Ryan Grant is having a party/wake for me this Friday. If you’re in Seattle, it would be terrific if you could show. Here’s his message:

Party! Friday the 19th, 8pm. http://www.seanet.com/~rgrant/party.html <— more info, map, directions. Jon Konrath is, as some of you may have heard, leaving the state. In fact, he’s moving to the Other Coast. All of you can do something about this. You can show up at my place Friday and, well, do whatever you want to about it. Most of us will be mingling, eating, drinking (to various degrees), and anticipating the Volkswagon giveaway. The rules are basically: bring yourself, invite friends, and if any self-immolations happen, they have to be out on the deck. - Ryan

That’s all for now. I’m supposed to be working on the book. Maybe I’ll write more in a bit.

Today was my first day of freedom, job-wise. Too bad I spent the whole day dragging hundreds of pounds of books down to my car and over to UPS. I dropped about $250 on shipping today, but now my apartment looks amazingly more barren. I started to pack more books tonight, but I’m down to one more box, and then I need to buy more.

It always feels odd to be hanging out on a day when the rest of the world is working. It’s like seeing a world you never knew existed. When I went to college and I skipped classes or otherwise found a way to screw around for an afternoon, I never felt the same sensation - college towns have their busy times, but so many people are vaguely employed or full-time students. I saw the same thing in Elkhart, though. I’d work at Monkey Ward’s during the day some summers, and when I went to get some lunch at the hot dog stand in the mall, the concourses would be completely barren, save a few senior citizens. During my first trip to UPS, Seattle felt like that - fewer cars on the road, the yuppie contingent was absent, and it just had a strange feeling, like you could tell at a glance that the majority of the city was behind a desk or at a factory.

During my second trip, around 3

, traffic was already nearing a peak. I don’t know what the hell’s up with this city. They should’ve spent half a billion on a monorail, not on two stadiums.

I’m supposed to be working on Summer Rain, so I’m going to get back to it.

The cycling has begun. I’m talking about temperature cycling, a feature of my wonderful apartment. Here’s how it works. It’s colder than hell out, or at least cold enough that being indoors is a better option than being outside. But it’s not snowing or anything - we’re talking maybe 47 and pissing rain. Normally, I’d run my heater a little and keep my room at a nice, cozy temp. The problem is that I live on the top floor of the building. And the assholes below me have their heat on the “solder” setting. And heat rises. So without my heat on, my apartment is about 115 degrees. This means I need to open all of my windows and let my apartment cool down to 47 degrees. And when I close them up again, my apartment is at an ideal temperature for about 3 minutes. Repeat this over and over and over until you feel a great need to buy a firearm and hunt down other people in the building like wild game in the forest.

I spent some time with my friend Virginia, at her incredible top of Queen Anne house, talking about some short stories of her. For a long period of time, she swore she would not be a writer anymore, and stayed heads-down at her day job. It’s good to see her mad at work on a bunch of stories and sending them out. I wish I would’ve brought bits of Summer Rain for her to read. And I wish I could spend more time talking shop with her or talking about anything, really. I think I can count the people in Seattle I’ll miss on one hand, and she’s probably the first on the list.

My day otherwise has been so off-center and odd. Not sleeping (due to the temp. cycling, mostly) threw me off majorly. But I saw the new taco (“El Taco”) at 7-11, which was not exactly as memorable as hearing about JFK or the space shuttle, but now Ray has another reason to drag me there at 3 in the morning. In a city as dead as Elkhart, 7-11 is the nocturnal person’s mecca.

I packed a bunch of stuff tonight. After my Monday drop-off(s) at UPS, the apartment will really start looking bare. Many books are now gone - most bookcases are in the trash, and about 7 big boxes are stacked against that half-wall. Plus, I got rid of another little shelf, and my last two bookcases are down to about 70% capacity. A few more boxes, and all of my books will be on the way. I’m also working on clearing out closets, and that’s more done than not. My next big, messy project will be sorting through CDs and tapes. I want to ship ahead anything I won’t need, and drive with about half of my discs in the trunk. I also need to get stuff recorded onto MD. I have a 45-cassette holder which I will fill with longer stuff, spoken word and whatnot, and that will be the backup to the 80-some MDs I will have pre-recorded. I’m glad I’ll be home all day during the week to figure this shit out.

It’s two and I feel like I’ve been running all day. I’m going to finish recording an MD and then get some shuteye.

It’s my last day at this job. Since this is the end of an era, I guess I have a lot of ground to cover.

First of all, I work for WRQ, Inc. It’s a software company that’s best known for Reflection, a line of terminal emulation products. I’ve worked here since June of 1996, when my job at Spry/Compuserve basically fell apart from under me. I started work here on the Macintosh version of Reflection, writing balloon help and other online help. In January of 1997, the Mac team was used as the basis for a Java team, and we started work on what became EnterView, a Java-based terminal emulation program. I was on the team for the first two releases - the second release just went out the door on Monday.

