out in a computer cluster to get your fix. And I used to leave messages so much with her roommate L that we started chatting, asking each other about our days, and that led to conversations, and that led to me calling L just to talk to her, and not V. We’d have these marathon phone sessions, even though we never met in person, maybe because we never met in person. In these strange, protracted, intimate, three or four hour long confessionals, we talked about love and sex and partners and life and fears and hopes. And we’d flirt, and joke around, but it never became a “hey, let’s go grab a drink” or “let’s put a name to a face” – there was never an attempt at conversion, in crossing over to the other side. And we did have these insane talks about sex every once in a while, at two in the morning, where she’d confess that she could have twenty-minute orgasms or I’d talk about how I was certain my English teacher was trying to fuck me. But it was all in this strange meta-platonic phase, where we were more than friends, but never attempting to become more than friends.

    I always say I never seriously became a writer until 1993, but there were fits and spurts where I’d try to knock out a short story, or I’d do something for a class, and I’d want to get serious about it. And I took the freshman writing class that first semester, and read a lot of Vonnegut, and I was an insomniac, so I’d bang out these depressing science fiction stories, and email them to her, and she’d be incredibly interested in them. And I still have some of them, and they really suck, so who knows what she was smoking. But if you want to be a writer and you show someone a story you can’t even show your girlfriend or best friend and they completely swoon over it and ask you questions about it and are genuinely impressed by it, that’s like the biggest thing they could possibly do to push a latent infatuation over the edge.

    I eventually met L, ran into her at a computer lab with V, just a quick hi/hello/good to see you. She was far more beautiful than I expected. It put me in this awkward situation because she confided in me, and we talked almost every day about incredibly intimate things, but that safe place was possible because of the physical disconnect. Now we knew what we looked like, and I found her absolutely stunning, and I couldn’t really do anything about it. And I would normally email with V about these things, but this was the one person I couldn’t talk to her about. (And I was in a relationship, albeit a bad one. And L had a boyfriend too, although he was a jerk and treated her like shit, of course.)

    My brain was stuck in this lurch, but I never admitted it, because I think I depended on L so much to get through that year. We would email or chat online pretty much all day every day: good mornings, good nights, the day’s frustrations, the problems with partners. I could tell her things I could not tell my girlfriend or best friends, and she was the same. We kept this line we would never cross, but it many ways, we went way past the line. It was all so comforting and supportive and wonderful, but it was also something I always feared would suddenly end when she found out how I really felt about her, or I did something stupid, or she somehow found out how much of an idiot I really was.

    Anyway, the bus. I went to College Mall one night, a Friday night right before the holiday break started, when me the loser had nothing to do but go to the mall and buy Christmas candy. I went to wait for the bus, which only showed up every half hour or so, and the one person also waiting out there in the dark and cold was L. Even though our couple of in-person meetings prior to this consisted of a few dozen words while we sat at computers, we had a long time to talk, waiting for the goddamn bus to show up, and it ended up becoming another one of those long brain dumps, where we both bitched about the problems with our respective partners. I’d had a hellish Thanksgiving with my then-girlfriend, and seriously wanted to break things off with her, but instead I either invited her or got talked into inviting her to spend a week at my mom’s, which I dreaded even more than the prospect of spending the holidays at home. L had some similar turmoil going on, and we talked about that. It was back to our old pattern though, the deep dive through emotions, which felt strange while we were sitting right next to each other, but was just as immersive and familiar as when we used to do it in the middle of the night over the phone.

    The bus came, and we got on board, grateful for the warmth, but because of the weird bus route, it had to go out away from the mall and then sit for 15 minutes behind the Kroger grocery while the driver took a break, before it started the loop again and went back to campus. I shared my Christmas candy with her, and we talked more, flirted, but mostly just enjoyed the time sitting next to each other, alone on this giant GMC bus. When you spend that much time in a relationship with someone, even this accelerated, half-friends half-whatever relationship, you develop your own shorthand and inside jokes and patterns and ways of speech, and we had so much of that. We could finish each others’ sentences, and had a kind of intimacy that I didn’t have in my “real” relationship. It was like some Meg Ryan movie, like I was the Billy Crystal, like we were the just friends that were so much more, and at the end of Act 3, she’d meet me at the top of the Empire State Building and we’d have the happily ever after.

    That never happened, of course. V went to Germany the next year, or maybe it was Austria, and when she came back, it was a lifetime later, five or six iterations of the college friendship cycle, and we only talked one or two times since. I don’t know when or how I lost touch with L, but I did. This was 1990, and people didn’t check their email over the summer unless they were really wired in and their parents had computers with modems, which was pretty much nobody in my circle.  We could have written letters, or made long-distance phone calls, but we didn’t.  And in college, sometimes you are closer to a person than you have been with anyone in your entire life, and then six months later, they’re yet another stranger among the 40,000 other strangers on that big ten campus, and you’re dumping your heart out to someone completely different.

    In the fiction story version of the tale, something would have happened.  Our hands would have touched, met, joined, and we would have known what had to happen next.  Something illicit and unsaid would transpire after that bus ride, a quiet walk back to a dorm room where a roommate was out of town for the weekend, no exchange of words, a torrid exchange of pent-up energy in the darkness. And even if the happily ever after didn’t happen, there would be a long night where our real lives didn’t matter, even if would end with the heartbreak of her going back to her stupid boyfriend and me dealing with the girl I’d end up dumping a few months later.

    In reality, I saw L maybe three years later. I was in the back of my favorite record store, and saw her enter. She looked completely spent, different than the innocence mixed with sophistication of what I remembered, beaten by life and dreams unfulfilled. She was in the middle of a fight with some beardo guy, a boyfriend who followed her around like a trained lap dog, apologizing profusely for everything and nothing while she hurled insults and complained about the imaginary. I didn’t talk to her; I didn’t even want to acknowledge that it was her, for fear it would kill that perfect memory of what we had and didn’t have before.

    And that was twenty years ago. All of those emails with V are lost; all of the memories of L are slowly fading from my brain. The record store is gone, the owner dead. I’m here, thousands of miles removed. And I’m writing this crazy book about a bizarre reality that’s a laugh a minute, and exactly what I want to write, but thinking about these distant episodes and revisiting them in my head makes me wonder not only what could have been, but what could end up being another story in another book that I might or might not someday finish.

