Dispatches, thoughts, and miscellanea from writer Jon Konrath

  • Before the chop, noise labels

    I just finished reading the new Henry Rollins book, Before the Chop, which is a collection of his LA Weekly articles from the last couple of years, in their longer, unedited form.  Previously, Rollins would write in his journals all year about his travels and whatnot, and then at the end of each year, dump them into a book.  I liked this format, and was hoping he’d continue to do that, but it’s also good to get the regular dispatches as they happen.  The writing is a bit different between the two, and he spends more time talking about his music collection and infatuations in the column.  This is bad news as a recovering collector, because it’s hard to get through reading this book without spending at least $500 on new CDs.

    One of the things that he talked about a few times that really interested me was the concept of Noise, and microlabels that support this genre.  I don’t know the history of noise as a musical genre, and I’m sure there are a million different ways to approach it.  I guess I’m most familiar with the more musically-based grindcore-derived stuff like Old Lady Drivers, and I’m sure to the non-metal fan, any grindcore is considered noise.  What Rollins was talking about though was the post-industrial stuff that came from labels like American Tapes.  For a good example, go to http://www.wolfeyes.net and listen to the videos there.

    American Tapes is now apparently done releasing stuff, but they put out a thousand titles over a dozen or so years.  Every title had strange artwork, and was on bizarre formats.  Boxed sets of cassette tapes, CD-Rs sharpied up with artwork, lathe-cut vinyl, freaky-colored 7″ records – they did a lot of weird stuff, all in limited editions, all carped-bombed out at a rate in which even a frenzied collector could not keep up with.  Their site (http://americantapes.us) still has stuff for sale, along with sound samples and pictures of releases and flyers.  Some of their stuff is pure art – miniature sculptures made with glued-on junk and spray paint that just happens to have a music delivery device of some sort wrapped inside of it.

    This stuff amazes me.  I mean, I love zines and chapbooks and weird-sized booklets and anything like that.  Even if the writing sucks, tell me your half-digest gold-foil-wrapped broadside is letterpress printed and limited edition, and I’ll paypal you money as fast as I can open the web site.  I love collecting stuff like that, and to see someone who has done a thousand releases like that only makes me feel like a slouch for writing one or two books a year.

    I wish I knew how to draw enough to do something like this.  I’ve been looking for some way of putting out cool little books like this, and spend too much time on eBay looking for a printing press, not that I’d know how to use it or have room to keep it.  I want to learn a lot more about design and find some way to crank stuff out like this, but it’s more of a distant dream, because even writing the books that I write takes a lot of time and effort.

    I need to research this more, and find more places doing this sort of thing.  God damn you, Rollins.  This is going to be a huge cash outlay.  It’s bad enough a bunch of these albums are on iTunes and can be purchased with the click of a button.

     

  • All of the stuff currently on my desk, a list with little to no commentary

    This is a list of all of the stuff on my desk.  Note that I don’t always write fiction-type stuff at my desk, because I work all day there, and it usually works out better when I write sitting on the couch in the living room, with actual sunlight and windows and whatnot.

