Longest Novel Ever

I’ve been vaguely thinking about scraping some of the old essays I’ve posted here and turning them into a book, so I imported all of my old entries on rumored from 1997 to present into Scrivener just to see what it looked like.  It turns out I’ve written about 650,000 words here, which means if I trim out the 90% I don’t like anymore, you still get a decent-sized manuscript.

A book of this size is difficult to manage. It’s big enough that Scrivener stutters a bit when you try some intensive operations, like if you select all of the text and reformat it in one pass.  (And this is on a relatively fast machine with 8 gigs of RAM).  I also got enough shit when I released my first book, Summer Rain, which was about 220,000 words.  That translated into about 650 pages, which I think is perfectly readable, but that was ten years ago, and now people tune out in the middle of a 140-character twitter update.  But printing a 650,000-word book presents challenges other than attention span.  CreateSpace can’t even handle a single volume that big; unless I made some creative font and margin choices, that would most likely take three books.

I am not sure if I’ll actually pursue this, because I really need to be writing new stuff, and even if I did, it would be some kind of best-of with a couple hundred pages, max.  But I was googling around and looking for the relative sizes of various books (Infinite Jest, War and Peace, etc.) and I found a guy who wrote a seventeen million word book.

Check it: http://marienbadmylove.com - it’s by a guy named Mark Leach.  It sounds interesting, a B-movie romp through time travel and UFOs and all sorts of things, but it also looks like it’s more performance art than readable fiction.  I mean, even if it was the best damn stuff in the world, it would require a year’s sabbatical from life and a forklift to handle all of the possible volumes.  But it appears he’s done a lot of Burroughsian experimental stuff, like using the cut-up method, to generate that much text, so this isn’t like sitting down to a Dan Brown novel.

This makes me think I should take all of those out-at-third-act novels I never finished, dump it into a big cut-up tool, and mix it down into some gigantic sick and twisted mess of a book.  It’s a thought.

 

The Allure of Used Media

I was just reading today about some rumors surrounding the system that’s being called, for lack of a better name, the XBox 720.  It’s supposed to be coming out in late 2013 or 2014, which is bad for a couple of reasons.  One, if they screw the pooch and don’t get it to hit that magical pre-holiday season shopping surge, they’re dead.  Second, the entire console gaming industry could be as lively in 2014 as the current 8-track tape industry is today.  But that’s not what shocked me about the news; neither was the fact that they’re moving to BluRay discs for their format.  What threw me is the announcement that the new system won’t let you play used games.

This hasn’t been entirely clarified, but I’m guessing that games will force you to do some sort of online activation scheme, or otherwise be bound to your Microsoft ID.  If you can’t beam home and lock that copy to your ID, you can’t play.  This would probably be swaddled in some distraction, like saying “I’m going to go online now and download all of your COOL NEW GIANT BONUS GUNS!!” and then lock down the game while pulling down updates.  The DIVX DVD player from a decade ago had a similar system, and failed miserably.  It used a phone line to connect back to the mothership, like an old-school cable box did for PPV purchases, but now that every home (in theory) has wifi and ethernet and broadband, that part of the equation is less of a big deal.

I was just reading a J.G. Ballard interview where he talked about the influence of used book stores when he was younger, how he’d dig around these places after some old geezer kicked the bucket and his widow hauled off a century’s worth of book hoarding for six pence a title, and find among the pulp paperbacks the occasional gem.  I used to do the same thing, partly because the prices were always good, but partly because the only other book stores around were Walden’s-type places that didn’t stock anything interesting, or maybe the occasional Border’s that would have the last one or two of an author’s works, at full cover price.  I spent so much time poring over titles in basement stores, taking home books that looked cool, and occasionally stumbling onto something life-changing.

I did the same thing with CDs and music, too.  I mean, I worked both sides of the deal, dragging a backpack of the lowest-rated titles from my collection every time I was broke and had to pay a massive phone bill or buy enough groceries to coast into next payday.  But I’d often spent hours going from A to Z in those used CD places, trying to find something obscure, or just looking for bands I’d never heard, so I could try them out for half the price of a retail CD.  I buy 100% of my music digitally now, and that experience is completely gone now.  I can listen to 30-second clips of an artist’s songs in the iTunes store, and that’s helpful, but the entire tactile situation of running my fingers over five thousand plastic spines on jewel cases to find some obscure d-list band on Earache is gone.