  • I do not give a god damn about the book industry

    I often get dragged into discussions about the book industry, mostly because people are too stupid to know the difference between Jon and Joe and blindly throw a @jkonrath into a tweet about how publishing is dying or some dumb company is fleecing even dumber authors who did the equivalent of paying $10,000 cash for head shots.

    (Side note: It’s somewhat ironic that the term for this kind of shit is “joe job” given the name of the other person involved here.)

    This is annoying on many levels, mostly because it distracts me from what I’m really trying to do.  But more than that, all of this talking head parroting sometimes makes me wonder why I don’t keep up with what’s going on in the publishing world.  I don’t read trades or spend time on publishing news sites, throwing down my opinion on whatever catastrophe is currently making the rounds.  I don’t take sides on publishers versus “indies” or who signed with who or who decided to leave their publisher and self-pub or what the guy who wrote Wool ate for lunch or any of that.  I don’t care.

    I do not give a fuck about the book industry.  I mean, I like to read books, and I publish the final output of my work so you can see if you want to read it.  But I am a writer.  I’m not a shameless self-promoter, and I’m not an industry insider.  And I don’t want to be.  I don’t write books for maximum profits.  I write books because they’re trapped in my soul and need to be excised like the pus from a wound.  I know it sounds pretentious to pull the “I’m an artist” card, but I’m definitely not a businessman, and I do not care about any of it.

    I recently read a book called Post-Digital Print, which was one of the most inspiring books I’ve read in a long time.  It outlines every “publishing is dying” screed that has happened since 1894, and I guarantee you that about a dozen of them are things you’ve never heard about.  Almost every one was invented by a company that wanted you to buy their shit instead.  Did you know that people thought radio would replace printed books?  At the turn of the century (or a couple of decades later, I guess) part of the population thought books were turning everyone blind.  It probably had some causal relationship to the rise in optometry technology at the time, and everyone was getting glasses, whereas before that only rich people got monocles, and everyone else squinted.  Anyway, some industry geniuses said that radio would replace “the burden of reading” and save everyone’s eyesight.  And we know how that turned out.

    I’m not saying print isn’t suffering.  But it’s not going away, either.  There’s going to be a whole generation of artisanal printing, letterpress chapbooks and boxed sets of limited edition prints with high-end art book covers and over-designed interiors in esoteric fonts that makes Helvetica look like Comic Sans.  Look at what happened with vinyl records.  The 8-track was supposed to kill them, then the cassette, then the CD.  There are now vinyl-only stores, limited-edition LPs with extra tracks and slick printed gatefold sleeves encasing art books and 45-remastered dual discs on 200-gram virgin vinyl.  Yes, the airport reader is going to gobble down murder mysteries on their kindle, but book collectors aren’t going to be forced to shred everything and go to e-format.

    What I am saying is that these talking head industry-mongers are not authors – they are inflating their own egos for their own industry, which is fear-mongering and hand-wringing. It doesn’t help your writing.  They’re the people selling the ten dollar loaves of bread to the people who showed up late to the gold rush.  It’s all bullshit.  It’s all inconsequential.

    Speaking of, gotta get writing – trying to finish the next book.  I’ll end with a quote from my buddy George Carlin that pretty much sums it all up.

    I figured out years ago that the human species is totally fucked and has been for a long time. I also know that the sick, media-consumer culture in America continues to make this so-called problem worse. But the trick, folks, is not to give a fuck. Like me. I really don’t care. I stopped worrying about all this temporal bullshit a long time ago. It’s meaningless.

    -George Carlin

  • Ode to a busted cell processor

    God damn it. It is broken. Again.

    My PS3 is in a shop somewhere in Missouri, getting the yellow light of death beaten out of it. It went south in November and got all of the solder stripped away, the whole mess ultrasonically cleaned, then reflowed. Or something. Now it is dead again.

    I am at an deadlock with this new book. 100,000 words and I don’t even know what it is about, what order things should happen. I feel like that scene in the Naked Lunch movie where Ginsberg and Kerouac show up in Tangiers and Burroughs is strung out on junk, unaware that his apartment is filled with notes and routines that would later become his most popular book, but it’s this fucked mass of scribbles and jumbles.  I wish I had a Ginsberg that would show up and unfuck this book.  I keep at it though — it will eventually make sense.

    This is the time where I would fire up Black Ops and walk away for a bit, let things ferment.  This is what’s staring at me when I want to do this: loose cables and a controller hooked up to nothing.

    I would go out and buy a new PS3 slim, but that’s basically paying $300 to not write.  $300 when a PS4 is months away.  And it wouldn’t even play my old PS2 games.  I’d have to pay another $100 to get a PS2 also.

    I have this sick attachment to this PS3, a heavy nostalgia, because back in 2007, when S worked 80 hours a week and I was jobless, I spent hours and hours writing this book I never finished, and working for a friend’s startup for free.  But then as day became night, I would fire up this PS3 and play it for hours.  I formed this stupid emotional bond for a piece of hardware that would someday become obsolete, someday die.  I sometimes fall in these deep nostalgic k-holes for the recent past and think about Denver a lot, and one of the top five things in those memories involve this black monolith of a video game system, which is why I struggle to keep it alive and UPS it to some dude in Missouri to get it re-repaired.

    I have all of these dumb games for the iPad, but that’s just tapping on a screen.  The PlayStation creates these immersive worlds I get lost in for hours.  Back when Vice City came out, I would play it for hours, like it was my full-time job.  I’d come home from work on a Friday night, order a pizza, and fire up the machine, just to wander, to get a motorcycle and drive through neighborhoods and try to jump off of stuff, watch the people walking, find secret entrances or ways to climb on rooftops.  This was after I finished Rumored, when I was in a funk about dating and meeting people, when that postpartum depression after finishing a big book really kicked my ass.  I’d hole up in my Astoria apartment for entire weekends, at the DualShock controller.  It wasn’t healthy, and it wasn’t productive, but it was.

    I can’t do that anymore, but I sometimes wish I could.  I should probably ignore this and get back to this goddamn book.