    • Macbook Pro, Lenovo Thinkpad T410 – personal and work machines, respectively.  They both sit on top of each other, the Mac on the top, and run in clamshell 100% of the time, feeding into a KVM switch.
    • USB hub – connected to the Mac.  It usually has an extension cord plugged into it for when my Zoom B3 is sitting on the desk and I’m playing the bass.  It also has a FitBit charging cradle plugged into it.
    • WikiReader portable wikipedia offline reader thing I was talking about the other day, and its manual.
    • A flexible cable tie that I use to hang onto all of the disconnected cords from the Mac when I take it elsewhere, so I don’t spend 45 minutes trying to dig them up again after they fall behind the desk every goddamn time I disconnect the computer.
    • The Mac remote that came with my last MacBook, which still works for the new one, because at some point, Apple stopped including them, which is a damn shame.
    • A printout of a McKinsey report on disruptive technologies which is mostly bullshit about automated cars that S printed out for me and I feel like I should read, but after skimming it, I thought it was mostly buzzwords.
    • A pair of M-Audio studio monitors.
    • A Toshiba 1.5Tb portable USB hard drive.
    • A bunch of different smart vitamins that I never take, because I’m not smart enough to remember.  They currently include L-Theanine, Ginkgo Biloba, and Huperzine A.
    • A set of nose filters, which you are supposed to put in your nostrils and filter out air to prevent allergies.  They mostly work, but are really annoying and they push out your nostrils and make you look like a pig-alien from that episode of The Twilight Zone where everyone was horribly ugly, and the really hot chick couldn’t get surgery to look like them.
    • Someone’s address clipped off of the corner of an envelope.
    • My iPad on a stand that’s actually a wire cookbook holder, but only cost $4.
    • A bunch of Coke reward codes torn off of cases of Coke Zero.  I collect them, but I’m really lazy about entering them, so they accumulate.
    • The iPad to USB camera connector adapter.
    • A pair of foam earplugs, which always remind me of when I worked in a factory and had to wear them constantly.
    • A stack of post it notes, in the following colors: pink, yellow, pink, a white one from Samsung for some “Change and Innovation” bullshit program that nobody paid any attention to, pink, purple, yellow.
    • A bunch of cashed checks and the payment coupon booklet for my HOA.
    • A hexagon-shaped pencil holder with about a dozen and a half pens, a Palm Pilot stylus, a couple of Ikea golf pencils, and a sword letter opener with the handle broken off.
    • A half-empty bottle of Purell hand sanitizer, refreshing aloe flavor.
    • A Verilux table lamp.
    • A goLite M2 full-spectrum light.
    • A Kensington trackball.
    • An Apple Magic Trackpad.
    • A Kinesis Advantage keyboard.
    • A Guitar Center receipt.
    • A cloth napkin.
    • A copy of “Slap Bass: The Ultimate Guide” by Ed Friedland, on DVD.
    • These stupid Virgin Mobile prepaid phone cards, which I cannot get rid of.  (If you use Virgin Mobile prepaid, please email me and I will sell them at a loss.)
    • A pad of paper.
    • A stack of received postcards.
    • The instruction manual to a Meteor USB Mic.
    • The medication guide for Zolpidem tablets, which I do not take, but which I found amusing, because it says “After taking zolpidem, you may get out of bed while not being fully awake and do an activity that you do not know you are doing.”  The activities listed include driving a car and having sex.

    I also have a monitor and a webcam, but they are not really on my desk; they’re mounted to a stand that is mounted to the back of my desk.

  • Sleeping wall of remorse

    I always hate dealing with the postpartum depression that follows writing a book.  I’m finding it’s even worse when I don’t immediately publish the book and get it out of my hair. I’m currently waiting for someone else to go through it, and I want to just rip it off like a band-aid on a hairy arm and be done with it, move on to the next thing.  I’m never happy with a book right after I finish it, and I’ve found the best way to deal with that is to really finish it, publish it and close the door on it, or I’ll pick at it forever.

    I got this thing that’s a complete mirror of wikipedia on a little handheld computer thing that’s about as big as one of those light-up coaster things they hand you at a restaurant to page you when your table is ready.  It has a touchscreen and a couple of buttons on it, and probably runs some embedded linux thing on a low-powered system-on-a-chip that can run forever on a pair of AAA batteries.  It uses a micro-SD card to hold the entire wikipedia, which means it can be updated and allegedly hacked to work as a cheapie book reader.  I think it cost 20 dollars.  I don’t know why I bought it, but it has a “random” button, and I could spend hours hitting that button over and over, reading about Frank X. Schwarb, the mayor of Buffalo, New York from 1922-1929, or the Inner Dominion harness racing competition in Australia and New Zealand or Sergio Salvati, the cinematographer who used to work with Lucio Fulci.  It’s an interesting distraction.

    I saw a friend of mine this weekend who I have not seen in 24 years.  She moved here in 2011, but we kept playing email tag, because I never leave the house, and driving down to the peninsula is something I avoid, probably because I used to do it ever day.  This is someone who was a good confidante back in high school, and I probably drove her nuts with all of my depressing tirades about whatever I was depressed about back in 1988.  It’s strange to see someone after such a long gap now, after we’ve both become adults (well, me only sort of) and we’ve missed those huge chunks of life between 18 and 42.  And there’s a time when I relished swapping tales about who ended up where and who is still stuck in Elkhart and who’s in prison and all of that, but I keep up with that stuff less and less, and feel sort of stupid for even keeping track of most of it.

    I also sometimes feel very self-conscious when I catch up with people, because that whole exercise of summing up your life in the last decade or two and trying to make yourself not sound like an idiot and not appear to be an egotistical asshole is a difficult task.  I mean, I enjoyed talking to her, and liked meeting her husband and kid and seeing her house and all of that.  It was good to catch up and we had a good evening together.  But I always find myself wondering if I’m trying to project some kind of fake persona or if I’m going to say something stupid or fixate on some part of the past that the other person wants no part of.  Maybe I think about this too much.