I don’t know how big the used game market is these days, although at the height of my PlayStation 2 days, I’d frequently turn in the duds in my collection for store credit.  I was always the kind of gamer that would be stuck on a single title for weeks and months on end, instead of having to get the latest games as they came out and then immediately solve them.  I am guessing if you’re that kind of gamer, you probably use one of those Netflix-like game rental services, although this begs the question if they will also be screwed by a one-player-per-title system.

The main thing killing the console game system is another reason why the game-ownership system makes less sense.  When you play something like Mafia Wars, you don’t buy the game; the client is your browser, and you “own” your online account.  You don’t spend money buying a physical disk; you buy game currency or points or guns or upgrades or whatever else.  I think more games will follow this WoW model where the client is either free or cheap, and you either pay for upgrades or pay per month or hour or whatever.

I’m also wondering if this will cause a “dark ages” in collecting of systems in the future.  I can hop on eBay and hoard away any number of Atari 2600 titles.  But will there be a point in ten or twenty years when the then-middle-aged person goes to buy all of the XBox720/PS4 games they didn’t have as a kid and be as screwed as that guy who built a replica Cray supercomputer and can’t boot it because nobody has an OS for it?

 

41

My birthday, ten years ago

I turn 41 today.

Five years ago, I ate dinner at Per Se in New York.  I had a twelve-course meal that cost something like $750.  Then I went home and watched the movie Idiocracy.  Then my iTunes library crashed, and I spent the next day restoring it, so a huge chunk of my songs say they were imported on 1/21/07.

Ten years ago, I went to Las Vegas with Bill (who shares my birthday), Lon, and Todd, starting a long tradition of going to Sin City for our birthdays. Todd took pictures of me sodomizing pretty much every statue on the strip.  While we were in town, I bought 40 acres of land in the mountains of Colorado, starting that whole obsession.  I also shot a full-auto M-16, bought this ridiculous Coke jacket, and made far too many references to Fear and Loathing over the weekend.

Fifteen years ago, my uncle died from brain cancer on my birthday.  I lived in Seattle then. I went out the weekend before, with a bunch of people from Spry (Bill, Todd, others) and I bought a new bed, but I spent the actual day of my birthday at work.  A somewhat boring and introspective day, but those are good too.

Twenty years ago, I turned 21 and could legally drink.  Me and Bill went to Kilroy’s, the dumb jock bar in Bloomington, to get our free drink.  I still have the glass.  Then I went to a liquor store to buy something with more octane than the fruity drink with ten drops of rum in it, and the fuckers didn’t even card me, which pissed me off.

Twenty five years ago, I turned 16 and hit the age when I could get my driver’s license.  I didn’t get it for a few months, but that was the first big step in escaping orbit.  I think my obsession at that time was Iron Maiden.

Thirty years ago, I think I had a Superman cake.

Forty years ago, I was in Edwardsburg, Michigan and I still have the picture of me putting my hands in the chocolate cake that pretty much everyone has from their first birthday.

It’s now 8:43, and at 8:53, I officially turn 41. I’m still in bed, plinking at the laptop, enjoying a day off.  Later, I will go to Denny’s.  Not really thinking about my own mortality or where the time went or any of that stuff.  Just thinking about pancakes.

Anyway, thanks to everyone for everything in the last year.  I hope the next one is even better.

 

The Cult of Keyboards

As I approach the end of my 40th year, my body is falling apart.  Okay, that may be an over-exaggeration, but every morning, it feels like another piece has been overextended or abused or mutilated, from the various discs in my back to the muscles and joints in my shoulders or arms or knees or toes or whatever.  Ever since I’ve started working from home, poor ergonomics has caused a rash of various repetitive stress injuries.  Or maybe all of the steps I’ve tried to prevent said injuries have caused it.  I don’t know.

I do know that my keyboards have been the main focus of this hell.  I mean, I also bought extensions to raise my desk, a different mount to raise my monitor, and one of those freaky bicycle seat-looking office chairs to prevent me from slouching, and that all helps.  But I think in the last decade, I’ve probably put down about a million words between work and fiction, and all of those go through my ten digits via some kind of USB-connected appliance that’s based on a design originally thrown down a hundred and a half years ago by opium-deranged business machine sadomasochists trying to find a way to keep busy women in between bouts of making sandwiches.  Never mind the fact that we don’t yet have machines that read our minds or let us simply talk to our computers like we’re Scotty whipping up a batch of god damned transparent aluminum. The fact that we still use essentially the same QWERTY design as a century ago, the one that was specifically invented to slow down typists, is a travesty to all things mechanical.