  • Review: On the Road (film)

    So I got infected with the Kerouac bug late, toward the end of college, when I fell out of the computer thing and suddenly needed to read everything I saw to learn how to write.  I locked into On the Road and loved it.  It wasn’t cool to love it – I don’t know what it was cool to read at that point in time, because I’ve never been cool.  But I liked the way the central character of the book wasn’t Dean or Sal as much as it was the blacktop-twisted terrain that made up the country between the two oceans, the open road, and how the change of seasons and passage of time was reflected in his prose.  There was also something I liked about the bond between friends, and the way these people lived on the fringes of a society that at the time was straighter than a stainless steel ruler.  I know everyone thinks of beatniks as 60s creatures, and maybe Kerouac as a 50s rebel, but this book was written about the late 40s, in the strange vacuum after the war, when a nation struggled to redefine itself, and quickly slid into a cold war.

    I read a lot of Kerouac in the mid-90s, although I later got pulled into the Burroughs maze and then elsewhere, but I used to read OTR every time I travelled, be it a flight to the midwest, or a trade show in LA.  These voyages were far, far removed from what Kerouac did, but there was something relatable, the crossing of a continent, the worship of a road map, the feeling of watching the world pass you by, 65 miles an hour at a time, while you meditated and ruminated on the thoughts in your head.  And during those early years of my voyage into literature, Ginsberg was still knocking around, and he and Francis Coppola were screwing around with the idea of making this great book into a movie, which made everybody cringe with fear.  I remember them doing some blind casting call in New York, and the rumor mill churning with names like Brad Pitt and Johnny Depp.  And there was a part of me that wanted to see the film, especially since I did like Coppola’s work, and spent far too many times watching Apocalypse Now over and over and over.  But there was a much bigger part of me thinking, “don’t fuck this up.  Don’t make a hipster doofus Gap commercial out of this great book.”

    The big problem with making OTR into a movie, regardless of director or producer, is how to condense this non-novel work into a flat, linear, two hour film.  We’re talking a 320-page book that consists of five parts, three giant roadtrips, and a hell of a lot of internal monologue and plotless “kicks” that relies a great deal on observations of a backdrop, rather than the plot-driven arc of a modern novel, which half the time is based on the formulaic plot arc of the typical movie, anyway.  Really the only two ways to do it is to try and compress and consolidate the scattered bits of adventure within the trips, making it into one or two action-packed blazing-fast roadtrips, or do a completely nonlinear, art-film collage of images and snapshots of the journeys, and hope that enough people who read the book would go to see it, and that you didn’t get skewered alive by people who are so ADD-addled that a Transformers sequel is not plot-driven enough for them.

    I saw the movie yesterday, not really planning on it, because I honestly didn’t even know it was out yet.  And… it didn’t suck.  But it wasn’t incredible, either.

    First, the film looked great.  Visually, it was astounding.  Walter Salles did a lot to capture The Road, the huge fields and pastures and ribbons of blacktop and canvasses of clouds and snow and rain and sun and everything else that makes America between the two coasts America.  And it was, for the most part period accurate.  I had fears they would recast this into a bunch of hipsters in the 2010s driving around in old ratted-out Ford coupes and saying “Daddy-o” a lot, some kind of Tarantino wet dream of old mixed into new.  And it wasn’t that.  It was the old Hudson and the old New York and San Francisco and Denver, done in such a way that it captured 1949 exactly.  I’m sure you could go over this frame-by-frame and find a doorknob that wasn’t manufactured before 1967 somewhere, but for the most part, it looked great.  And it was uncanny how some things fit the narrative so exactly.  Like there were many scenes were Sal and Dean were out on the fire escape of the Harlem coldwater flat, catching a smoke, and it looked and felt just like that famous picture of Kerouac on the roof of a New York apartment.  This all got nailed so exactly.

    The acting was decent.  All of the main roles were competently done.  Garrett Hedlund was a decent Moriarity.  Tom Sturridge did okay with Ginsberg, and didn’t play him as a crazy zen hippy freak, but rather the Ginsberg he was before he devoted himself to that persona, when he struggled with who and what he was, which I really liked.  The only “known” actor to me was Kirsten Dunst, who you’d think would curse the whole thing, but she made a pretty believable Camille.

    But…  something was missing, in a huge way.  The film just plodded along, from scene to scene, from season to season.  I could do it without a plot, but the touchstones weren’t there, something was missing from the movie, and it just had no soul.  If you didn’t have the book practically memorized going into this, you’d be hopelessly fucked. And if you did, you’d recognize the little scenes, and be able to piece it all together, but it would be like eating nothing but bread for dinner.  Even if it’s the best artisanal sourdough whateverthehell bread fresh out of the oven, and looked and smelled incredible, you’re still eating 137 minutes of bread and nothing else.

    There were slight jabs at an agenda that bothered me, too.  I mean, when you put some distance to it, Neal Cassady was a stone cold asshole, a prick to the nth degree, dropping babies into every inviting crack he could find from Atlantic to Pacific, stealing and hustling and scamming and screwing and swindling from shore to shore and back.  Free to be you and me, but to anyone with a social conscience, this is pretty cringeworthy behavior.  And there’s been a small cottage industry of calling attention to this, led by Carolyn Cassady.  She wrote a book of memoirs called Off the Road, which painted the sordid picture of Neal and crew being a bunch of drunken assholes that left her and other women behind to fend for themselves.  And I’m not choosing sides here — I think she’s got a valid opinion here and think she’s entitled to it, and hearing about this side of the story made me that much less interested in Neal worship.  (I never read Off the Road either, and it’s possible it’s completely different than what I’m mentioning here.)  Anyway, the film threw in a few jabs of Camille yelling and screaming at Dean and throwing him out, which I guess is in the book anyway, but it seemed like they hung on that a bit to give that viewpoint a little more press.

    The one thing that I really, really liked about the film was Viggo Mortensen as Old Bull Lee aka William S. Burroughs.  There wasn’t a lot of time to this story on the screen, but Viggo was dead on Burroughs, the speech and mannerisms and quirkiness, walking around his beaten Louisiana swamp ranch, croaking about revolvers and orgone accumulators.  The slight downside was Amy Adams cast as his wife; she simply did not fit into the movie at all as a drug-addled Joan Burroughs.  She’s a great actor, but far, far too perky and cheery to do something like this.  But Mortensen – man, he was incredible.  There was a scene with him sitting on the floor with a toddler Billy Burroughs, helping him draw and color on some construction paper, drawling on about vampires and sharp teeth to drain blood from people.  It was absolutely, positively brilliant, and made me wish there was a whole new reimaging of Naked Lunch with him taking over for Peter Weller.