    This is related to a thought I had recently about writer’s block.  I recently outlined a book I’d like to write, spent a lot of time with post-it notes and got it all typed into Scrivener, but then couldn’t really get started with the actual writing.  A big part of that was that the writing wasn’t entirely in my voice; it’s an attempt to read a little big beyond my wheelhouse, and the thinking involved in writing like that made me hesitant to actually get the words down on the paper.  It reminded me of when I used to have these bad first dates, and I’d spend the whole time in my head trying to act like the person that the other person wanted to date, so they would like me.  And I’d second-guess everything I said, wondering if it was the “right” thing.  And I’d always fail miserably.  I think writing is a lot like that, because the best first dates I ever had were the ones where I honestly did not give a fuck what the person thought about me, and I just acted naturally.  I think the best writing I ever do is also when I don’t think about it, and just let the words flow.  It’s not always the easiest thing to do, but it’s what works.

    Speaking of, I should go do some actual writing.

  • Paper journal entry 10/10/96

    […]

    Drifting – pain – autumn’s cool air.  People surround city streets, the majestic banks of nobody, glass towers, palaces of low-frequency shudder.  Tensile tear of sharp metal scales of black, bleak, black, mumbling jets.  I hear one pass now, every night, every night since they took the cranes so near and yet so far I thought it would hit my house during the windstorms, if my house didn’t hit it first.

    Implanted lies, bullshit on a chip.  I slit my flesh deep, probed with the cutters for any subdermal circuitry.  Nothing.

    Watch me play all 28 instruments with one button.  Am I a musician? It’s all on ROM.  Beethoven’s 9th.  But I pushed the button.  I did.  I’m the musician.

    It’s Antarctica, but you’ll have a good coat and some gloves, so don’t worry, -60F will feel like a cool summer breeze in Arkansas.  No, you don’t have to exchange your money.  The strip bars, McDonald’s, and Gap stores all take US cash.  And American Express.  No Discover, though.

    And in Iraq, we use Internet Explorer.  Check out our new website, where you can click Saddam Hussein’s face to hear the sounds of Scud missiles being launched at your IP number.

  • Next book done

    I finished my next book yesterday.

    26 pieces.  38,845 words.  It has a title, but it may change.

    I’m not really done done yet, because I have to come up with a cover (which I hate) and a book description (which I also hate) and maybe think about a new title.  I also have to do the interior design, which is easy.  But the text is done.  It’s not getting any extra stories, and it’s not getting reworked to add in that alien abduction subplot or love story.  It’s done.

    The book is similar in structure to the last one, which means it was a clusterfuck to put together.  This kind of book is essentially plotless, short pieces or cogs or lumps that are put together from smaller pieces, paragraphs torn from free-writes or inspired by tweets or built up from notes taken on a phone.  The little scraps become big slices, and the slices get moved and rearranged and connected until they are big pieces.  And then the big pieces are arranged and reordered and sometimes split back apart and cannibalized and dropped.

    To give you an idea of how much cutting was involved, at one point a little over a month ago, the 38K word manuscript was just over 100,000 words.

    My last book was done on 6/25/12, and this one was born soon after that.  I actually had a few false starts on other things, ideas for books that fell apart after the outline stage.  I keep these outlines, and maybe later one of them will get revisited and become an actual book or story.  And I keep the scraps of writing that come out of them, and some of it ends up in other places.  A sizable chunk of this book is made from pieces of a stalled book about alien abduction.  Other parts are from an aborted book that examines my childhood in Indiana, which I stopped writing when I decided I didn’t want to write about childhood or Indiana.

    The biggest drive on this book was to do another book similar to Rumored.  That didn’t really happen, but I started chasing that this January, and kept at a daily writing quota.  On 1/13 I had 47,252 words in this manuscript.  On 4/3, I had 100,390.  I wrote every single one of those days, even the days I was on vacation, off of work, or sick.  There’s a piece of advice attributed to Jerry Seinfeld (although I can’t find the exact quote from him, just thirdhand references) that the best way to get shit done is to set a daily goal, and then mark each day on a calendar that you do the goal, and aspire to not break the chain by skipping a day.  My initial goal was to stick with adding at least 500 words a day to this draft for a month, and I stretched that to almost three months before I shifted my focus from writing to editing.  So in that sense, the book is already a success.

    I didn’t write another Rumored, and I didn’t write my Infinite Jest.  This book is about half the size of Rumored, and somewhere between my last two in length.  I think that’s fine.  But the eventual goal I keep chasing is to have a book that’s around 100,000 words long, and has a solid nonlinear structure, but still has enough plot to make people not freak the fuck out when they read it.  It won’t be a fully-plotted murder mystery thriller thing, because there are enough of those out there, and that’s not what I do. I don’t know what that is, but it’ll happen.