When I got to Seattle in the mid-90s, ergo-mania was happening, and I knew more people who had RSI or carpal tunnel than I knew in Indiana who thought the earth was created 3000 years ago, and that’s a lot.  Ergo was huge, and there were all of these bizarre startups running out of garages churning out short runs of chording keyboards and strange split devices and custom DVORAK layouts, not to mention all of the alternate mouse designs, like track balls and track pads and track pens and track cocks and whatever else.  And this was before the advent of USB, when this stuff became really easy to make, and before Microsoft upped the ante on RSI by inventing prolific right-click menus and then the scroll wheel, two things that have caused more arthritis of the right hand than all of the collected works of Megan Fox.

Microsoft both created and destroyed the ergo market by coming out with their own mass-produced split keyboard.  I will give credit where credit is due and say this is one product that Microsoft got mostly right.  I’ve gone through a succession of these split keyboards, most recently using the Ergo 4000, which has a large number of “media” buttons, which are nice for doing things like pausing iTunes or skipping tracks or zooming the browser window.  However, aside from the fact that I go though about one of these a year (mostly because of a combination of eating at my computer and the fact that the letters wear off almost instantly) there’s always been something slightly wrong with these peripherals.

Before the Microsoft models, I went through a series of IBM Model M keyboard clones; in fact, my first keyboard I bought in 1991 was an honest-to-god 83-key IBM keyboard from a 5-slot 5150 PC.  In 2012, there are a lot of issues with these keyboards, aside from just the total lack of ergonomic comfort; you’re not going to find a Windows key or an Apple key, and they use a cable that predates USB by at least two or three iterations.  Most of the vintage ones have also gone from the 90s computer beige to the yellow-brown color of linen in a ten-pack-a-day smoker’s house.

But the switches in these keyboards were magic.  New keyboards don’t use individual switches; they use dome switches, where the keys push this rubbery sheet that contains little bits that complete the electrical connection. The result is a quiet and cheap keyboard that feels like typing while your fingers are suspended in a bowl of mush, and at some point, the little domes will sporadically fail, and every 10,000th character you type will randomly miss, eventually causing insanity and the cost of both replacing the keyboard and the window you throw it through in a maddened rage.  The old keyboards used actual mechanical switches, each one happily clicking with a sharp tactile feel as you snapped away at the keys.  Even if you couldn’t type fast, it felt like you were typing fast.

This introduces this never-solvable paradox that seems to creep up in every damn aspect of my life.  I want an ergonomic split keyboard, that is modern and uses USB and has all of the new keys people use like Win and Alt, and has mechanical key switches.  The Microsoft ergo uses rubber dome switches, and at some point, those fail and cause madness.  It also means that even with a brand new keyboard, it feels like I’m typing underwater.  There’s a whole cult of mechanical switch keyboards, mostly from gamers who need lightning-fast key response.  Those are all standard layout, mostly because gamers only use the WASD keys.  There’s also the issue that these keyboards are all marketed to 14-year-old Asian boys, and have names like the “Viper Frag Kill 9000″ and you will pay $200 for backlighting and extra buttons specifically used for Skyrim or whatever.  And outside of Microsoft, the ergo keyboard market has largely been killed.  Add to this the frustration that every single computer sold comes with a keyboard, and because the cheapest way of making them is good enough for a person who types at most 140 characters in a row, the $19 OEM POS is fine for almost everyone.

My problem with this – or with building a kitchen island, or finding the right desk, or getting a set of sliding glass doors done, or whatever the hell else, is I fall down these deep internet k-holes of endless searching and frustration.  There are several internet discussion boards full of game playing fiends touting their favorite boards.  But of course, if you posted asking for a good ergo keyboard, you’d get a thousand responses saying RSI is a myth, kind of like if you went into a random bar in Arkansas and asked the locals about global warming or evolution.  And your first 900 results in a google search are links to the Microsoft Ergo 4000.