    Kristen Stewart played Marylou, which is sort of the butt of many jokes, and her lack of acting ability.  And honestly, she wasn’t bad.  She wasn’t incredible, and she certainly did not look 16, but she filled her minor role well.  Oh yeah, don’t go with your mom to this one — lots of sex, lots of fucking, and a couple of scenes of dudes kissing dudes, so this one won’t ever get shown in the midwest.

    Overall, it could have been much worse.  Instead, it just wandered.  I guess that’s what the book did, too.  But books can wander like this a lot more than films, so what are you gonna do.  I’d give this a weak 6 out of 10, but honestly, the best you could possibly do for a commercially viable product is probably scraping the bottom of an 8.

  • New York, Again

    It feels like I was just here, but I guess that was almost a year ago.  And it feels like I just lived here, but that ended six years ago.  Six years?

    Anyway.  Woke up early.  Packed a carry-on and a personal item.  Drove to SFO and left the car at the wrong terminal, the one equidistant to the Virgin America gates.  Sat at their little desks with power plugs and banged out the morning’s writing.  I’m still writing in OmmWriter half the time, and it was somewhat ironic that the fake-ass ambient drone music in the headphones was the sound of being on an old train, the clacking of the rails, and I’m in a super-futuristic airport that looks like a Kubrick wet dream, watching giant Airbus spaceships launch into the skies at near-Mach speeds.

    Full flight.  No meal on the plane.  I cobbled together a fake meal of dry goods, and then realized that eating tuna while sealed in a tiny tube is a dumb idea.  Couldn’t write on the plane so I read half of Fight Club in one clip on my Kindle.  Reading a book about insomnia, being crammed in planes, and a lack of life fulfillment isn’t advisable when you haven’t slept, are crammed in a plane, and aren’t feeling fulfilled with your life.  Good book, though.

    The wait for a cab took a half hour.  I was behind two women who were fresh from London, and bitching about the cabs and how you couldn’t just take the “tube” from JFK.  Well, you sort of can, but it’s not advisable.  It was raining, 30 degrees, just trying to snow.  I got a cab, headed in, and it took about 90 minutes to cover that 9 miles, as the snow started to stick.

    And now I’m in my old neighborhood, the LES.  I’m staying in a hotel right by my old house.  This really freaked me out last time, and it’s doing it even more.  It’s my old hood, my old McDonald’s just down the street, my old subway stop just a couple of blocks away.  Allen, Orchard, Stanton, Delancey. We used to go to Clinton Street Bakery and Alias and walk up and down these side streets almost every day.  We’d order from Schiller’s and wait in an impossible line at the Rite Aid while they fucked up our prescriptions and talked on their cell phones instead of actually working as cashiers.  My current office is my old office, and the walk to work will be the same tomorrow morning.

    I just emailed John about something and remembered how he stayed here with us at our old place, right before we left in 2007.  I know I hated a lot of things about New York, and I know I could never live here again, but I really do miss our place over there – it was the most tolerable place I’d lived here, a real gem of an apartment.  Lots of light, a deck, a nice view of a park below us, big rooms, and my own little office to hide in and try to write, although I don’t think I got anything substantial done the whole time we lived there.

    My nostalgia really tortures me sometimes.  I think the ironic thing is, I’m slowly losing my memory, and I fear that at some point in the future, I will remember nothing of the past, won’t have any idea if I already ate the sandwich I’m holding in my hand, and the only thing left will be these unbearable pining feelings for certain eras of my life, specific times or places or feelings or moods that can be summed up by the menu of a restaurant or the pair of jeans I used to wear.  So I sit here, a few blocks from my old apartment, and miss that era, that feeling, even if I’m making more money and living in a nicer place and married and way more productive.  The nostalgia is overwhelming and depressing and uplifting and impossible to capture, but impossible to avoid.

    It’s past my bedtime, but of course I’ll be wide awake for three more hours due to the magic of time zones.  I was so starving, I went to the sushi restaurant in the hotel, sat at the bar lined with raw fish, and ordered a cheeseburger and fries.  I’ve been impeccably good with weightwatchers for the last couple of months, but snapped, ate a day’s worth of food, and now I’m pumping with insulin and not ready to sit down and write, but I must.

  • The Economics and Practicalities of Lofts

    I live in a loft.  This isn’t about that.  (Maybe the coincidence somehow means it is, though.)

    I was playing this game yesterday, where I tried to write every single event I could remember about a person from twenty years ago, every time I could remember us hanging out together, to try and brainstorm past just the stock two or three or five things I always remembered about them.  I’m trying not to fall down the endless nostalgia k-holes that make me want to write books about what happened back at college, because we all know how well that worked out the last time I wrote a 600-page book about college and tried to get people to read it.  But sometimes I need to write something, just to type, and this is a way to do it.

    During this exercise, I remembered a strange little concept I’d almost completely forgotten: the loft.

    When I lived in the dorms in Bloomington, you got two beds per double room.  They were these tiny twin beds, with a metal spring frame that hung between two wooden headboard/footboard pieces.  But when you had two people living in a single room, that meant floor space was at a premium, and the solution was to go vertical.  You could loft a bed by replacing the headboard/footboard pieces with taller frames that had pre-mounted brackets that would accept the pins on the spring, and raise the whole thing from the normal height of about a foot to somewhere around five feet off the ground.

    Lofts were not included in room and board charged for the dorms.  You could probably buy a loft, maybe from someone graduating, but it seemed like a crap investment to make, especially since most people only lived in the dorms for a year.  And unless your dad was Bob Vila, you probably weren’t building one of these contraptions on your own.  This need was met by a whole network of loft rental companies.  I don’t remember the exact prices or vendors, but I seem to remember the White Rabbit book store renting lofts, plus there were lots of flyers posted on phone poles from outfits of more questionable repute offering to shave ten or twenty bucks off of the prices of the more legit renters.