    I’m now entering the horrible postpartum depression that always follows when I finish a book.  I always wonder if people will like a book after it’s done, and think about what should be next.  I still have all of these release-related tasks, and I’ll probably play a lot of bass just to think about anything but writing.  But I need to do some post-mortem and write down what did and didn’t work for this book, and then seriously start thinking about the next one.  I have some vague ideas, but nothing solid.  I need to get enough of an idea in front of me though that I can start up that Seinfeldian chain again.

    Anyway, I’m happy to get the ninth notch carved in the wall.  (Nine books written?  Shit.)  More news on what’s happening with it when I can tell you more – stay tuned.

  • Mister, if you don’t shut up I’m gonna kick one hundred percent of your ass!

    It’s been like a month since I’ve made any kind of update here, which can only mean one of two things: I decided to go to Mexico and write about the drug trade, and got myself killed by Narcoterrorists, or I’m deep in the middle of writing a book and feel all of my energy has to go there.  And it’s the latter, this time.  So there.

    I think I have a title for this book.  I think it’s close to done, but I now need to read it four times and find all of the mistakes.  It’s what you would call in the software world feature complete.  Maybe not, but close.  I’m pretty sick of it right now, which is a good sign that I’m done with it.  So there’s that.

    I don’t remember why, but I pulled out one of my paper journals the other day and read it.   I journaled obsessively in spiral notebooks from the end of 1993 up until a couple of years ago, at which point it sort of fell off, as my life became far too boring to chronicle, and all of my energy went into other writing projects.  I regret that, and wish I would have done what I did for years, filling at least a page per day of a standard college-rule notebook.  I was reading this journal from 1996, which was amazing.  I guess I consider that a non-year of sorts, because it wasn’t as big of a deal as 1995, when I moved to Seattle, or 1999, when I moved to New York.  1996 was the start of a pretty relaxing period for me, with a steady job and a steady girlfriend, a regular routine and most of my writing on autopilot.

    But, reading the journal, I realize it wasn’t.  I was perpetually single at that point in life, and really struggling with meeting people in this new city.  I had a couple of out-at-second-date situations, and this one dating situation with a girl that went to U of W that absolutely crushed me.  I had all of this dental work done, and spent a lot of time chewing up mass amounts of Tylenol to combat the shoddy work this dentist did to my teeth.  And I really struggled with my first two books.  The grand total of this, by October or so, was a crippling depression, a near-suicidal run where I really didn’t know what I was doing and how I would come out of the other side.  It’s strange though, because when I look back at my history from a high level, I sort of remember going to a new shrink at that time, but mostly just remember leaving my first job and settling into a more 9 to 5 gig where all of my coworkers were older with kids, and that I mostly read a lot of books and published a zine.

    What’s really interesting to me about this period is all of the entries I have surrounding Rumored to Exist.  First, there was a lot of puling about the direction the book was taking, and the challenges involved in writing it.  There’s one set of entries, which maybe I should scan, which is a long numbered list of all of the problems I had at the time with the writing, and what needed to be resolved before I could continue.  And then a week later was an entry talking about why I needed to kill the whole project.  And a week or two after that was a post talking about how I’d completely restructured the book.  This continued for something like six years, so the feeling that I’m in over my head on an endless road with this book I’ve been kicking around for about 9 months doesn’t feel so bad to me.

    Speaking of, I should get back to it.  I would really like to wrap this thing up in the next few weeks.  Stay tuned.

  • The Annotated Rumored to Exist, Hardcover edition

    So I wanted a hardcover of Rumored to Exist, because I’m funny about that, so I made one.  Check it:

    http://www.lulu.com/shop/jon-konrath/the-annotated-rumored-to-exist/hardcover/product-20974619.html

    It’s a hardcover edition of the annotated version that I originally released in 2004.  In fact, it’s the exact text from the 2004 version.  I would have preferred to go over it again, starting with the 2011 re-release and add back in the annotations and do something else with the book blah blah blah but I don’t have time.

    Differences in this edition:

    • Hardcover, with a slip jacket.
    • The paper quality is slightly better than standard POD.  It’s more of a cream color.
    • The cover is an alternate of the original cover.  Same location, but taken during a snow storm.
    • The back cover is a bunch of my notes on legal pads and post-its, along with the post card sent from the Astrodome by Larry Falli.
    • A ten-page introduction explaining the history of the book (up to 2004).
    • A facts and figures section.
    • A Q&A about the book.
    • The 2002 first edition text (possibly with some minor changes) in a different layout.
    • 547 footnotes explaining parts of the text.  This isn’t some DFW/Nabokov “the footnotes are another work of literature” thing; it’s just straight-up reference material.
    • No UPC or ISBN.  Only for sale at Lulu.  No digital edition.

