Bags are packed and at my desk, and I’m ready to leave for Milwaukee in a few hours. Sarah is in Philadelphia on business, so she will get back, get a taxi, and then come to my work and pick me up. Then, off to the airport and the hideous security crap. Wish me luck.

You know, I never had a problem with the TSA, until maybe a year ago. Before that, I always got through, no problems. Now, for some reason, they constantly fuck with me. The worst of it was when I was in California earlier this year, and I still had my knee brace. The brace has hinged metal pieces on either side, and sets off a metal detector more than a handgun would. And I can’t take off the brace without completely taking off my pants. Now, if you go to the TSA web site, there’s a lot of nice wording about how to treat a person with a medical issue: they can’t touch the brace, they can’t take off the brace, they can’t ask me to take it off, and so on. Well, on my return trip, they made me go into a little room, undress, and take off the brace so they could test it for explosives. I’m sitting in a back room with no pants on while some dumb fuck is asking me if I follow hockey or not, seeing as I live in New York. WHAT THE FUCK?!?!?!

So, yeah, I don’t like the TSA. We’ll see how it goes tonight.

Speaking of travel, I’ve been reading this Henry Rollins book that’s a travel journal over a couple of years, both from spoken word tours and from an effort to burn off a ton of frequent flier miles and go to weird places. He goes to Kenya, and then to Madagascar, sleeping in tents and seeing the wilderness. The sights and animals and native people all sound interesting. It must be something to sit on the shores of the Indian Ocean on an island that is almost untouched by man, with no pollution and nothing but green around you. On the other hand, he also did the tour group thing with a bunch of insufferable people, usually old, just wanting to take pictures of stuff they’d seen on TV, not really getting the context.

Rollins is a capable writer, and his life is interesting. This is where the whole “It’s not about what you write, but who you are” thing comes into play. People buy his books because he has this sort of cult of personality surrounding him. People want to be his friend, or be him, and because he’s been in bands and movies and whatever, he has that infamy. He could sell a hundred times as many books as I’d ever sell in my lifetime, even if he wrote a ten-word poem and repeated it for 200 pages. He doesn’t need to write anything marketable, because there are enough frentic completist record collectors who absolutely have to have one of everything he produces. People worship him, but they don’t give a shit about how his writing stands up against David Foster Wallace or Raymond Carver. He’s a celebrity, and people like that.

And Rollins is interesting, but he’s also a bit of a prick sometimes. (To be fair, this is sort of fading with age, though.) And he goes on and on about his need to be alone, how he wishes he could vanish in the woods or whatever, and while I find his life or his lifestyle or his travels interesting, I think a lot of this philosophy of his is bullshit. And I wonder if that’s what he truly feels, or if fame has made him feel this, or if it’s all an act. Maybe he’s a cool guy if you know him, but the closest I ever would be to knowing him would be getting him to sign my napkin and shake my hand after a show.

I think that’s the thing that bugs me about signing books. The people who most want me to sign something are the ones that least know me. How is a squiggle of ink on a page going to change things? Who’s going to rush home with an autographed copy of Rumored to Exist and wrap it up in 10-mil plastic? Maybe people want me to sign books because they think they will go up in value, or someday I’ll be famous, but the truth is, even if I went on a ten-state killing spree and got caught by the feds tomorrow, that book wouldn’t fetch more than $50 on eBay. (All of this is also rather stupid in that if I could sign every book and zine I’ve ever published in about an afternoon.)

Crap. Lunch is over and I need to go work. I’ll be back Monday (although who am I kidding, I never update this thing…)

A quick update after lunch. I know I haven’t been writing in here at all, and there’s a reason for that, and it’s that I’ve been busy working on my next book. And when I have writing to do there, it’s hard to write here, because every word here is a word that could be there. Or something.

I’ve been stuck reading Raymond Carver lately, although I haven’t been reading at all, because I’ve been walking to work, and I can’t walk and read. I can walk and listen to music, but I’m sick of everything on my iPod, and I don’t want to buy any more music, because everything sucks, and I don’t really know what I like anymore. And I think I have been cured of collecting music, so I no longer have the need to keep buying shit just to buy shit.

Back to Carver, I read his collection The Cathedral, and about the title story, I swear I’ve read it somewhere else. Actually, I swear someone verbally read it to me. Maybe it was in a writing class back at IU. Maybe it was in a movie that I’m forgetting. I’m sure the story was anthologized everywhere, as it’s a popular one, but I don’t remember where I first saw it. Oh well.