    A common layout was to have one bed lofted, and the other bed halfway under the other one, in an L formation.  That left half of the under-bed area free for dressers, a mini-fridge, or a beanbag chair or other odd furniture.  My first roommate bought his own loft from — I was going to say craigslist, but this was a decade before craigslist, so maybe it was one of those bulletin boards at a grocery store or in the student union.  Maybe it belonged to his brother.  I don’t know.  All I know is I didn’t want my bed half under his loft, because I didn’t want him drunkenly falling into my bed, and I also had a semi-legitimate fear that the whole operation would scissor over onto itself and collapse, killing me.  Maybe that was just an urban legend, like the guy who killed himself and the roommate getting all As.  I also remember hearing similar tales about people drunkenly falling from their lofts and cracking their head open, but that could also be Rod Stewart/stomach pump territory.

    I remember there always being a weird politic, especially with females, about who got the top bed and who got the bottom bed.  As a guy, my bed was my bed, and I’d never think about swapping beds with my roommate, especially with all of the various microscopic bugs and jizz and everything else probably inhabiting a mattress after a few months.  But I knew a few women who had a system where they would swap top and bottom bunks every month or every other week.

    I don’t remember how many people lived in the dorms at IU, but it must have been in the low five figures.  When I started there in 1989, I think the total grad and undergrad population was something insane like 38,000, and there were too many people for the dorms, so RHS turned a bunch of common lounges into dorm rooms until people quit or transferred or died and they could relocate them into real rooms.  And it seemed like almost everyone had a loft, and most of those were rented.  At the beginning of the school year, you’d see these huge U-Haul trucks double-parked at every dorm, these 38-foot long monstrosities, completely filled with these giant H-shaped braces made from 4×4 lumber, along with crews of handymen hustling the heavy pieces into the dorms.  It’s strange to think of this whole economy centered around what was essentially a half-dozen pieces of dimensional lumber and a quartet of metal brackets.

    The other thing, which I remembered during this free-write, was that there was always this clusterfuck during the last couple of weeks of class, because the loft rental companies had to come and pick up all of the lofts before the end of the semester, which meant you had a week or two, usually during the mad dash to study finals and finish the school year, where you had to revert the room layout to the default two-on-the-floor bed situation.  In 1993, I was dating this freshperson over at Forest, and when her roommate was up in the top bunk, we could sit in the bottom bed at night and not really disturb her.  But in that last week, when the two beds were right next to each other, that shit would not fly.

    Did other schools have this same situation?  Do they still do this?  I haven’t thought about it, and wasn’t sure if I went back to a dorm in 2013 if I’d still see the same pieces of lumber that were knocking around the halls of residence in 1989, or if there’s some new, modern, brushed aluminum, iPhone-related invention I don’t even know about that’s used to elevate beds.

  • Sycophantic Mezmerization

    I have been writing a lot, which means I have not been writing here.  That happens.  It makes me wonder what the hell I should be writing here, especially since blogging is essentially dead and I should just be posting pictures of my cats.  (Here is a picture of one of my cats.  I have more.  Don’t tempt me.)

    I feel like blogging about all of the exciting stuff that has been happening lately.  There hasn’t been any, so here is other stuff.

    • Last week, I stabbed myself in the finger with a knife, pretty much down to the bone. I have this little CRKT knife and was hacking at the tape on a box in a way you should not hack with a knife, and my left hand was holding the box, and I stabbed it into the side of the base of the finger, and it went about as far as it could.  My first thought was that I should go to the hospital, but fuck hospitals.  I’d probably have to wait hours, behind at least two or three people who were just shot by Oakland police officers, and all they’d do is get me hooked on Oxycontin.  The knife was brand new and extremely sharp, so it made a very clean slice.  I put a bunch of Neosporin in it and closed it up with a bandage, and it’s slowly healing together.  It’s made playing bass interesting.
    • I am in a weird funk with bass playing.  I feel like I would need to dedicate a ton of time to it just to advance a small amount in my ability.  It’s times like this that I feel a need to spend way more money on better gear, which is of course a sickness.  I just spent too much money on a new bass last January, so I can’t buy another one.  I still do like to turn the Zoom B-3 onto the Cliff Burton setting and play minor scales over and over and over.  Sounds cool.
    • I have been reading that Jennifer Egan Goon Squad book, and I really like it.  I went through a long run of not liking stuff I’ve been reading (aside from your book, if I just read it – that was great) and the structure of this one is really blowing me away.  It reminds me, not in content but in structure, of Jonathan Lethem’s Chronic City, which I really loved, and truly wished I could write.
    • I was at a conference last year, waiting for a lecture hall to open so we could go in and sit down, and me and Jonathan Lethem and someone else were standing next to each other, and I had my copy of the aforementioned book in my bag, and I did not say word one to him, because I am a stupid introverted fuck and never know how to talk to people.  There’s also that meeting heroes thing, or whatever.
    • Similarly, Marie once sent me Mark Leyner’s home address, and I never did shit about trying to contact him.
    • I put an SSD drive in my computer.  It’s faster, I guess.  Everyone says it makes it way faster to start programs, but the thing is, I never reboot my computer and all of my programs are always open.
    • I am over 70,000 words into the next book and have no idea what it’s about.  I am starting to get ideas about the overall structure.  I feel an overwhelming need to make it radically different than the last few books.  I also feel a strong need to get it done asap.  These two things are not compatible.
    • I saw the Oscars and they were horrible.  I bet when various outside countries like Syria or Iran look at us, they probably think we’re insane because out of all of our movies, the “best” of the “best” involved killing a terrorist, rescuing people from terrorists, and a civil war.  And pretty much everything else was franchise necrophilia of some brand that was beaten to death years before and needed to be remade because Hollywood is out of ideas, except for all of the jingoistic terrorist stuff.

    Blah blah blah.  I need to get back to work.

  • First first bass

    I keep mentioning that my first bass was one of the Cort headless basses with the Steinberger licensed tuners.  I’ve got a duplicate one sitting at the house now, and my old roommate has the original one.  But that actually wasn’t my first bass.  I have to start the story with how I first decided to play bass.

