Dispatches, thoughts, and miscellanea from writer Jon Konrath

  • Current Obsession: Pole Chudes

    I don’t know how I got to this, but I’ve been borderline obsessed with the Russian version of Wheel of Fortune, which is called Pole Chudes. I do not speak Russian, and can’t solve Cyrillic letter puzzles, but the fascinating thing about the show is how little it has to do with the actual word game. Also, this show is Russian As Fuck, which I greatly enjoy.

    I really like watching foreign TV I can’t understand, and find things like the tone of the announcers and commercials to be unintentionally hilarious. When I was in college, my pal Simms was friends with these guys who were maybe music majors or in a band. Their house was cool as hell, because the basement was covered in egg carton crates and soundproofing blankets, and they had a bad drum set and a bunch of shitty instruments, like old Teisco guitars and band instruments and toy synthesizers, and we’d go over there and beat the hell out of everything in a total noise symphony. Anyway, one of the guys worked at Sahara Mart and had a copy of the Bollywood movie Raja Babu, the VHS tape complete with TV commercial breaks, and I got a dub of it. The spectacle of a Bollywood musical and all the dance numbers is one thing, but I also thoroughly enjoyed the commercials for various pre-made curries, rices, and banking centers. And falling down a YouTube k-hole looking for Russian game shows brings on a similar experience.

    A few brief thoughts and observations on the show:

    • “Pole Chudes” means “The Field of Wonder.” It is a reference to the Aleksei Tolstoy book “The Golden Key,” which is based on The Adventures of Pinocchio by Carlo Collodi. Tolstoy’s version of the book is a sort of fork of the original Collodi book in the same sense as Disney’s sanitized derivations of other fairy tales, with many of the gruesome bits like the burning of feet and sharks swallowing people and whatnot. Also Pinocchio’s nose doesn’t grow when he lies. The game show has nothing to do with any of this.
    • The show is an official Merv Griffin-created version of the US franchise. There are about 60 international versions of Wheel, and many of them are bizarre in some way, like a Polish version named Koło Fortuny, which always offered a free dishwasher for the toss-up puzzle.
    • Pole Chudes has a few rule changes, such as a prize symbol, which lets a player choose 2000 points, or a secret prize as a buy-out, which is sometimes a vegetable.
    • Unlike the rapid-fire gamified puzzle version shown in the US, the game itself is secondary. Most of the show has to do with the host interviewing and interacting with the guests. If you edited out all game elements from the US version of Wheel, you’d have about three minutes of footage per episode. With Pole Chudes, you’d probably have a solid 50 minutes that would resemble an American variety show from the seventies.
    • The host, Leonid Yakubovich, is a white-haired, big-mustached guy who looks like he’d be running a Russian deli in the East Village of New York. He is absolutely normal, and worked as a heating technician at the ZiL auto plant before getting into show business. He looks like the great-uncle or grandfather every Russian would have.
    • Half the time, the wheel has tons of food and farm grains and baskets of bread, like it’s a restaurant table.
    • I don’t know the process for getting guests, but they are incredibly random and look like they were bussed in from outer Siberia for the greatest moment of their lives. It’s a strange mix of old babushkas, village idiots, and guys with 80s-nerd glasses and the facial hair of a town rapist. They also seem to have a lot of children on the show with parents, in the ever-painful “host asks the cute kid questions and gets baby-talk dumb answers so the old grandmothers can laugh.”
    • Each guest brings the host a gift from their town, usually something culturally significant. So a good portion of the show is always the host and contestants eating jars of pickled wolf ears in a borscht sauce from Vladivostok, and chugging down fine vodka from ornate bottles that look like they’re out of the 19th century.
    • There is actually a museum by the studio filled with gifts brought to the show.
    • The show inexplicably breaks into musical numbers or displays of children in historical uniforms dancing to folk tunes, like some kind of Soviet propaganda film broadcast on the government TVs that only got one channel.

    I can’t explain it any more except to say it is Russian As Fuck. There are a lot of full episodes on YouTube, but for a good overview, go straight to the 1TV web site and watch this minute-long teaser: http://www.1tv.ru/sprojects/si=5810

  • why web search is completely useless at this point

    I wanted to look up pockets, as in the thing in your clothing where you put your phone and keys.

    Searching on “pockets” brings me a page of stuff about Hot Pockets. (Granted, I’m eating Hot Pockets right now, but my computer doesn’t know that. I hope it doesn’t.)