    I don’t expect anyone to buy this – I just did it so I could have a nice hardcover on the shelf.  If you do buy it, expect a great delay from lulu.  It took them two weeks to send mine.  But I think it’s worth the $20 – it’s very nice to see it with the glossy slipcover and everything.

    OK, back to work on the next one.

  • Rumored to Exist, haiku edition

    I totally forgot about this.  A long time ago, I found this program that would scan a text file and generate haiku from it.  I don’t know exactly how it worked; I guess it would find syllable counts of 5-7-5 in the text.  So of course, I fed Rumored to Exist into it.  It looks like it was a copy of the text from shortly before it was published, and not the final draft. Some of these are uncannily funny.  It’s like doing some Burroughs cut-up shit – some of it is hopelessly random, but some of it fits together far too perfectly.

    Here’s the best of the output from it.  Maybe I should put this all in Helvetica and dump it into a pocket book.

    I could feel the hair
    on my head falling out, my
    muscles atrophying.

    CIA was outside
    in a van, or his phone was
    ready to give out.

    I couldn’t even
    email her and ask if she
    was the same person.

    He couldn’t bring a
    gun into a federal
    building anyway.

    Uralic-Altaic
    and Latin American
    languages blended.

    I thought it would be
    in Ohio, it turns out
    it was in Japan.

    Klan was headquartered
    less than an hour from the
    governor’s mansion.

    Nick told me about
    a version of MovieLine
    that worked for pornos.

    Skee-Ball tickets and
    a Hubert Selby, Jr.
    tattoo on my cock.

    I drilled her right there
    on the tile. Within a month,
    it became mundane.

    I was so bored I
    masturbated to the JC
    Penny catalog.

    Doctor McCarthy
    will see you now,” the nurse yelled
    across the concourse.

    RM: No, you dumb fuck,
    I said it was like some bitch
    puking on your dick.

    That’s been my breakfast
    every morning for the
    last decade, still is.

    Carve your name in my
    brain if you think it will stop
    the fucking nightmares.

    I wish it was a
    computer, but even my
    computer was dead.

    They brainwash kids with
    angel dust, impregnated
    in blue star tattoos.

    I should invest my
    money in whether or not
    I should take a piss.

    X-ray comparisons
    between the Dark Lord of the
    Sith and John Merrick.

    Bread, bread… Ghostbusters
    caught the holy ghost in one
    of those ecto-traps.

    I finished the loaf
    of bread, and drank a gallon
    of flat Perrier.

    Marco said. “Not the
    film, but a perfect view of
    the event itself.

    I found myself in
    the men’s room of the DNA Lounge
    in San Francisco.

    God would have to send
    back Ahnold to the manger
    to try to stop it.

    They could even let
    the good guys win and it might
    be entertaining.

    It would make a good
    recordable MiniDisc
    commercial, really.

    And I had hours
    to find Nick and get back on
    a plane for New York.

    Jed cracked open a
    cold one while Elrod, well, cracked
    open a cold one.

    With my extensive
    studies in vomit, I can
    spot fake puke at yards.

    Tito, reading from
    a copy of USA
    Decay. “Fuck!” I said.

    It didn’t feel like
    skin-to-skin contact like the
    package claimed either.

    I could grind them down
    and make counterfeit paper
    pulp in my bathtub.

    Never give money
    to strangers, unless you know
    just how strange they are.

    It’s like that Cheech and
    Chong movie where they had a
    truck made out of dope.

    I shove the clipboard
    up his ass. Okay, so I
    have issues with UPS.

    But I won’t pay those
    bastards at Time-Warner
    for their mind control.

    I liked the Behind
    the Music on Ice-T though.
    He’s pretty funny.

    I need you to go
    thirty clicks up the river
    and catch this frisbee.

    I dropped a fiver
    on the counter for my drink,
    and ran for the door.

    The human body
    is engineered to fail in
    an emergency.

    I raped the cancer
    surgery reward with a
    Dremel moto-tool.

    Leisure Suit Larry
    with a vibrating pager
    attached to your wong.

    And you couldn’t sleep
    on the beach and bum tourists’
    change at this resort.

    I never went to
    class, so I’d have a lot of
    trouble finding them.