This fall, I finally gave up and bought a Kinesis Advantage.  They are not cheap; I spent just shy of $300 for mine.  But they use actual Cherry mechanical switches, and feature a unique split system, where the bulk of the keys are in two “bowls”, and all of the modifier keys (ctrl/alt/win/apple) plus keys like the backspace, delete, enter, and space, all sit under your thumbs.  This means you can do 99% of your typing without stretching your hands out of the home position, and the keys happily clack away to confirm your speedy typing.  The Kinesis also has a complex and powerful system of keyboard remapping and macro programming in its firmware, which I will probably never use.   The one real bummer, aside from price, is that the function keys are these little rubber chicklets that will inevitably get jammed or stop working.  There’s also the issue that I am not historically a touch typist, and I had to spend a month using a touch typing tutor program (the wonderful and open-source Tipp1o) to get to the point where those ring and pinky fingers were hitting the As and Ses and Ls and ;s with regularity.

The k-hole has been reopened lately, though.  I’ve been wondering if there’s a good way to replace those damn chicklet keys.  Maybe I should get a keypad or jog-shuttle control to remap these keys.  Maybe I should get out the dremel and buy a dozen and a half loose Cherry keys and replace the switches.  Maybe I should remap the largely useless Home key so Home-1=F1;Home-2=F2, and so on.  Maybe I should stop all of this and actually write books.  Sure, right after I try to find a Kinesis macro programming FAQ online, and then hem and haw about buying a Griffin PowerMate.

My new book, The Earworm Inception, also in paperback

You know that new book I posted about the other day?  Well, the print version is now available, too.  So if you’re not cool with all this kindle stuff and still like to read your books dead tree style, check it out over at amazon.

The print version is 134 pages, and costs $8.99.  It’s also eligible for Amazon’s current “4 for 3″ deal, so if you go buy three eligible books, you can get this for free.

This book’s a collection of 20 short stories or flash fiction pieces, and is designed to be cheap and a good short read.  This book is perfect for those with ADD or ADHD.  In fact, it’s so good, you could probably just mail me all of your unused Adderall and I’ll just send you a free copy of the book.

And if you are down with the kindle version, it’s only 99 cents.  If you’re also an Amazon Prime member (and in the US, and have a physical Kindle, not just the app on your phone) you can read the book for free.

As always, every time you mention the book on facebook or twitter, write a review, or hit that like button on Amazon, an angel gets its wings.  (Unless you are a Satanist; then it goes to hell or something.)

The links:

List of Books I Have Not Completed

As I mentioned in my last post, I have a new book out. It’s called The Earworm Inception, and it’s only 99 cents on the Kindle.  So please go check that out.

This book is the latest in a series — can I call it a series if there’s only two and I vaguely plan to do it again?  The idea is that I write a lot of short stuff, flash fiction and one-off blog posts and whatnot, and within a calendar year, that grows to be about book-sized, so I put it in a book and release it.  It’s sort of the same concept as a comedian developing a set, and then when they get a strong hour, they shoot a special.  And, if you’re Louie C.K., you shoot the special, declare the hour officially dead, and move on to the next one, tabula rasa-style.  I love that concept. The tough part is that I can’t go to a shitty comedy club and try out my material bit-by-bit in front of a Tuesday crowd.  I have to develop it with no input, then put it out there and hope you guys read it and give me back comments.

And here’s the real problem: I have all of these half-dead projects.  I started writing in 1993, and I now have seven books: two “real” novels, two of these roll-up collections, and three that are more or less non-fiction.  I feel like if I’ve been writing more or less every year (with the whole day job thing) I should have more than that.  And I do, but it’s all in incomplete projects.

I did a survey of all of this yesterday.  It’s depressing that I have 320,000 words invested in projects that will most likely never see the light of day.  But it’s a learning experience, and when I crack open old stuff, it makes me see I’m learning something.  And it’s good to know my time went somewhere.

Anyway, for your amusement, here’s the list.  Maybe if I officially say all of these are dead, I can get the monkey off my back and work on the next thing.

The Device

  • Started in 1998
  • Tried restarting in 2001, 2002
  • 30,000 words

This was an offshoot of Rumored to Exist, an attempt to add a plot to the nonlinear book that got too overbearing, and got split off into its own book. The basic “plot” had to do with someone coming back from the future and interacting with themselves in the past.  This was one of my first attempts to write a strictly plotted book, and it failed miserably, but I came back and revisited it at least a couple of times. There might be a few paragraphs of this that are usable elsewhere, but there really isn’t even a structure to build on to revive the book in any way.