Why am I telling you this? Because if you search my journal archive, you’ll find no direct reference to where I work. I’ve always had a fear that if I offhandedly said something bad or top-secret in my journal about my job, that I’d show up for work the next day and get handed a pink slip. And I don’t really consider this job to be part of my identity or a part of me. I have no need to tell the world about what I do here or my office politics. When I leave this building, I leave behind my job. I never work on weekends. I never spend all evening talking about what I need to do at work. I try not to talk about my job when I’m at parties or other social functions. I work when I’m at work, and I spend my paycheck. As a human being, that’s how I think it should be. I could see why companies would want to brainwash their employees into thinking about their job 24 hours a day - it allegedly keeps them focused, makes them work harder. But my #1 priority is my fiction, and I’ve tried hard to make sure my technical writing does not contaminate it.

This hasn’t been a horrible place to work. It’s right on lake union, in two of the nicest buildings I’ve ever worked in. (Although the Musical Arts Center in Bloomington probably takes the cake.) I made good money, I got good benefits, and the company really took care of me. I got offices with doors, nice computers, free soft drinks, good dental insurance, garage parking, paid vacations, and lots of other stuff I never even had a chance to use. The people here are professional and treated me decently and I have no horror stories about the management or other coworkers, other than tiny pet peeves and boring meetings. No real complaints there.

This is the paragraph where I’m supposed to start the downslide, the one that starts with “But…” I can’t think of many problems with this job that weren’t my fault. Not that there’s any fault or blame, but I never felt like I fit in. I mostly work with people about ten years older than me who are interested in rock climbing and bicycling and saving the environment and doing Bob Vila stuff to their houses and going to little league games with their kids. If you know anything about me, that isn’t me. And I’m not saying that stuff is wrong, if that’s what you want to do. If you are a family person and interested in your community and everything else, that’s fine. But I’m not, and I’ve been afraid that if I didn’t conform to that, and think about my job 24 hours a day and make it the focal point of my life, that things would never work out here. And I was afraid that if I stayed here long enough, I’d wake up one day and have two kids, a minivan, and a Volvo stationwagon. So it’s not the job or the employer or anything like that. I think that most companies this size in Seattle have a similar demographic. And it required a drastic change for me to escape that. So here I am, packing up my shit and moving to New York.

My office is almost empty. It’s pretty new to me - I think I moved in this January. There’s an older building at 1500 Dexter that is very huge, very beautiful, with terrace decks overlooking the lake and a ten story tall atrium in the middle. I was over there until this recent move. My last office was on the tenth floor, and I could see the space needle. But the office pick situation got very screwed up this time, and now my office in the newer 1100 building is in the center of the floorplan, with no windows and no light except for the fluorescents. It’s a bummer, but since I’ve basically been hiding out and counting days since the move, it’s a good place to be. It’s not on an arterial hallway, and it’s rare that you see anybody walking past. It’s been a convenient location for being a short-timer.

When we moved in January, I hadn’t given notice, but I knew I was leaving. So I packed up almost all of my personal stuff and took it home, under the guise of streamlining my move. So my books, coffee mugs, Internet Bowl trophies, photos and everything else I accumulated over the last couple years are at home, waiting to get UPSed to New York. Actually, the trophies are already there. And last night, I brought everything home except my page of phone numbers. The place is now pretty bare.

It’s the end of a long era, and I feel that I should be saying more. The summer of 1996 seems like a hundred years ago. But, I’m excited to get out of here, pack up my shit and hit the road. I guess that’s all I’ve got to say about it. Maybe I’ll add more after I go home. For now, I’ve got to make some phone calls and get ready to leave.

It’s time to do my next collab for On Display. “write about where you are. paint a written picture of where you live, and of the random people you meet during a typical day. walk through it, looking with a visitor’s eyes.”

I live in Seattle, Washington, in a small studio apartment in a fairly new building. It’s on the hill between Pioneer Square and First hill, which gives a decent view of the Kingdome and the area immediately south of downtown from my balcony. It’s also unofficially called “pill hill” because it’s right by Harborview Hospital, and near Swedish, Virginia Mason, and a dozen smaller hospitals. That means that at least a dozen ambulances a day pass below my fifth-story studio, and I have the best view in the house of Harborview’s helipad. I’ve lived here since the summer of 1995, so I don’t even notice these things, but if you’re a new visitor, chances are you’ll get freaked out by the incoming choppers and ambulances.

I guess Seattle is beautiful and everything, but I didn’t move here because I’m the outdoor type. I can’t explain the clubs or museums or mountains, because most of my tenure here has been in front of a computer monitor or at a Denny’s. And in three weeks, I’ll be done here, and on my way to New York City. All I can tell you about the outdoors and Seattle is that no matter how far away you drive, the natural scenery will still be overwhelmed with yuppies, driving Land Rovers and Volvos, dressed in overpriced REI gear, and hauling around their precious children in expensive European strollers that cost more than my car. Don’t come here to spend time by yourself.