    Outside, sirens were
    going off everywhere, the
    riot underway.

    Peter Criss threw his
    drumsticks to the screaming fans
    in the coach section.

    Plus when I wore it
    all day, I lost five to ten
    pounds in sweat. Nitrous…

    Pure oxygen rushed
    through the nosepiece, and
    I inhaled deeply.

    The Gremlin didn’t
    have AC, or even a
    functional vent fan.

    I could pick up my
    paycheck, and I didn’t have
    a dime to my name.

    Tito finally
    bitch-slapped him and told him
    to shut the fuck up.

    John Voight would play the
    chief, and utter the “I’m too
    old for this shit” line.

    With some napkins and
    a straw that’ll work in the
    ambulance, of course.

    I’d break em in half
    on the first stroke.” “Dude, I think
    you’re fucked up,” Nick said.

    Shooting Six People
    in the Fucking Face with a
    Bulldog Revolver.

    I checked out all of
    those religious books and drenched
    them in human blood.

    I asked about this,
    he said it kept the CIA
    from reading his mind.

    Weren’t you born in
    like ’61?” “Dude, I was there, but
    not during the war.

    IQ test last night, so
    I know I’m not stupid, but
    it could be the drugs.

    Santa Claus shapes in
    a piece of plywood with a
    table saw sans guards.

    I’m gonna fuck him,
    and break that god damned gimp arm
    in half with my cock.

    I pour gasoline
    all over myself and light
    myself on fire.

    I pushed him, and watched
    him fall to his death. Then I
    went to 7-Eleven.

    Man, and that’s why I
    kept setting off the metal
    detectors. It worked.

    Her only piece of
    photo ID was a postcard
    of Niagara Falls.

    I can’t just write “THIS
    IS MONEY” on a piece of
    paper and spend it.

    I figured they had
    to use potent stuff to keep
    out the cockroaches.

    I got the second
    one, and found the first, she could
    have it. She’s gone too.

     

  • Another story from another kind of book

    I’m still editing this book. It’s going to take a while, and I hate this part of the process more than anything, because it’s not the process of creating, of writing hundreds and thousands of words, and it’s not the process of holding a finished book in your hands, so it’s painstaking. And I have all of these crazy ideas popping in my head that don’t fit within this book, for the next one or the one after, and it’s a beast to try and write those down and not forget them while I’m doing the equivalent of removing cat hair from a mohair sweater. But it’s getting there.

    I have a 115,000-word manuscript that’s a complete train wreck, something that’s a book like Summer Rain but covers the entire six years I was in Bloomington. I’ve all but written off Summer Rain, partly because that’s not what I write anymore, and partly because there’s a certain pain to nostalgic autobiographical fiction that I like a bit too much to spend all of my time with it. In many senses, I think of Summer Rain as a failure, and use that to justify never going back to that kind of writing. But since the book went to Kindle, a couple of people have read it and said it really resonated with them, which makes me wonder if I was on to something.

    Anyway, here is part of a story, or rather an experience, that I outlined and forgot. It’s not a story story, it’s just some loose thoughts.

    I used to have a bus pass at IU, when I was a freshman. I guess now the buses at IU are free, but back then, you had to pay some obscene amount to get a little sticker on your ID so you could ride them. You could also pay a fraction of that for a nights and weekends pass, which is what I did. I didn’t have a car, so I’d take the bus out to College Mall all the time. It was a huge pain in the ass, but it beat walking.

    I had a really good friend, V, this girl who was also on the computer all the time, and even though she was only about a year older than me, we had this almost big sister/little brother relationship, and she’d always listen to me pule about my various relationship problems. She wanted to be a shrink, and I was crazy, so this dynamic worked well, and we traded emails pretty much daily.

    I used to call her dorm a lot, and she’d never be there, because computers cost more than cars, and nobody had them, so you’d go camp out in a computer cluster to get your fix. And I used to leave messages so much with her roommate L that we started chatting, asking each other about our days, and that led to conversations, and that led to me calling L just to talk to her, and not V. We’d have these marathon phone sessions, even though we never met in person, maybe because we never met in person. In these strange, protracted, intimate, three or four hour long confessionals, we talked about love and sex and partners and life and fears and hopes. And we’d flirt, and joke around, but it never became a “hey, let’s go grab a drink” or “let’s put a name to a face” – there was never an attempt at conversion, in crossing over to the other side. And we did have these insane talks about sex every once in a while, at two in the morning, where she’d confess that she could have twenty-minute orgasms or I’d talk about how I was certain my English teacher was trying to fuck me. But it was all in this strange meta-platonic phase, where we were more than friends, but never attempting to become more than friends.