    I had a friend named Jamie who was a 15-year-old guitar prodigy, one of those guys who spent all of his time locked in the basement learning Steve Vai and Yngwie Malmsteen songs note-for-note.  I took a semester of piano in high school, and had a little Casio keyboard I screwed around with, but wanted to play something else, because strapping on a keytar and rocking out some Rick Wakeman solos didn’t exactly appeal to me.  I met Jamie because he was in a band with Ray and Larry, and after he quit or they fired him or whatever, I used to go over to his house in Granger, right by the UP mall, and just hang out, watch him belt away sweep-picked arpeggios on his Ibanez, and talk about Joe Satriani.  He said I should learn bass, and I thought about it, but didn’t jump on it, partly because I didn’t own a bass, and didn’t have any spare money, with all of the end-of-high-school expenses looming, like prom, college applications, SAT tests, and all of the other junk they nickel and dime you with at the end of your senior year.

    I went to prom, and we originally planned on some day-after-prom trip to Great America, but ended up not going.  So the Sunday night after prom, with that extra money burning a hole in my pocket, I called up Jamie and told him I wanted to start lessons.  He told me to come over, and he’d charge me five bucks an hour, and I had to buy him smokes, since he wasn’t 18 yet.  I used the cheap bass he had at his house, and we did all of the basics: EADG, the major scale, breaking apart chords, and a basic bass line.  My alcoholic stepdad had an old acoustic at our house, so for the time being, I could practice on the lower four strings of that, but I needed to get my own bass.

    Musical instruments are pretty cheap now – you can get a brand new Squier for a hundred bucks online, and the build quality of even the cheapest Chinese-made guitars are pretty decent, especially now that half of the stuff is done by robots or CNC machines.  But back then, a crap guitar cost a few hundred bucks, and none of the pawn shops in Elkhart had anything even playable.  (I’m sure people will disagree and say they had tons of 60s Fender Jazz basses sitting around in pawn shops for a hundred bucks a pop back in the 80s.  All I know is we did not in the middle of nowhere, Indiana.)  I always used to go to the couple of pawn shops downtown, but they would generally have maybe one or two basses, and they were typically beyond repair, things that were junk back in the early 70s and had now seen decades of abuse and neglect.

    So I couldn’t find a used bass, and I certainly couldn’t afford to shell out for a new one.  But, I had a JC Penny charge card.  I’m not sure why; I probably filled out the application to get a free candy bar.  The Penny’s in the Concord Mall didn’t sell electronics, but they did have a catalog department.  So, I went there, and sight unseen, ordered the only bass they sold through mail-order.

    Check out this catalog page.  This is from a 1982 catalog, but the 1989 offerings were pretty similar.  Most of their instruments were made by a company named Harmony, which back in the 60s made instruments that are coveted by a small group of fanatics over on eBay. But I think they went out of business and someone bought the name and started slapping it on low-end instruments made in China and sold through catalogs.  There are two basses shown on this page; I ordered the one on the right, the single-pickup design.

    About my bass: I think it was called a Harmony Igniter.  It had the P-bass-shaped body, although mine was black, along with a very cheap pickguard, single pickup, bolt-on neck, and very low-end tuners that stayed in tune for about six minutes.  It showed up with mile-high action and the whole thing felt like plastic. It had a super lightweight plywood body and the neck felt okay, with a very glossy finish and razor-sharp fret edges.  The sound was very anemic, with weak electronics, and of course the factory strings were junk.  But, it was a bass, and I played the hell out of it, until I got the Cort about a month later.  I kept it as a backup, and also carefully removed the pickguard and painted it, a weird Eddie Van Halen meets Jackson Pollock abstract mess of splashed Testor’s paints that actually looked pretty cool on it.  If I was smart, I would have tore out the pickup and put in something hot, and at least changed the strings.

    The bass is a distant memory to me; I have no pictures of it, no documents or instructions or old manuals, because it came with nothing.  I got a “real” bass about a month later, so I spent little time on this one.  It came to school with me, and I ended up trading it to a guy in my math class who was studying violin making and did a refret job on my Cort bass.  What actually lived on for much longer was the amp and case I bought from the catalog.  The case was cheap but had backpack straps, and I think Simms might still have it somewhere at his house.  The amp was a plastic piece of shit that had a clock-radio speaker and could run on C-cell batteries.  After it died, I tore out the “amp” part, a little circuit board the size of a business card, and used it basically as an overdrive pedal and headphone amp for years.

    There’s also little to no Harmony information on the web, at least about the late 80s version.  There is a Harmony collector’s site, but it focuses on the 60s version.  There are a couple of people who have mentioned the name over at Talkbass, but I don’t know anybody who has one.  I’m very certain that nobody with a functional fireplace would hang onto one for long.  There is a part of me that almost wishes I could find another one in a dusty pawn shop or an eBay auction for $40, just for goofs, but I’ve wasted enough time and energy just hunting down that catalog page.

    Anyway, there’s a brief look into a k-hole for you.  It’s sort of infuriating to me how a part of history from only 25 years ago is completely unsearchable on the web, but you could probably find a million more things about some event that happened in 1865.  That’s the weird thing about technology and the constant flow of information.  Items that were in paper records from over fifty years ago will live on for much longer than, say, TV commercials that were broadcast to millions in 1986.  Part of me thinks that at some point, some new technology is going to come out, like a low-power MRI that can scan the slightest iron content in print books and digitize entire libraries in ten seconds flat, and there will suddenly be a huge influx of data that was previously gone.  There is a part of me that hopes this never happens, because when it does, my writing will completely cease, and I’ll spend all of my time digging through the internet instead of actually writing.

  • Dropping computers

    My Mac is back in the shop.  It has TS4088.  When it switches GPUs to save power, if the computer is hot enough, it crashes.  It’s common on this specific make and vintage, and it’s the problem with buying a computer on the first day of a major revision.  I complained to the right person, and Apple agreed to swap out the entire logic board for free.  Now I just have to wait.  I’m using S’s computer in the meantime, which is much faster than my 2007 MacBook, but I only have my most vital of files on it, like my new book I’m writing.  Maybe this will make me get more done.

    My computer is now just shy of three years old.  Once it is back, I am swapping in an SSD drive, which is currently sitting on my desk.  It’s still a good computer, fast and light and well-constructed and all of that.  The logic board thing is unfortunate.  I hope that when it’s replaced, I can get another year or two out of it, although three years is about the right timespan for upgrading.  The only thing I miss having is that the newer models can mirror their entire screen to the Apple TV, and mine can’t.  I don’t know what I’d use that for, especially since it’s easy enough for me to mirror any movies on my computer to the TV.

