The Death of Northgate

Bon Marche at Northgate, 1950 (Credit: Seattle Municipal Archives from Seattle, WA [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)])

Looks like Northgate mall in Seattle is quickly winding down. The JC Penney already closed, and the Macy’s and Nordstrom are in the process of shutting their doors. The plan is to demolish the main stretch of the mall, leave some of the external “village” buildings that were tacked onto the front in the mid-00s, and then build an NHL practice facility and some housing. I hate being nostalgic about this place or any mall in general, and I have mixed feelings for a few reasons.

When I lived in Seattle from 1995 to 1999, Northgate was sort of my default mall. It wasn’t my favorite mall, and it wasn’t the best one in the area, but it was the closest to my house, and I ended up there at least once a week. When I first moved to Seattle, I stayed at my friend Bill’s place in Mountlake Terrace for a month, and took the bus down I-5 every day for work. And every day, we’d pass this sprawling shopping center, just off the highway. One thing I remember clearly is it had a giant two-screen movie theater on the north side, with a changing-letter marquee where the words were taller than me, advertising the movies Clueless and Apollo 13. So when I got a car and had some time on a weekend, it’s the first mall in Seattle I visited.

After I moved to First Hill, this mall was a straight shot up the highway for me. Hop on I-5, drive a hundred blocks, exit, done. Even though I worked next to the much smaller Factoria mall across the lake, I ended up driving to Northgate pretty much constantly. Between the Denny’s and a smaller local pancake place, I always had a default diner there too, so every Saturday was spent at this mall, more or less.

Northgate is arguably the first mall in America. There are like a half-dozen different malls that claim this, and I’m too lazy to research which one is right. But they built two strips of stores in 1950, then covered it with a “sky shield” and eventually sealed off the whole thing in the early 70s, making it an enclosed mall. They later built one of the first Nordstrom stores, the big two-screen theater, and the other anchors. Later additions while I was there in the late Nineties included a Toys R Us, a food court, and a general remodel. In the 00s, Simon did their usual “lifestyle addition” thing with a Potemkin village of outward-facing smaller anchors on the west side of the mall (one of them always being an Ulta Beauty), and removal of the theater (and the giant totem pole that was in front of it.) A Target and Best Buy went in across the street, and the surrounding landscape of the area has completely changed five times since I left. There were also various anchor and store flips in the last twenty years. I wasn’t there, you can look it up.

I honestly found the architecture and layout of Northgate to be a bit boring, and deceiving. It looks small, but it’s gigantic. When I lived there, they had four anchors, all of them softlines, which bored me. (JCP, Nordstrom, Lamonts, Bon Marche.) And the entire mall was a single hallway, a straight 1,500-foot shot with stores on either side. It didn’t have a winding floor plan, so it seemed smaller, but if you walked from anchor to anchor twice, that’s over a mile. It had no vintage charm, just high ceilings and faded white everywhere, like an airport concourse. It also had few stores where I really shopped. But I still ended up there a lot, and spent an insane amount of time walking up and down that long hallway, looking for… I don’t know what. The drab non-decor was replaced during the 97-98 remodel with fake-ass timber accents on the high ceilings that made it look like a ski lodge, which was all the vogue in the time in the PNW.

What attracted me, other than the proximity to my house, was that Simon malls all had this universal emotional antiseptic feeling to me. Wandering that place felt very similar to walking through College Mall in Bloomington, or University Park Mall in South Bend, even if they layout and the stores were different. Especially in my first year there, I was extraordinarily depressed, missed Bloomington a lot, knew almost nobody, didn’t know where anything was, didn’t have a TV, and was always broke. I later found other malls further out, and other stores to buy music and books and food. But it became a default place to mope around, walk a few laps, and then go home and try to write.