    I always say I never seriously became a writer until 1993, but there were fits and spurts where I’d try to knock out a short story, or I’d do something for a class, and I’d want to get serious about it. And I took the freshman writing class that first semester, and read a lot of Vonnegut, and I was an insomniac, so I’d bang out these depressing science fiction stories, and email them to her, and she’d be incredibly interested in them. And I still have some of them, and they really suck, so who knows what she was smoking. But if you want to be a writer and you show someone a story you can’t even show your girlfriend or best friend and they completely swoon over it and ask you questions about it and are genuinely impressed by it, that’s like the biggest thing they could possibly do to push a latent infatuation over the edge.

    I eventually met L, ran into her at a computer lab with V, just a quick hi/hello/good to see you. She was far more beautiful than I expected. It put me in this awkward situation because she confided in me, and we talked almost every day about incredibly intimate things, but that safe place was possible because of the physical disconnect. Now we knew what we looked like, and I found her absolutely stunning, and I couldn’t really do anything about it. And I would normally email with V about these things, but this was the one person I couldn’t talk to her about. (And I was in a relationship, albeit a bad one. And L had a boyfriend too, although he was a jerk and treated her like shit, of course.)

    My brain was stuck in this lurch, but I never admitted it, because I think I depended on L so much to get through that year. We would email or chat online pretty much all day every day: good mornings, good nights, the day’s frustrations, the problems with partners. I could tell her things I could not tell my girlfriend or best friends, and she was the same. We kept this line we would never cross, but it many ways, we went way past the line. It was all so comforting and supportive and wonderful, but it was also something I always feared would suddenly end when she found out how I really felt about her, or I did something stupid, or she somehow found out how much of an idiot I really was.

    Anyway, the bus. I went to College Mall one night, a Friday night right before the holiday break started, when me the loser had nothing to do but go to the mall and buy Christmas candy. I went to wait for the bus, which only showed up every half hour or so, and the one person also waiting out there in the dark and cold was L. Even though our couple of in-person meetings prior to this consisted of a few dozen words while we sat at computers, we had a long time to talk, waiting for the goddamn bus to show up, and it ended up becoming another one of those long brain dumps, where we both bitched about the problems with our respective partners. I’d had a hellish Thanksgiving with my then-girlfriend, and seriously wanted to break things off with her, but instead I either invited her or got talked into inviting her to spend a week at my mom’s, which I dreaded even more than the prospect of spending the holidays at home. L had some similar turmoil going on, and we talked about that. It was back to our old pattern though, the deep dive through emotions, which felt strange while we were sitting right next to each other, but was just as immersive and familiar as when we used to do it in the middle of the night over the phone.

    The bus came, and we got on board, grateful for the warmth, but because of the weird bus route, it had to go out away from the mall and then sit for 15 minutes behind the Kroger grocery while the driver took a break, before it started the loop again and went back to campus. I shared my Christmas candy with her, and we talked more, flirted, but mostly just enjoyed the time sitting next to each other, alone on this giant GMC bus. When you spend that much time in a relationship with someone, even this accelerated, half-friends half-whatever relationship, you develop your own shorthand and inside jokes and patterns and ways of speech, and we had so much of that. We could finish each others’ sentences, and had a kind of intimacy that I didn’t have in my “real” relationship. It was like some Meg Ryan movie, like I was the Billy Crystal, like we were the just friends that were so much more, and at the end of Act 3, she’d meet me at the top of the Empire State Building and we’d have the happily ever after.

    That never happened, of course. V went to Germany the next year, or maybe it was Austria, and when she came back, it was a lifetime later, five or six iterations of the college friendship cycle, and we only talked one or two times since. I don’t know when or how I lost touch with L, but I did. This was 1990, and people didn’t check their email over the summer unless they were really wired in and their parents had computers with modems, which was pretty much nobody in my circle.  We could have written letters, or made long-distance phone calls, but we didn’t.  And in college, sometimes you are closer to a person than you have been with anyone in your entire life, and then six months later, they’re yet another stranger among the 40,000 other strangers on that big ten campus, and you’re dumping your heart out to someone completely different.

    In the fiction story version of the tale, something would have happened.  Our hands would have touched, met, joined, and we would have known what had to happen next.  Something illicit and unsaid would transpire after that bus ride, a quiet walk back to a dorm room where a roommate was out of town for the weekend, no exchange of words, a torrid exchange of pent-up energy in the darkness. And even if the happily ever after didn’t happen, there would be a long night where our real lives didn’t matter, even if would end with the heartbreak of her going back to her stupid boyfriend and me dealing with the girl I’d end up dumping a few months later.