    I went to the Apple store to drop it off.  I drive down this ghetto back road that is barely paved, like an Indiana road.  I hit a pothole and one of my wheel covers came off.  It rolled like a Tron deadly disc and went right under a moving semi truck.  Now my car looks weird, with three silver wheels and one black.  I went online and the official Toyota wheel cover is $80 each, or I can get a set of four generic ones with no Toyota logo for $30.  I ordered the generic ones.

    As I was walking down from the second floor above me, there was a woman walking in front of me.  She looked sort of like that woman from Cagney and Lacey who was later on Nip/Tuck, the kind of woman that still wears 80s pantsuits with the giant padded shoulders.  She was trying to carry an airline roller bag down the stairs and somehow became discombobulated and fell dramatically, half-flinging the bag, which slammed into the metal hand rail, then bounced and hit the stairs hard, falling down a dozen steps to the landing.  The fall was so stupid and awkward, I was certain she triggered it from some kind of brain aneurysm.  I stopped and asked her if she was okay, and she said she was, but papers from the bag were everywhere.

    I’ve been noticing more weird episodes like this every time I leave the house.  Like almost every time I go to a store, someone is in a shouting match with a clerk.  I went to the drug store last week, and this woman was screaming at the pharmacist.  HIPPA rules probably prevent the public disclosure of prescription information, but this woman was screaming the entire episode over and over, so I know what it was.  The pharmacist called her doctor to check on something, and it turns out they could not fill her vicodin prescription for two weeks because she just filled her methadone prescription.  It seems like everyone around is on massive amounts of oxycontin, and can’t sleep at night without valium, and takes a dozen of those five-hour energy drinks every day.  And then when they go to a store, and a clerk is just doing their job, they scream at them like the CIA just called in a drone strike on them because someone misspelled their last name.

    The last time I picked up a computer at the Apple store, this happened.  The system is simple: you make an appointment, they help you with your computer.  So they brought my computer out, and set it down in front of a cashier, and all I needed to do was show her my ID, and she would hand it to me, and say “have a nice day” or something.  But in that heartbeat between the guy handing it to her and me showing her the ID, a guy comes up, no appointment, broken phone, “I DROVE TWENTY MINUTES YOU NEED TO HELP ME WHERE IS YOUR FUCKING MANAGER.”  I just needed to flash my driver’s license, take the computer 18 inches from my hands, put it in my bag, and he doesn’t even give her a chance to speak, just continuing over and over “I DON’T UNDERSTAND I DROVE ALL THE WAY HERE FROM WALNUT CREEK AND YOU GUYS CANT JUST LOOK AT MY PHONE I DONT WANT AN APPOINTMENT NEXT TUESDAY I JUST DROVE TWENTY MINUTES.”  And so on.

    I used to work in retail.  We’d have customers like this.  It wasn’t every day, maybe once or twice a week.  Is it worse?  Is my timing just bad?  Does everyone think they are the center of the universe?  Has the internet made us hate big companies?  Is the quality of everything so shitty now, with everything outsourced and nickel-and-dimed to the point of nothingness, that everything always breaks, with no recourse?  Are we all just cynics because we can’t believe anything anymore?

    I’m trying not to let things like this bother me anymore, trying to give people the benefit of the doubt, trying not to lose my cool when it takes someone too long to do something.  I was at the post office the other day, and they were training a new cashier, and I had to mail a book to New Zealand.  The 2-minute transaction took about 7 minutes.  I think 80% of the people in Oakland would have fucking ended that trainee right there, cut off his head with his own chained-down pen and fucked his windpipe as the blood gushed out of his severed arteries.  I just smiled, and let him learn.  He’s a trainee.  It’s a post office job, and if he doesn’t lose it six weeks from now, it’s a good job and he’ll have a pension that hopefully won’t vanish soon.  He could be out stripping the wiring out of houses and selling it for meth, but he’s learning to work at a vital position so he can feed his kids and pay taxes that might someday repave that fucking road that ate my wheel cover.  I’ll give him the five minutes.

    So I sit down at the Genius Bar, show the guy my paperwork, he starts to run tests on my MacBook.  Right next to me sits down the Cagney and Lacey woman.  She pulls out her MacBook Air that just fell down two flights of metal stairs.  It has a cracked screen.  “I have no idea what happened.  It must be defective.”

     

  • Automated board loading machinery

    I spent a good chunk of the summer of 1993 trying to find a job.  I returned back to Elkhart for the summer, because even though that summer of 1992 in Bloomington was life-changing and ended up becoming my first book, I made absolutely no money selling glowsticks and telemarketing.  I needed real work, factory work, the kind of thing that would pay me more than minimum wage in exchange for spending three months operating a punch press or doing the same thing over and over, thousands of times a night.

    I went to Manpower, the temp agency, with some hope of finding anything even vaguely computer-related, like changing backup tapes or reinstalling DOS programs or beating dot-matrix printers with a wrench.  But this was 1993, and there weren’t a lot of computers in factories.  And most of the places that did have them would farm out the maintenance and support through their home office, so some guys working at what was then called Anderson Consulting would drive out of the Chicago corporate office when an IBM mainframe went south, and bill all the hours back to the account.  I had a girlfriend who once spent a summer working for Manpower, loaned out to Miles Pharmaceutical doing mindless Lotus 1-2-3 stuff.  She only made a buck or two above minimum wage, and the work was mindless and air-conditioned.  I knew just as much about WordPerfect and Lotus – I’d worked as a computer consultant for the university for two years at this point.  But if you went to Manpower and you had a vagina and you knew how to read, they gave you the typing test and put you in the virtual secretary pool.  If you did not, they pulled out the manual labor listings and tried to slot you in at a factory somewhere.

    The first day, they loaned me out to UPS, to help a guy do an inventory count of all of their repair parts for vehicles.  We went to the big Elkhart warehouse, which was just down the road from where Ray lived, and it seemed like it was only a year or two old at that time.  I don’t know where they used to be; I just remember a big empty field suddenly becoming a giant ugly UPS warehouse, built overnight from those prefab metal panels they used to construct every factory in Elkhart.  I don’t entirely remember the system we used for the inventory, although it certainly involved paper and not some kind of tabletized bar code reading beep-beep making Star Trek computer thing.  It was more like a clipboard full of tractor-feed paper forms, and the guy I worked with would say “1005734-slash-22-spec-4” and I would mark a box and say “check.”  This went on for hours, and I watched a bunch of guys in brown shorts dismember the contents of a large semi, throwing boxes onto conveyors, taking a big truck trailer and reformatting it into contents for dozens of smaller trucks.