If you read the drama on my livejournal about the bad review, I’ve almost completely forgotten about it. The reviewer was an idiot. That said, I wish more people would review my stuff. But who cares. All I know is I have to keep going on the current book. It’s my first book not based on my life, and the first with a real plot. Those are two points of contention, because the two most-asked questions of me are “why do you only write about Indiana” and “why don’t your books have plots like Stephen King”. The answer, by the way, to both of those questions is “go fuck yourself.” Equally annoying are the people who tell me “just write whatever, it doesn’t matter if it doesn’t have a plot or structure”, because those people have obviously never written a book. There has to be some structure or it won’t work. Captain Beefheart is a novel gimmick for about five minutes, but you can’t make a career out of it. I think he’s living in a van in New Mexico, trying to sell shitty paintings to tourists.

The weather is very nice here now. It’s good weather to walk home in at night, which I have been. I’m going to Wisconsin next weekend, so lots of cheese.

A side note: When I wrote about Seattle a couple of entries ago, that wasn’t any kind of cryptic clue that I was moving to Seattle, that I missed Seattle, or that I was visiting or anything else. I write about random nostalgia like that entirely because I can’t think of anything better to write. Also, I feel some need to cement my random memories in amber for later preservation. Don’t read too much into it. In fact, the topic came up when I was in Alaska recently, because there are so many regional chains up there that reminded me so much of Seattle. And when we were vaguely, theoretically talking about if I would ever want to move back, the answer was a pretty easy no, because you can’t go back. There are times I miss when I lived in Seattle and was a 25-year-old writer, eating tuna salad and cup-a-soup every night to survive on $7 a week, writing furiously every night because I had no TV, no playstation, no DVD collection or player, and no long distance because I never paid my bill. But if I went back to Seattle, replace all that with worrying about my 401K and bitching about taxes and traffic and whatever else. And there are too many ghosts in Seattle for me. I haven’t even visited since I left. I probably won’t for a while. You can’t go back. But I do write about it a lot. Don’t confuse the two.

I’ve been trying to step up the reading a bit. Finished that Amy Hempel book, got her new one, and the first hundred pages are some (but not all) of the stories in Reasons to Live. So about 100 pages out of 400 are things I already read. At least I grabbed the new one off of Amazon in hardcover when it was still in the “new hardcover - slashed price” state, so I paid like $14 instead of $21. That book is in the queue, but a couple of others jumped in front of it while I was waiting for it to show up in the mail.

I re-read Arthur Nersesian’s The Fuck-Up again, which has become one of my “friends,” the books I can read and re-read on an annual basis without boredom. It’s about a kid in New York in the mid-Eighties who is hopping from couch to floor to lover and from job to job to lack of job, mostly on the Lower East Side and Brooklyn. There’s some other story arc in there, but aside from Nersesian’s fluid writing, the main character is this old New York that is now gone. Most of the novel takes place in a ten-block radius from where I work. But all of the porn theaters and slum apartments described are now yuppie condos and fast food restaurants and Gap stores. (I think Marie told me though that he has a few fuckups, like saying a certain movie theater became a Gap store, when it didn’t, etc.) Anyway, it’s a good read, interesting.

One of the things that stuck with me this time I read was that the protagonist has a friend Helmsley that was one of these uber-intellect types. His parents died in a plane crash, and he invested all of the money and lived like a pauper on the interest. All he did was read, and write. That made me really wish I could strip away all of the distractions of my life and get to the point where the two main consumers of time would be reading books, and writing books. Now, I don’t even know what the fuck I’m doing with my time, because I never write, and I never read. I don’t have a subway commute anymore - it’s like three stops, and I usually walk home after work to clear my head, so that hour or whatever is now gone. I’ve been trying to read more at night though. The writing, well, I’ll talk about that later.