    Searching on “pocket” brings me pages of stuff on Pocket, the service where you save articles you want to read later, and then never get around to reading them. Seriously, the first three or four pages of results don’t have anything to do with garments.

    Bing searching on “pocket” will give you a result on Pocket-Greenhaven, the Sacramento neighborhood, so I guess that’s a start.

    Oh! DuckDuckGo does give you a result to the Wikipedia page on the first page of hits.

    I originally was looking up pocket to make a Hot Pockets joke, or rather look up the origin of the word ‘pocket’ to twist into some kind of Hot Pockets reference. I couldn’t think of anything – pocket is middle English for sack, Anglo-Norman French for pokete, diminutive of pouch. There are various types of pockets: formed from a patch, camp pockets (sewn to the outside of a garment), slit pockets, etc. The beer pocket was popular before Prohibition, a pocket specifically designed to hold a bottle. Hot Pockets were invented by the Merange brothers, David and Paul, Iranian Jews from Orange County. They sold their company Chef America, Inc. to Nestle for $2.6 billion. Hot Pockets were manufactured in Englewood, Colorado. I got my Denver driver’s license in 2007 at the DMV immediately north of there. Jim Gaffigan grew up in Chesterton, Indiana, which isn’t too far from where I grew up. The Hot Pockets headquarters are in Solon, Ohio, outside of Cleveland, but they are manufactured in Mount Sterling, Kentucky. Nancy Green, who played the original Aunt Jemima, was from Mount Sterling.

    Enough wikipedia for today. I already ate the Hot Pockets. I don’t have any idea of how Google ranks sites today, but this is why the days of searching on something are dead. RSS feeds. Everyone should blog. End rant.

  • Sleep Research Facility and ambient music

    I’m always searching for music to listen to while I’m writing, because I can’t think and fall into the right kind of trance to dump my subconscious onto pages when extreme death metal is screaming away in the foreground. Classical music puts me to sleep, and jazz is jazz, so it’s hard to precisely nail it. I do like ambient music, as long as it isn’t too passive, and doesn’t veer off into the Yanni-esque new age shlock. All points south of classic Eno can be good, but that specific sound doesn’t imprint my brand of writing exactly the way I need it, so I’ve been looking for more.

    Dark ambient, for better or worse, is closer to what I like. It contains a texture that provides a good underlying current for my work, and blocks out everything around me, yet doesn’t invade my mind in a way that would turn it in the wrong direction. Dark ambient removes from the equation the type of music a hippy-dippy acupuncturist would play in his office, which is good. The main problem with dark ambient is that it’s impossible to find a straight answer as to what it is. Ask ten people what ten bands constitute death metal, and you will get twelve highly contested answers. Dark ambient is the same. It shares distant borders with Krautrock and experimental music, and I don’t know enough about it to give you a defined answer as to who the main players are. (Maybe you should tell me.) I can tell you about a specific band I like, though.

    Sleep Research Facility, the working name of Glasgow musician Kevin Doherty, has released five albums of essentially beatless dark ambient music, along different themes. The one thing in common is a dark, textured soundscape, usually without musical elements, or maybe with long, sustained chords. The name of the band relates to the work’s lack of any elements that would disturb sleep. That’s a slight peeve of mine, because it’s difficult for me to listen to dark ambient that contains extreme screeching, loud noise, and distorted shrieking voices. It’s hard to get in a trance state to work when interrupted with those elements. I’m not saying they don’t have artistic merit within a composition, and I can enjoy listening to them for the sake of listening to them, but when looking for functional music, it’s an issue.

    Another challenge with creating any ambient music is having a central theme or “gimmick” or some set of tracks for the train to roll down. SRF seems to do this well, in the choice of conceptual framework. The prime example, and a good starting point, is the album Nostromo. This is a nearly 70-minute album that was inspired by the ship from the movie Alien. The album details a walkthrough of the ship from Ridley Scott’s scifi/horror movie, starting in the A-Deck, while the crew is in suspended animation, hurtling through space back to Earth. Scott meticulously detailed the ship, not as a sterile, futuristic vessel, but as a beaten, worn, working man’s craft, like a battle-damaged oil platform in the middle of the ocean. But when the crew is in stasis, prior to the computer waking them, there’s a certain calm, or anticipation in the vessel.