    Two observations that stuck with me: one, the backs of UPS trucks have clear ceilings.  They aren’t really clear as much as they’re transparent, like a see-through tinted plastic, that lets light through so they can see in the truck without lights.  It’s a sort of brown-green shade.  Two: those giant trucks are powered by four-cylinder engines.  Each cylinder is gigantic, coffee can-sized, but it’s not a V-8.  Someone must have done the math on the best engine to use for all of that stop-start traffic while hauling literal tons of boxes, and that’s what they got.

    One of the mechanics was an old guy, an Ernest Borgnine from Airwolf looking dude, who spent the afternoon dismantling a huge four-banger, wrenching on it and carefully removing each part.  We stopped and ate lunch with him.  I told him I was into computers, and he produced a folded-up magazine ad for a 486-33DX computer, something from the back of Popular Mechanics or something.  It lauded that the machine came with dozens of software titles, a sound card, a microphone.  “You don’t even need to know how to program.  You can just talk to it,” he said.  Maybe it recorded voice memos, but this was twenty years pre-Siri.  “Well, you still need to…”  “No!  You just talk to it!”  I always wanted to see if he actually bought it and then did a “help computer” into the mic and got nothing but a DOS prompt.

    That job lasted a day, and the inventory was over.  The next morning, they sent me to a factory in Middlebury, something with a vaguely generic name, like A&B Wood Works.  I was to report there at 6 AM.  I remember trying to go to bed at something like 8:00 the night before, which was completely stupid, since half the time I stayed up until four in the morning, and now I needed to wake up at four in the morning.  I didn’t have a car, and this place was maybe a half-hour away, so my Mom had to leave early and drive me there.  At the time, I was trying to avoid everyone in my family, so spending an hour a day in the car with my Mom wasn’t ideal.

    At this factory, they painted the chipboard pieces that make up entertainment centers and bookshelves.  The whole factory was essentially a huge loop of a conveyor belts.  One guy would put a board on the belt, and it would go through a sprayer that laid down a coat of lacquer paint.  Then it would go through a drying station, which would cure the paint quickly with hot air.  Then it would get flipped, and go through a second time, and then it would get pulled and stacked.  You’d do a couple of stacks per pallet, a pallet every couple of hours, a few pallets a day, a few dozen pallets per semi truck, a few trucks per order, and then you’d change color or change lumber type and do it again.

    Maybe four or five people ran the entire factory.  They worked every day, from 6 AM to 6 PM.  Almost every week, they would work five days a week, sometimes six or seven.  They paid time and a half for every hour past 40, and double time for every hour past 60.  I think the minimum wage at that time was $4.25, and Manpower paid me $6.60.  So the average minimum wage burger-slinger made $170 a week, and at Manpower, I’d make $264.  But if I stayed at this job, I’d make $396 a week, plus an extra $158.40 for each weekend day I worked.  That meant if they did work seven days a week, I’d make more than a week’s flipping-burgers pay over the course of a weekend in the factory.  How hard could this be?

    Factory work is always mind-numbing, but this particular setup seemed worse than normal.  It took a fair amount of effort to pull boards off of the stack and slap them onto the conveyor.  That sounds easy, but it’s a full-body workout; it’s like slinging kettlebells around.  You have to spin and dip and pull and lift and heft and spin and drop, all with precision.  And you do the same movements over and over and over.  The same exact movements.  The chipboard pieces aren’t heavy, but moving them in the same exact way makes them seem heavy.  I worked without gloves; when I asked if they had any, someone answered “we stopped paying the supplier, so they stopped delivering more gloves.”  The work was continuous, and I had to constantly supply boards.  I could barely think, and all of my thinking power went to one simple equation: $6.60 an hour, times 40 hours, plus 20 hours times 1.5 times 6.60.

    Different factories have a different rhythm.  The best way to break the routine is to talk to someone, work at a machine next to another guy, pack boxes with someone else, find some job that requires you to stop every 20 minutes and sweep the floor or go to the other side of the building and get more parts.  But this job eliminated all of this.  You simply fed in boards, flipped boards, pulled boards, as fast as you could, just to keep up.  The machines weren’t deafening, but you didn’t work with anyone, as the people running the painter and dryer were stuck at their stations, a hundred feet away from you.  A guy ran a fork truck, but he was constantly moving around pallets, hauling in new blank boards and packing away the finished pieces.  We did stop for 20 minutes to eat a quick lunch, but I barely got to say hello to the coworkers before we got back to it.

    A few hours into the shift, one of the boards grabbed the palm of my hand, gouged out a chunk of flesh.  I bled from the hand, but didn’t notice it, because I had to fight to keep up with the line.  The guy on the paint machine noticed it though, because I was bleeding onto the boards.  We were doing a run of black parts – those matte black bookshelves were all the rage in the 90s, and the department stores were selling them as fast as we could paint them.  So the blood-stained boards just got covered with a jet black, leaving behind no trace of my injury, although someone out there’s got a bookcase containing some of my genetic material sealed within.  The fork truck driver took over my spot for a minute, told me to go throw a band-aid onto my hand and get back to work.  I found a half-pilfered first aid kit, got fixed up, and went back to it.

    It had been dark when I started work.  By the time we left, all but two hours of the day had passed, and all I wanted to do was eat and go back to bed.  Although the idea of going back and working 60, 70 hours a week seemed tantalizing from a financial aspect, I couldn’t see doing the same thing every day for the rest of the summer.  I told my mom I couldn’t go back, would try to find another temp assignment, maybe another agency.

    Even though I felt exhausted, I couldn’t sleep that night.  My hand hurt, but mostly I still felt my body twisting, picking up boards, putting them back down, flipping them, pulling them, stacking them.  I closed my eyes and only saw the conveyor in front of me, heard the paint machine spraying down coats of matte black.  The only way I could sleep was to put a death metal CD on my headphones, on repeat, on low volume, a constant sound of something familiar to break up the automated feeling of being a board-loading machine.  I drifted in and out of sleep, in twenty minute fits and spurts, then took a shower and headed out on my ten-speed to find another job.