The Device, mk2 (aka Zombie Fever)

  • Started around 2004
  • Last worked on in 2008
  • 72,930 words

A guy who is retired from the army is called back by the president to take out a drug cartel leader who only eats at Carl’s Jr, and ends up uncovering a conspiracy involving Nazi UFOs from the South Pole.  It has nothing to do with zombies, but that name got stuck on the project as a working title. The first third of the draft was pretty complete; the second part wavered, and the last third was barely plotted.  Big elements of this story ended up being reused in the short story “My Friend, The Jihadist”, which is included in Fistful of Pizza. There are other pieces that beg to be reused elsewhere, like a whole bit on Anthony Bourdain’s khmer rouge-themed restaurant on the Vegas strip, and a president who spends all of his time playing freecell while his secretary of defense wants to nuke Canada.

Six Year Plan

  • Started, sort of, in 1994
  • Still keep puttering with it
  • 88,934 words

This is a short story collection of things that took place during my college years in Bloomington.  One of the stories was the original short story “Summer Rain”, which was later developed into my first book.  Maybe half of these stories appeared in Air in the Paragraph Line over the years.  I’ve never been happy with the quality of the stories, and this type of writing isn’t really “me” anymore, so it’s hard to justify the six months it would take to beat this into a great book.

Voodoo Sex Fire

  • Nano 10 book
  • 51,636 words

This book is about a group of hackers that are trying to destroy this Glenn Beck-like character because the main character’s friend has a sex machine business that got shut down by the guy’s insane fans.  There are bits of genius that get incredibly bogged down in the attempt to follow the Joseph Campbell hero’s journey plot structure too much.  My favorite part is when the characters play a video game called Fuck Shit Up, which is loosely based on the first RoboCop movie, except you’re one of the bad guys looting and destroying Detroit.

Arylcyclohexylamine Is Not a Flower

  • Nanowrimo 11 book
  • Worked on for a few days of November, 2011
  • 20,000 words

This is an absurdist zombie book.  It’s a very stereotypical zombie story where a group of teens take a roadtrip across a post-apocalyptic America to go to a secret government lab outside of Vegas to help a scientist develop the cure.  There are a lot of bizarre elements, like that their shop teacher is Charles Manson and all of his dialogue is quotes from Geraldo interviews, and the zombie virus was spread by a hamburger chain’s genetically-modified meat.  Part of me wants to eventually finish this.

Heavy Metal Hell

  • Started in about 2006
  • A completely new draft and new outline was my Nano 09 book
  • 64,692 words

This is a book similar to Summer Rain, but it takes place immediately before college.  Book 1 is a semester of my junior year; book 2 is senior year; book 3 is the summer between HS and college.  I wanted to capture what it was like to be a heavy metal fan in a nowhere town in Indiana in the 80s, and that desire to get the hell out.  This book is very plotless and difficult for me to even look at.

“Book 3″

Just a brief mention that I have about 30,000 words in a book that’s mostly a collection of surreal scenes that don’t entirely flow together. I have vague hopes that at some point, I will find a structure to stitch all of this together into a Rumored-type book. Time will tell.

My new book, The Earworm Inception, is now available

Abraham Lincoln and Helen Keller opened a Subway sandwich shop on the corner of MacDougal and Bleecker to finance their speed metal band, in which I was auditioning as their road ileostomy technician, so I spent a lot of free time in that neighborhood. A lot of touring bands, at least the serious ones, switched over to diverting their intestinal waste into surgical-grade pouches instead of dropping a deuce in a tour bus, so my part-time hobby was sure to pay off, eventually.

I’m proud to announce that my latest book, The Earworm Inception, is now available on the Amazon Kindle for just 99 cents. Also, if you are an Amazon Prime member in the US with a Kindle, you can check out this book for free.

This book is a collection of 20 flash fiction pieces and short stories. It’s not a novel, but they are all tangentially related.  Like Fistful of Pizza, it’s a mix of previously published work and new stuff, and it’s a cheap way to get a good look at my writing style.  Also, it’s funny as hell. The book description:

A food truck craze involving human cannibalism. A Texas Governor who obsessively listens to Rebecca Black right before every state execution. A chainsaw factory that plays Ozzy Osbourne for its welding robots. An ex-girlfriend drunk-dialing from Kandahar, where she’s starting a Shakey’s Pizza restaurant chain. And an endless search to find the right mix of prescription medication to stop the memories of a bizarre past.