    Nostromo starts in the A-Deck of the ship, presenting a deep-bass flow of sound, with slight electrical static and drifting sounds of machinery. It’s not like the harsh industrial sounds of the cyberpunk-influenced electronic genres of the mid-90s (I’m thinking the mechanical sounds of, say, the interstitial tracks of early Fear Factory, or even the earlier sounds of something like Front 242. (and sorry for the horrible reference points. This is very far outside my wheelhouse of musical knowledge, trying to learn here.)) Anyway, the dozen-minute tracks drift deeper into the ship, as the sounds and textures become more refined. The entire album is very dream-like and drifts seamlessly through the ship. The 2007 release contains a bonus track named “Narcissus,” which was the lifeboat escape pod of the Nostromo, which contains similar elements, although it is texturally different. You could imagine Ripley putting herself in stasis and drifting back to earth during the final track.

    I listened to Nostromo constantly when I was writing He. I’d sit down to write every day, start the album on repeat, and keep it as a constant soundscape. I do this a lot when writing; for Atmospheres, I listened to the Sleep album Dopesmoker every day for at least a year. It’s not exactly ambient, but it’s an easy album to fall into.

    So what album do I use for the next book? More importantly, what is the next book? Still working on that.

    Anyway, check out more about SRF at their home page: http://www.resonance-net.com

  • The Glossary

    I recently found myself back at The Big Fun Glossary, which was a point of obsession a dozen years ago. It is the story of a college-aged punk rock slacker and his band of friends living in an old farmhouse in rural Virginia in the mid-90s, told in a wikipedia-type A to Z glossary. As a person who left college in 1995 and knocked around a farm state for my formative years, I took great interest in this, and ended up ripping off the entire idea, using the rough hosted wiki software on his site to start brain-dumping my own entries into a bunch of topics. This became The NecroKonicon.

    I worked on The NecroKonicon on and off for about four years, although it was really more like a sudden burst of new writing, a few years of tweaks, and then a push to freeze the topics and push it into a paper book. The book itself didn’t sell at all (or, you could say it sold as well as any of my other books.) But I got a lot of comments and mails about it. And the people who started the Bloomington wiki at Bloomingpedia.org claim my site was one of their inspirations to get their own site going.

    At some point, I moved all the topics to this site and made it a bunch of static HTML pages. After the book came out, I eventually pulled the site, partly because I didn’t want to potentially undercut book sales (dumb), but there were other reasons.

    Now, I sometimes wonder what I should do with the site. I sometimes think about doing more work on it: updating pages, getting better pictures, adding new topics. Or maybe the “underside” of the site needs to be changed, like moved to some wiki software, or maybe like a blog platform.

    There are a few things that make me waver on doing anything with this:

    • A project like this is open-ended. Any time the glossary went off my radar, I’d get a (usually angry) email from someone, demanding correction of a topic. People love to do this. Certain people really love to do this, to a fault. It finally got to the point where I said the thing was frozen, and I would still get angered corrections. How did these people ever deal with print books? Did they write angry letters to Webster saying “NO IT’S COLOUR NOT COLOR YOU PIECE OF SHIT.”
    • I think the culture of the internet and privacy and googling one’s own name has changed a lot between 2002 and today. Many times, when I added a person’s first and last name to the glossary, I would be the only search result on the internet for their name. Most of the time, these people never noticed. But now, everyone googles for their ex-girlfriend or high school friend, and everyone is on Facebook (or was). And some people get really offended when they find out they’re online. I hated receiving takedown requests from people, partly because I felt bad about hurting or offending them, but also because it usually meant I was “friends” with them in my head, or still remembered them, and they were not friends with me, or wanted no part in the project, or felt violated, or whatever. Also, having a person involved in multiple entries, then having to backtrack and edit them out or change their name to L________ diminished the work somehow.
    • The idea of doing a “straight” project like this takes away from the amount of effort I can focus on my “main” writing, and there are only so many hours in the day.
    • I feel like I can rehash the past only so much, and need to move on. I can’t be a person thinking “hey, remember 1992?” constantly. I know people who are like this, and it disturbs me on some level. I can’t fully explain it, but being stuck in the past bothers me. I need to be creating, not dredging.

    But… it still calls to me. I often think about some way of turning these old entries into some sort of fiction book, or using the framework for making a hypertext book, or something.