Current book is the new Anthony Bourdain, called The Nasty Bits. It’s a collection of various newspaper and magazine pieces he’s done over the last few years, cleaned up a bit and pressed into a nice little 288-page hardcover. (I guess it isn’t that new - mid-May.) Some of the themes are repeated from his last two books, and if you’ve watched his TV show, some of the essays are longer versions of the different trips he’s taken. I like Bourdain a lot, and not for the macho pseudo-elitish chef shit that makes him a star. I seriously like his writing. He’s got the chops, and he’s read enough George Orwell and Hunter S. Thompson to keep alive that tradition of sharp observation mixed with entertaining craziness. Every good writer knows the best way to lure in somebody is to talk about work. And the best way to talk about work is to take some kind of work that is truly fucked up or boring or demeaning, and add some kind of element that makes it seem like a secret society to people. That’s why that bad jobs show on cable is such a hit. Nobody’s really interested in becoming a sewer cleaner; but when it’s presented in such a way that it makes people think (or think they’re thinking), it becomes gold. Bourdain does a lot of that. I’m not going to run out and eat whatever assholes and elbows make French culinary tradition great, and I don’t want a career in cooking, or even to learn how to cook. But his descriptions make it interesting, and I like that. The book is also much better than the TV show, which is glossied and cut up and pasted together in such a way that it loses part of the element. They’re entertaining, but the essays do a much better job. I’m only halfway through this book, but I have a feeling it will be done by tomorrow.

And I haven’t been doing that much writing, but I’m finding myself picking at these Bloomington stories again, like a scab that I will never let heal. These may or may not become a book called Six Year Plan, or maybe it needs a new title. No real news or agenda here - I’m just reading stuff that has sat for a while, taking out words, tightening lines, but not really doing much. Maybe I will get more productive with it, but it’s mostly something I do when I can’t figure out what the next project will really be. I think even if I made these stories as tight as possible and then put them in a book, it would only sell two copies, and that makes it difficult to jump into the thing with great gusto. I wonder if I ever would have written Summer Rain if I ever knew how many (few) copies it would eventually sell.

Time for lunch. I think we’re walking to this new farmer’s market on Orchard, then to a restaurant around here for some kind of brunch. It’s 70 and cloudy, very cool and maybe not bad weather for walking around for a bit.

Splitting headache. I think it’s from the heat, but it could be something else. I’m about to take some Tylenol PM, crank up the AC, and try to sleep it off. It’s been a slow weekend, which is good. I have a new dentist, and I think I can see his office from my window, so the commute isn’t a problem. He is also pretty laid-back and not all about the lectures, or the insistence that I need to cash out my entire 401K and spend it on veneers, braces, and who knows what else. I do have to go back next month for some work, but just fillings. No titanium post insertions or root canals or anything.

Lulu has a new book size, the “pocket” size, which is something like 4.25x6.875” or something like that. I was thinking that I would love to make my own version of the pocket ref, which is my absolute favorite book ever, and I think pretty much anyone with a spare twelve bucks should buy it. It contains pretty much every reference table and material stuffed into 768 pages that fit in your pocket. I love to read it when I’m bored, and it’s always good to take on travel. Anyway, I thought it would be fun to glean together all of my most-used useless info and cram it into a little book, and others could buy one too. Like, what to do for a hangover or food poisoning, what presidents have been shot and where, the addresses of Denny’s in many major cities, a list of daily excuses to have a party, whatever. Anyway, it’s a thought.

I’ve been reading Amy Hempel’s Reasons to Live. No, it isn’t a new-age bullshit book, she’s a writer, very minimalist stuff, very good. All of her stories are told in as few sentences as possible, very tight, very deadly. It’s good stuff, except when I read it, I simultaneously want to rewrite everything I’ve ever written so it works like that, and I also just want to give up, because there’s no way I could. But I still read it. She has a hardcover story collection from this spring, I hope it’s not repeats from the book I have.

Nothing else. No writing, it’s been too hot, and my computer room has no AC. I have the laptop, but usually I spend half my time fucking with the WiFi to get it working or not working, and it won’t let me write.

Anyway…

I spent all of my school years with the same email address - jkonrath@indiana.edu. I didn’t always get my mail on the same machine, and I had this complex shell game of trying to get accounts on as many machines as possible so I could have all of the quota to store my email and other junk. But I had that general philosophy of having all of my files in a central place. My computer at home was always a piece of garbage, and I was too nomadic to pop all of my mail to one place. So it all lived on various ultrix machines named after metals. When I left, those accounts got tarred and zipped and came with me to Seattle.

When I got to my first job, I hoped to get the address jkonrath@shitburger.com (replace shitburger with the actual company name), but they assigned accounts by first name. In my case, it ended up being jonathan@shitburger.com. This caused great confusion on many fronts. First, everyone wanted to email me at jkonrath@shitburger.com. A lot of people still emailed me at jkonrath@indiana.edu, thinking it would still somehow magically work. I found (well, I already knew) that absolutely nobody can spell the name Jonathan. (Johnathan, Jonathon, Jkofuiw849fthan, whatever.) Also, this caused a lot of people at the new job to think I preferred the long form of my surname, when in fact I hate it. Since only my mom and law enforcement officials actually call me Jonathan, being in an office where every marketing droid called me that made me think I was ten minutes from an FBI bust or something.