My apartment is small, and without any of my stuff, it would look more like a hotel room - nice beige walls and light wood trim that looks very institutional. It’s not much bigger than a hotel room, really - it does have a huge bath and a kitchenette that overlooks the main room with a little bar-like counter. There are some big closets, one of which contains a washer and drier. The place is carefully constructed to facilitate a single person who doesn’t entertain much.

There’s one big room, which is my bedroom, office, living room, practice space, and library. It’s nice to have everything combined, really - I love sitting in bed, getting up and taking two steps to get another book, or three steps to go to the computer and log on. It’s a very comfortable space for me to get lost in.

Right now, there’s a lot of chaos involved with the move to New York. About half of the 500 or so books in my collection are either in NY already, or in boxes waiting to be carted to UPS for their shipment. My book collection covered two walls on a ragtag collection of shelves, but it almost looks sad in its current state. There are a lot of other boxes and gear that’s getting ready for the shipping truck, and many storage areas and closet shelves are now bare. In the next two weeks, everything will end up on the truck or in the trash, so it’s an odd picture right now.

Next to the books is my computer. It’s not much to look at, a home-built Linux machine sitting inside a case I bought back in 1992. But the desk under it is like a timeline of everything I’ve been doing lately, covered with all sorts of shit. A 35mm camera - a wind-up metronome - Strunk and White’s _Elements of Style_ - the new Adversary CD - a Timex Datalink watch - a Sony MZ-R50 MiniDisc Recorder - instructions for Shanghai for the Gameboy - a checkbook from 1992 - Burger King Ketchup packets - a ginsu steak knife - Denny’s receipts from last December - a small notebook that I filled with obscene haiku - an address stamp for my zine - two masters from my old band Nuclear Winter - a highball glass from Kilroy’s bar and grill in Bloomington, Indiana - a 1995 promo from the Japanese hardcore band United - a word count log from December for my second book, Rumored to Exist - a ton of notes on index cards from my first book Summer Rain. Oh, and a keyboard, mouse and monitor. The desk is a kitchen table, small and originally from an RV or modular home, not sure which. It’s a piece of shit and will soon be broken up for firewood.

My stereo is almost always on. Right now it’s playing track five of Dream Theater’s latest album, Falling Into Infinity. All of the stereo gear is Kenwood, except for a JVC tape deck and the aforementioned MiniDisc. My “entertainment center” is an endtable, which used to house a TV and some VCRs. The TV got sold a week ago, one VCR got returned to my ex, and the other is packed. Now the table is covered with about a hundred CDs. There’s a rack next to it with another 300, and another 100-odd discs are on bookshelves next to my computer. If you’re feeling industrious, go to my homepage and take a look at my collection sometime; it’s a real study in obsessive-compulsive disorder. I love my CDs though. From Anal Cunt to Frank Zappa, they’re all cool.

On the floor just next to my left foot is a pile of MiniDiscs, labels and cases, in various states of recording-dom. I’m dubbing as many CDs as possible for my two-week roadtrip across the country. There’s also the master pile of notes and sketches for Summer Rain. Oh, and my Hi8 camcorder and tripod are also there. And about five degrees over is a Hartke bass amp and my current bass, a Cort headless with the Steinberger Sound licensed tuner setup. My very first bass was an identical model, although in worse shape, so when I glance at it, I sometimes think it’s 1989 again.

I have a patio door over there which opens to a soot-covered balcony - I live right by I-5 - and I can see the Kingdome and all of that other stuff from there. Next to it is one of those huge sideways-sliding windows. When I open the shades, the place looks more like an air traffic control tower, but it’s a great feeling on one of the three days of the year when it’s actually sunny out. It’s cool to have that much glass facing the sky when it’s a clear night and it’s dark out, or even better, when the sky is dark grey and the clouds are light grey and quickly racing across the sky.

There’s not much more to go - just a bed, endtable, and dresser. My paper journal is on the floor - it is vastly different than this guy, and I’m much more religious about it than this. There’s usually a huge pile of books next to the bed, stuff I’m reading. But I haven’t been reading much since I’ve been so busy with the move. I think there’s a New Mexico tourism magazine and the Rand Mcnally atlas, and the Grimoire of Bass Guitar, a music theory book.

I was supposed to walk you though my day, but there’s not much left. I work for a software company about two miles away, but my last day is Friday, and all week I’ve shown up late, left early, and done nothing. I don’t have much human interaction because I am a shorttimer, and because I have the worst office in the world, tucked away in the bowels of the building. I talk to the guy across the hall, and every day we walk down the road and across the street to a deli to get sandwiches for lunch. Not much of a picture to paint though, I’ve been in my office planning my trip, writing email, and surfing the web.

After Friday, this will be my office for two weeks. When I’m not packing it up or throwing it out, I’ll be at the computer, trying to finish as much of Summer Rain as I can before I head out. That’s cool, though - I’ve done so much writing in this same exact spot, it’ll be good to get a decent run in before I left. I figure I’ve probably written close to a million words while sitting in front of this table. I hope to get another twenty grand in before the 31st.

This is turning into less of a description and more of a nostalgic garbage dump, so I better stop for now.