    The other possibility is something I started doing a long time ago, I think in the first year or two of this blog (then called a “journal,” because the term blog did not exist.) At that time, I’d hard-coded in a glossary of terms, maybe because I had Infinite Jest stuck in my head, or wanted to use hypertext more. I wanted to have the ability to mention “414 Mitchell” and then go to a popup or page that contained a definition and stories about the place I lived in Bloomington for two years. But I coded this by hand, and it was a huge pain in the ass.

    I’ve thought about this more, and like the idea of using WordPress shortcodes, like so a term surrounded in brackets becomes a link to a section of the web site with a bunch of pages of terms — or something. I need to think about this more. And it’s obviously something that’s a time-sink, so maybe I shouldn’t.

  • Lunchables, In Order

    1. Turkey + Cheddar Cracker Stackers
    2. Turkey + American Cracker Stackers
    3. Pizza with Pepperoni
    4. Nachos, Cheese Dip + Salsa
    5. Extra Cheesy Pizza
    6. Mini Hot Dogs (only if heated)
    7. Ham + American Cracker Stackers
    8. Chicken Dunks
    9. Pizza Kabobbles
    10. Turkey + Cheddar Lower Fat Cracker Stackers
    11. Mini Burgers
    12. Light Bologna + American Cracker Stackers
    13. Any of the ones without juice
    14. Any of the ones with the bullshit 100% juice instead of Capri Sun
  • Alt-F3

    • I had an awful WordPerfect 5.1 flashback, just for a second. I was trying to explain some HTML formatting in an email, and my mind flipped back to the days of helping some old guy in the library un-fuck his endless maze of bold and italic codes in a blue-screened document. It almost made me want to get a copy of DOSbox and a pirated image of the install disks and try to run it. Almost.
    • I have been trying to walk every day for the last few months. I use a Fitbit to track my steps, and try to get 10,000 steps a day. But I usually walk right after writing, at like 5:00, and now it’s getting darker earlier, and I am not sure what I will do about that. Also, at the end of the month, DST happens, and it will be dark at 5:00, and I will be screwed. Or maybe I get a little headlamp. And body armor.
    • I listen to podcasts while walking, but I’ve been getting frustrated with it, mostly because when I listen to comedian podcasts (Maron, Rogan, etc) it makes me compare my career (or lack thereof) to theirs, or wonder why I’m not doing something more, or wish I was writing for TV when I was 27, or whatever. I know that’s stupid, but I always have a major depression after finishing a book, until I talk myself down and ignore everything and get another project going, and that’s definitely the case right now.
    • I became briefly obsessed with the Atari 520 ST yesterday, which is stupid. I find the Amiga/Atari rivalry fascinating in retrospect. I wanted an Amiga something horrible around 1990, and was saving pennies to get an A500, which was mostly obsolete at that point, but the idea of any other computer was so out of reach then, because a typical PC cost about two grand, but Monkey Ward sold the A500 for $500.
    • I had to use the 520 ST the next year, when I took C335, which was the assemblers/machine language class. We booted off a floppy, straight into something called the Gulam shell, instead of using the GEM windows environment. (This always reminded me of goulash.) The course was tough, but the computers were worse. You were dealing with a straight-up Motorola 68000 CPU, which was wonderful for ML programming. But the machines were pieces of shit, horribly obsolete. Every time you saved to floppy, you crossed your fingers and held your breath and prayed to ten different gods that the damn thing would work, and 30% of the time, it didn’t. I read that the typical Atari ST maintenance procedure was to drop the machine and reseat the chips, which explains why they magically started working when we’d beat the hell out of the machine at 3AM because code written on one computer wouldn’t compile on the one next to it.
    • I started reading Blood Meridian last night, which has been enjoyable so far, not for the story, but for the craft. It’s difficult to read, but wonderful. And it’s frustrating, because I wish I could write ten percent as good as him.
    • I keep reading blog posts about how RSS is dead and not needed, and it makes me sad, because I wish everything and everyone used RSS. The big argument against it is “well, people use twitter” which makes no sense to me. I do have a plugin that tweets my posts, but I want a simple way to read all the posts I have not read on a blog, and keep track of it. Sorry if this sounds too Andy Rooney, but I love RSS.
    • Fuck Goodreads for not keeping my bulleted lists from my RSS when these blog posts show up there. I’d complain, but I don’t even know how.
    • I ate four fake chicken sliders and I think I need to go to bed or get my stomach pumped, maybe both.
  • various k-holes as of late

    Here are the various rabbit holes that have lured me lately, in lieu of actually writing:

    • Watching aircraft disaster videos. I found a POV video of an F-16 that had a bird strike at takeoff, and the pilot had to immediately turn around and make a no-power landing. That led to a whole series of dead-stick landings of military planes, half of which involved ejecting while on the ground. Those videos are always weird, because the video continues, and you either see it cut out, or the plane overshoots the runway and ends up in the field, and you get a view of the grass at like a 37-degree angle while the air traffic controllers are yelling at the emergency crews on the radios.
    • That somehow led to reading way too much about the B-1 and F/B-111 (ejectable crew capsule instead of seats) which led to reading about the future replacement bombers that will supplant the B-1/B-2/B-52 someday (or not.) And that led to sitting on google maps, looking at Davis-Monthan AFB in Tucson, which has something like 4400 old bombers and fighters stored in the desert, waiting to die.
    • Genie the feral child is a good one. She was raised in isolation until she was 14, because her dad was nuts. When the authorities got involved, she was developmentally a one-year-old, and never acquired a language. She became quite the object of study, which raised a furor ethics-wise, and she ended up in foster care and abused, before basically vanishing from view. Heartbreaking and bizarre.
    • And then once you get on Bizarrepedia, you’ll wake up seven days later, deep into a hole reading about serial killers or UFO abductions. I ended up getting way stuck in a trail of reading about conspiracies that the Adam kid who got abducted in Florida in the 80s either never got taken, and that was some other kid’s severed head, or Jeff Dahmer did the kidnapping.
    • The viral news of a series of K-Mart in-store muzak tapes appearing on archive.org sent me on a long dig looking for any more Montgomery Ward stuff from when I worked there in 1987-1993. The Muzak tapes there were actual capitol-M Muzak, and I think used some weird cart system where the tapes were rented and returned as part of the service, so good luck ever finding them. But that got me into an extended labelscar/deadmall search, which is never good.
    • The Breitspurbahn. I don’t know how the hell I drifted there – I think I wrote some throwaway line about Nazi narrow-gauge rail. That led to researching Deutsche Reichsbahn and the WW2-era aspirations of a large rail network. The Big H had a crazed idea about having a rail system with a 3-meter gauge, like double the width of conventional trains. So they’d have these gigantic high-speed trains that would be big enough to have swimming pools and theaters, like a modern cruise ship going 300km/h from Berlin to Moscow. They never got past models and drawings. And of course, I went to the DR museum in Nuremberg last year, and probably walked right past all these original models, because everything was in German and I wasn’t paying attention, and now I need to go back and take pictures of this shit, because I’m mentally ill.

    Anyway. I really should be writing, but can’t get started on the next thing.

  • Sicario

    Sicario is Denis Villeneuve’s critically-acclaimed crime thriller about Mexican cartels and narcoterrorism. I went into the film only knowing that Benicio del Toro was in it, that it had done well enough in its limited-market launch to green-light a sequel along with the wide release, and it was “intense.”

    I’m a little curious about Villeneuve, because he’s slated to be in the chair for the upcoming Blade Runner sequel. Given the state of Hollywood, this can only end in disaster, but it’s still something I will watch car-crash style, for the same reason I always click on the comments section of an article on a school shooting, and never, ever should.

    Sicario was not what I’d call “intense.” It actually rolled out slowly, with an interesting yet convoluted story of inter-departmental confusion, where the protagonist junior FBI agent played by Emily Blunt gets dropped into a mysterious interdepartmental task force run by Josh Brolin, with del Toro as a “special advisor” to some unnamed agency. The bits of the backstory are slowly put in place as the team goes to get the big cartel boss, antics ensue, etc.

    The film largely plods down a single set of rails, a quiet journey punctuated with the occasional intensity of a gunfight or explosion. It was oddly muted for a blockbuster movie though, and did not stray far from the central plot as far as b-story or subplot. It was refreshing in the sense that it did not follow the Save the Cat formula religiously, and trot out Blunt’s love interest exactly on page 30 of the script. But for a 121-minute movie, it did plod on endlessly.

    My main issue with the movie is that it was designed as a sort of Zero Dark Thirty of Mexican narcoterrorism, which makes me question its value. I’m not saying this stuff doesn’t happen in real life — it does — but I feel like this movie unconsciously enforces the stereotype of Mexicans/bad Americans-with-guns/good. It seems like the kind of thing Donald Trump fans would point at as evidence that we need to build that wall. It wasn’t gung-ho about it, like a straight-to-VHS Chuck Norris movie of 1986 would be about the evils of Communism. But there was an underlying tone there that seemed to reinforce this.