    In reality, I saw L maybe three years later. I was in the back of my favorite record store, and saw her enter. She looked completely spent, different than the innocence mixed with sophistication of what I remembered, beaten by life and dreams unfulfilled. She was in the middle of a fight with some beardo guy, a boyfriend who followed her around like a trained lap dog, apologizing profusely for everything and nothing while she hurled insults and complained about the imaginary. I didn’t talk to her; I didn’t even want to acknowledge that it was her, for fear it would kill that perfect memory of what we had and didn’t have before.

    And that was twenty years ago. All of those emails with V are lost; all of the memories of L are slowly fading from my brain. The record store is gone, the owner dead. I’m here, thousands of miles removed. And I’m writing this crazy book about a bizarre reality that’s a laugh a minute, and exactly what I want to write, but thinking about these distant episodes and revisiting them in my head makes me wonder not only what could have been, but what could end up being another story in another book that I might or might not someday finish.

  • I do not give a god damn about the book industry

    I often get dragged into discussions about the book industry, mostly because people are too stupid to know the difference between Jon and Joe and blindly throw a @jkonrath into a tweet about how publishing is dying or some dumb company is fleecing even dumber authors who did the equivalent of paying $10,000 cash for head shots.

    (Side note: It’s somewhat ironic that the term for this kind of shit is “joe job” given the name of the other person involved here.)

    This is annoying on many levels, mostly because it distracts me from what I’m really trying to do.  But more than that, all of this talking head parroting sometimes makes me wonder why I don’t keep up with what’s going on in the publishing world.  I don’t read trades or spend time on publishing news sites, throwing down my opinion on whatever catastrophe is currently making the rounds.  I don’t take sides on publishers versus “indies” or who signed with who or who decided to leave their publisher and self-pub or what the guy who wrote Wool ate for lunch or any of that.  I don’t care.

    I do not give a fuck about the book industry.  I mean, I like to read books, and I publish the final output of my work so you can see if you want to read it.  But I am a writer.  I’m not a shameless self-promoter, and I’m not an industry insider.  And I don’t want to be.  I don’t write books for maximum profits.  I write books because they’re trapped in my soul and need to be excised like the pus from a wound.  I know it sounds pretentious to pull the “I’m an artist” card, but I’m definitely not a businessman, and I do not care about any of it.

    I recently read a book called Post-Digital Print, which was one of the most inspiring books I’ve read in a long time.  It outlines every “publishing is dying” screed that has happened since 1894, and I guarantee you that about a dozen of them are things you’ve never heard about.  Almost every one was invented by a company that wanted you to buy their shit instead.  Did you know that people thought radio would replace printed books?  At the turn of the century (or a couple of decades later, I guess) part of the population thought books were turning everyone blind.  It probably had some causal relationship to the rise in optometry technology at the time, and everyone was getting glasses, whereas before that only rich people got monocles, and everyone else squinted.  Anyway, some industry geniuses said that radio would replace “the burden of reading” and save everyone’s eyesight.  And we know how that turned out.

    I’m not saying print isn’t suffering.  But it’s not going away, either.  There’s going to be a whole generation of artisanal printing, letterpress chapbooks and boxed sets of limited edition prints with high-end art book covers and over-designed interiors in esoteric fonts that makes Helvetica look like Comic Sans.  Look at what happened with vinyl records.  The 8-track was supposed to kill them, then the cassette, then the CD.  There are now vinyl-only stores, limited-edition LPs with extra tracks and slick printed gatefold sleeves encasing art books and 45-remastered dual discs on 200-gram virgin vinyl.  Yes, the airport reader is going to gobble down murder mysteries on their kindle, but book collectors aren’t going to be forced to shred everything and go to e-format.

    What I am saying is that these talking head industry-mongers are not authors – they are inflating their own egos for their own industry, which is fear-mongering and hand-wringing. It doesn’t help your writing.  They’re the people selling the ten dollar loaves of bread to the people who showed up late to the gold rush.  It’s all bullshit.  It’s all inconsequential.

    Speaking of, gotta get writing – trying to finish the next book.  I’ll end with a quote from my buddy George Carlin that pretty much sums it all up.

    I figured out years ago that the human species is totally fucked and has been for a long time. I also know that the sick, media-consumer culture in America continues to make this so-called problem worse. But the trick, folks, is not to give a fuck. Like me. I really don’t care. I stopped worrying about all this temporal bullshit a long time ago. It’s meaningless.

    -George Carlin