I also quickly got sick of my personal and work email coming to the same mailbox. This was long before workplaces got really shitty about how proprietary email was, but it became increasingly difficult to get at my mail from home or away. And it sucked when someone was hovering over my desk and someone non-work-related sent me an email about dressing up a sorority chick in clown makeup and banging her on a pooltable. (I have weird friends.)

After about six months in Seattle, I decided to buck up and pay for a real ISP. At that time, the only place in town that offered a shell account was the Speakeasy Cafe. I think it was like ten bucks a month. Most people would go in there and sit at a computer, sipping their tea and sending emails, but I just wanted a unix machine, centrally located, a place to keep my junk, and run emacs.

Back before Speakeasy became a huge ISP, they were just a cafe. They had a big Solaris box, a bunch of terminals, and an espresso machine. The place was in Belltown, a part of Seattle filled with trendy art galleries, the kind where the walls are covered in dayglo tempra paintings of native american wolves fucking, the kind of stuff you don’t want to look at when you’re on acid. The cafe was all wood and black-spraypainted terminals, like something out of Singles, but with computers. I don’t drink coffee; they didn’t serve Pepsi or Coke, only Afri-Cola, a weird little import in a strange-shaped bottle that tastes like RC Cola at twice the price, but a penny of the cost went to the rainforests or something. They sometimes had food specials, scrawled on a chalkboard menu, free-range wok-seared something-or-other. No burgers. No BLT.

But I got that account, untarred my old bronze archive, changed three or four things, and it was running like I never left. All of my old mail was there. Emacs still ran, with the VM mail program and the BBDB address book. My web page came back to life. There were text files with lists of things I was selling six months ago, right before I left town. It was like taking everything in your house, shrinkwrapping it, and transporting it across the country into another house, so when you woke up in the middle of the night for a glass of water, you’d still find the glass on the counter.

I came to Belltown every month, to pay my tab. This was before the days of Visa-enabled online invoices; you showed up and put your cash on the counter. I think you could prepay a year in advance, but at this point, I was so tapped that all of my grocery shopping consisted of only buying the stuff in the Safeway coupon book. (And those are gone now too, thanks to those stupid cards.) But Belltown was an engram burned into my mind. Every time I came down there, I’d stop at a store filled with antique junk that was pried from houses that were gutted. Clawfoot tubs, ornate molding, wood bannisters sat on the floor, all of the pieces of last century that were yanked when some Microshit Millionaire wanted to redo their colonial house to look “zen.” I dreamed of somehow buying some land in Montana or Idaho or Wyoming or whatever and buying all of this shit and building a haunted mansion.

I never hung out at Speakeasy much, although it was the place to hang out for the hipster set. I tried to go in there once and kill a few hours on a Friday night, to see if anyone cool would be wandering around, but it was either people who already knew each other, or strangers who wanted to tunnel into their account and read the web with the lynx web browser. It wasn’t a swinging scene by any means. Later they started showing movies, having bands, but really eclectic stuff. I met Trent Harris there, when he was screening The Orkly Kid movie. And for a while, I was trying to do some kind of collaboration with a cartoonist named Daniel, and we’d meet there and then go elsewhere, where they had greasy food or cheaper drinks. (I was trying to get him onboard about filming a movie that parodied Apocalypse Now but was about trying to find a parking spot in Seattle, called A Parking Spot Now. Never happened, of course. I still have notes somewhere, though.)

Speakeasy became big and somewhat dumb, nationwide, and with DSL and wireless and whatever else. It was nice when I moved to New York, and I could keep the same service. But eventually, things got stupid, and they kept fucking up their shell accounts. Finally, I gave up, pointed my mail to my home machine, and turned on ssh so I could get to it anywhere. And the cafe, sadly, burned down. I think it’s condos now. They never reopened, and maybe that’s a good thing. I don’t think people can really wrap their heads around the idea of going somewhere to use the internet, unless they’re using their laptop and stealing someone else’s WiFi. Even the idea of a shell account is alien to pretty much anyone.

Bleah. Time to go read.