    And like I said, this stuff does happen. There were hostages in Iran, ala Argo, but that movie (which I thought was well-done at the time, until I really thought about it) reinforces this stereotype that everyone in Iran is a flag-burning terrorist, when really, almost everyone in Iran is just a person, nothing more. It makes me uneasy that a huge stable of American films, when viewed from a distance, are nothing more than American propaganda. If that’s what people want, and that’s what they pay for, fine. But when thinking of an art form with so many possibilities and so few slots for screen time, it makes me question the value of the work.

  • bones and memories

    I visited Indiana recently – actually, it wasn’t that recent, but I meant to write about it at the time, and now two months have passed. It was an interesting quick trip, for a few good and bad reasons, so I wanted to play catch-up and get a few words down on it.

    I booked a quick solo trip at the beginning of August, partly because of my sister’s birthday, and partly because I had to cancel a family trip to Florida in the spring and felt bad about that. I got an out-on-Wednesday, back-on-Monday long weekend, which seemed to work well for me. Time was at a bit of a premium, but it’s a bit like visiting Vegas; a week is overkill, but a weekend is not enough.

    Not to dwell on the bad, but here goes: first, I screwed up my rental car reservation. Arrived in Chicago, and had a car waiting for me in South Bend, when I really needed a car in Chicago to drive to South Bend. Second, on Friday, at about 5:00, one of my crowns came off. After much panic and calling a bunch of phone numbers, I found a dentist nearby who opened back up and glued the crown back in, which was awesome. I still ate mostly liquid for the rest of the trip, until I could get back home and have my dentist permanently glue in the tooth. Also, on the last day of the trip, I lost my credit card, and while at the airport waiting for a very late flight, I found out and had to cancel it. So that’s the bad.

    I stayed in an extended stay hotel in Mishawaka, right near the University Park mall. It was on Main and Douglas, which was mostly vacant when I left Indiana, but since, a second main drag of big box stores and restaurants has started there, one big street over from the Grape Road arterial of the same sorts of big boxes. It’s always odd and nostalgic and weird for me to stay right by the mall where I spent so much time as a teen, but it’s a newer hotel, close to everything, and that works for me.

    Every time I go back, it’s amazing to me that the default routes and streets and terrain immediately pop back into my head. A lot of Indiana hasn’t changed, or at least the “bones” have not. If you asked me to drive from UP mall to the IUSB campus, I could do it without thinking, just on muscle memory. Never mind that the IUSB campus has basically doubled, and every store in UP mall has changed hands, but the roads and turns are still the same.

    Indiana does change, but on a very slow scale. I think people find a certain comfort in that, and it’s understandable. There are changes, and things fade and vanish, plus simple economics dictate amendments and revisions. Some chains die, and some mom-and-pop businesses go away with time, but new ones pop up. Sometimes things are completely bulldozed, like the Scottsdale and Pierre Moran malls, which were both torn down and “de-malled” into plazas of freestanding stores. But other things still have the same “bones” for better or for worse. Old first-generation Taco Bells get painted blue and turned into Chinese buffets. The UP mall got additions and food courts and new Barnes and Noble grafted onto its front, with the concourses updated and the tenants being bumped up in scale and stature. (Like the tiny Software Etc. is long gone, but across the way, there’s a giant new Apple store.) I walked the mall and tried to think of what was where, back in the day, but I couldn’t spot any one store that was the same, aside from the big Sears and JC Penney anchor stores.

    Driving, though – driving from Mishawaka to Edwardsburg, Elkhart to Millersburg, those things all looked almost identical. The amber waves of grain were still amber waves of grain. A few were turned into new industrial parks or large retirement communities, but for the most part, it looked like Indiana had aged two California years in the last 25. And normally, a twenty-something me would have found this disgusting, that all of the state should get off their ass and progress at a rapid rate. But like I said, part of me sees the comfort in this, the idea that things wouldn’t change. I’ve always thought that many people in that area feared change, and I think there’s some truth in that. When I was 18, that pissed me off beyond end. As a 44-year-old, I could see why someone might like that.