These mad stories make up the latest by Jon Konrath, a collection of 20 flash fiction narratives that cross between metafiction and experimental prose, telling grim and absurd fast-paced tales about Konrath’s life in a twisted fashion.

There’s also a print version on the way; I’m waiting to approve proofs, but it will be available for $8.99.

Insert desperate plea for you to check out the book, like the page, share on your faceplace thingee, and tell all your friends.  Also, if you review books, get in touch and I’ll send you a copy. Thank you!

The linkage:

A Hundred Years From That One Rush Album

I guess I haven’t written in here yet in 2012.  Oops.  I’ve been busy working on getting a new book released, another collection of short stories and flash, and that’s about done.  But it’s been hard to get started on something new, and I really need to.

Part of this is that I’m trying to quit caffeine, and that shit’s a wonder drug for my creative productivity.  I am tapering down, and I’m down to two cokes a day, but I used to drink about two cokes per thousand words, so that’s been a struggle.  I’m probably sleeping more and better, but sleep doesn’t write books.

One thing I forgot about – I used to use my own crappy  set of scripts to run this site, a bunch of cobbled-together duct tape and cardboard that generated the index sidebar out of a bunch of PHP and shell script.  And every year, the whole thing would break, and required me to move all of the files to a new directory and edit a script by hand and regenerate the index and whatever.  And one of two things would happen: either I’d stay up late on the morning of the first and fix everything and post an “okay, this works” message, or I’d procrastinate horribly, and not post anything for days.  Maybe it wasn’t days, but I remember the dread of not having anything to write about, not knowing what to write.  Every New Year’s, I’d have grandiose ideas of how I’d write a story a day or a thousand words per 24 hours, and how that year would be the year I’d write a dozen books and submit a million stories and blah blah blah blah, and sitting staring at that blank page always felt like if I resolved to lose a hundred pounds, and then found myself in line at McDonald’s.

The other big part of 2012 is that it marks the 20-year mark from when the events of Summer Rain happened in real life.  I have very conflicted thoughts about this, and there are two different things going on in my head.

First, it’s been 11 years since that book came out.  I’m slowly moving to using nothing but CreateSpace and Kindle for publishing, and I feel like I should gather up all of my old stuff and push it to there, then unpublish it from iUniverse or lulu.  And I feel like I should get all of this old stuff on the Kindle.  So I loaded SR into Scrivener and started fixing all of the line breaks and indents and whatnot, thinking I’d eventually on some rainy day (no pun intended), I’d get the thing exported into .mobi format.  And of course, this degraded into this pulling-a-loose-thread-on-a-sweater thing of “maybe I need a new cover” and “maybe I need an new intro” and whatnot.  But it also made me stop and read the old writing, and I really don’t like it anymore.  I mean, there are the minor typos and things that could be reworked.  But I am no longer in love with those characters or what I did with the book.  Maybe this will change if I give it another serious read.  But I also did this same process with Rumored to Exist recently, and I really liked it.  It made me wish I could keep writing more stuff like that.  But the idea of revisiting Bloomington in 1992, or the thought of finishing this incomplete book of IU stories from 1989-1995 is somewhat boring to me.

And I just went to Bloomington, a couple of weeks ago.  It was the first time I’d touched foot in 47404 in ten years.  I only had a couple of hours, long enough to eat dinner with Simms and grab a quick drink with Bill, but I cruised around town for a few loops, taking it in.  And I was strangely unenthused.  Maybe I’d shut off that part of my brain, the part that usually swims in nostalgia trips like this, because the whole Indiana experience was so surreal to me.  But I didn’t experience the huge charge I used to get when I returned to town.  I swung past Mitchell Street, and around the fountain, and up and down Jordan, and to the library, but none of it caught me.  It seemed so long ago, so distant – and it was.

No real moral of the story here – I know what I’ve been writing best for the last couple of years is not the rehashing of this old college stuff, and that’s fine.  I’m still struggling with what exactly I call the stuff I do now, and how to sell it or tell people about it is the big question, but it’s slowly happening.

In other news, I bought a rowing machine the other day.  Not sure why.