    Some things, though, have atrophied beyond belief. I went to the Concord Mall, which was a mile from my house, my default mall as a kid. When I was a teenager and worked in that mall, I practically lived there. I would go to the store and hang out even on my days off. Now, it looks like nothing has been done to the mall at all since the last time I punched out at the time clock in 1993. The Wards store where I worked is gone, converted into a Hobby Lobby that has locked itself off from the rest of the mall with huge glass doors. Almost every store in the mall has closed; most are covered in plywood. The old Osco’s drug store was converted to a food court, and every stall is currently empty, except for a single, lonely Subway sandwich shop. Some shops have these weird, temporary businesses in them, like a vacant store with a bouncy castle set up inside it, or the horribly sad dollar stores with nothing worth a dollar in them. There are multiple churches in the mall now; it seems like every business in Elkhart that goes bust turns into a church or a Mexican bodega. There was even a “church” that just beamed in the services from a megachurch in Kansas or Nebraska, and of course took your money. The mall itself was almost abandoned, nobody in sight, like an empty shopping center in a zombie movie. After seeing that, I made it a point to not do anything else in Elkhart, dredge up any more memories or see the old subdivision or school or anything else.

    Not all of the region was that destitute, though. The UP mall was filled with customers, even on a weeknight. And I went to Goshen one day, and it was actually transformed from what I remember. Most of the main street was art galleries, and small mom-and-pop businesses, a wave of hipsterization running through there. In 1990, I had a girlfriend who lived on Main Street, and at that time, it was largely abandoned, boarded up and done. Now, there are these brewpubs and artisanal butcher shops and groceries, almost like something I’d see in the hippest part of a college town like Bloomington.

    The thing that struck me the most was the feeling, the weather, the atmosphere. I haven’t visited Indiana outside of Christmas in years, decades. I think in the late 90s, I made a trip or two in October, and I drove through Indiana in April of 99, during my Seattle to New York move. But I don’t remember an August in Indiana probably since 1994, the year before I left. I’m very sensitive to temperatures and weather and the feeling of a place at a certain time of year, much more than I could ever describe it. And when I was there, the air held the same feeling as the summer before I first left for college, in 1989.

    I so distinctly remember that summer, because it would be hot in the day, maybe in the 80s, but then at night, it would cool to the 60s. I was working days in a department store, just started dating someone, and we’d meet up at 9:00 every night, when the mall closed, to drive around aimlessly, stay up all night, go from Perkins to Bob Evans to Big Boy’s, making the loop of the few 24-hour places in Elkhart at that time. And I’d come home late at night, or early in the morning, and feel the summer’s humidity converted to a light mist, to dew on the grass. The summer had a certain freedom, of the end of high school, a brief period where I almost thought I had my life together and was leaving behind the shroud of depression that blanketed me throughout my four years there. But there was also the uncertainty and excitement and fear of packing up my entire life and moving it off to campus in a few short weeks.

    Each day of the visit, I did the family stuff during the day, and it was good to see all of them. But then I’d return to the hotel, and either drive around by the mall, or walk at night, and just feel that weather, the cool evenings and the dew on my sneakers. (That’s another thing – there were no sidewalks by the hotel, and everyone was staring at me for walking, like wondering what happened that resulted in me not having a car.) Or I would sit in the hotel writing, with the windows open, feeling the air outside.

    I spent a lot of time wondering if I could ever go back. There’s a part of me, as I plummet into The Crisis that has hit at this age, that wishes I had a three-bedroom ranch and a garage and a lawn and everything else, working on an old car or a boat or something. I know I could never live in Indiana because of the politics and money and career. And the crippling nostalgia of being back there would consume me. But it was interesting to see it for a moment.

  • recent dreams

    • I was eating pancakes from the floor of a McDonald’s bathroom. It was an old-school seventies McDonald’s in Elkhart, Indiana, and had the bright orange floor tiles. I somehow thought the little packets of syrup would kill germs.
    • It was my birthday. I was in Guam or the Philippines, on the set of a remake of the Chuck Norris Missing in Action movie. Months earlier, I’d deleted my birthday from Facebook, and I was now upset because zero people had remembered my birthday and posted on my wall. I tried turning back on my birthday, but the Facebook phone app was (is) shit, and every time I would click on something, it would press the thing next to it.
    • I was in a food court in the Midway airport in Chicago. I was with Richard Rhodes (Pulitzer Prize-winning author of The Making of the Atomic Bomb) and we were having an argument about John Lennon’s misogyny, and how the Sweet Sixteen has ruined NCAA basketball. We were at the Taco Bell, waiting for them to change from the breakfast to lunch menu, and I was debating whether or not I should just get both.