I didn’t buy stuff in that mall much. I only went to that movie theater a few times (I remember seeing Event Horizon there) and I used to pop in the B. Dalton every time I visited. Bon Marche had a Vans shoes section, and I’d buy a pair each year like clockwork. A Wizards of the Coast store was always worth a browse, even though I didn’t play D&D or Magic at the time. An office supply/craft store provided me with a lot of fancy pens I’d later lose. The mall had an attached drug store where I’d frequently load up on cold medicine, and a QFC grocery was good for a frozen dinner or two. After Toys R Us arrived, I’d pop in there for Nintendo 64 games. But more of my shopping was around the area, like the Silver Platter records just south of there.

Aside from the strange nostalgia for the place, and the fact that it will all be gone soon, is the fact that the coverage around the remodel sort of pisses me off. People in Seattle have always hated malls, it seems. They’ve always talked about how horrible Northgate was, even when it was a top-grossing mall. Now, the YIMBY crowd is super excited about the death of the mall, mostly because we’re all supposed to ride bicycles and something with a parking lot somehow triggers them. I don’t follow Seattle redevelopment news much, but we have our own vocal YIMBY contingent here, so I imagine the more-housing-at-any-cost crowd is celebrating the mall’s death enthusiastically. Seattle has 100% changed since I left, and I get it — cities change. Since I left, Amazon has hired more people than my home town has, period. So, housing crunch, people hate malls, yada yada, you already know the rest.

It’s been over twenty years since I saw that place, or any of Seattle. I still miss it, because it was such a key time in my life, my first four years out of college, which felt more like a decade. But it’s an extreme case of “you can never go back,” because so much of the city has changed.

Wish I had some old pictures of the place, but that was in the film era. I do have some pictures of my VW in the parking lot, and you can almost sort of see the east entrance of the mall in the background of one shot. I used one of the pictures for the third edition cover of Summer Rain, but you can’t see anything but the pavement in the zoomed-in shot. (And fun fact: the license plate in the pic is a photoshop job. And Indiana didn’t had front license plates in 1992, so that’s wrong, too.) Anyway…

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Hello from the former 219

Exactly thirty years ago, to the day, I was here.

It was Christmas Eve. We closed at five. I was telling people we had no Nintendos. I probably worked forty hours that week. I’d listened to the same four-hour loop of taped holiday Muzak at least ten times. Mariah Carey was still waiting tables, so no, that song wasn’t on.

Today, I poked around what’s left of the Concord Mall, trying to visualize exactly where this was. The Montgomery Ward where I worked is gone now, having closed 18 years ago. The above picture is what used to be a door and a set of windows going in to the Auto Express department. Take a quick right, and you’d see me at a Nixdorf cash register, telling someone that no, we had no Nintendos.

Most of automotive is now a dentist’s office. Two of the bays, all of my old department, and a good chunk of housewares is now a warehouse-type electronics/appliance store. I went inside, and compared the layout of the poles and roof inside to some pictures I had from 1988 and more or less figured out where my department was. The warehouse store was empty, a ghost town. I talked to the manager, asked him if he remembered the Wards there. He didn’t. I don’t think he was alive thirty years ago.

The rest of the store is now a Hobby Lobby. I nosed around there a bit. You cannot tell it used to be a Wards at all. The area that used to be Electric Avenue is filled with floral arrangement kits, and “live laugh love” placards. I think their bathrooms are in the same place as the ones by the customer service center in Wards. I looked into an open door that led to their warehouse area. It’s the same warehouse where I used to unload trucks at six in the morning back in 1993. Same gray paint. I painted that warehouse at one point.

The mall was absolutely deserted. Echoing Christmas music. Zombie apocalypse. Almost every store closed. I went on facebook live, started doing a tour. Three minutes later, a mall cop told me to stop. Oh well.

Santa was gone. The winter wonderland booth was already partly disassembled. Nobody was around. The mall closed at five. There is no way this mall will survive another year. It was supposed to be torn down in 2017. Maybe if the economy tanks and there’s no money to rebuild it, they’ll chain the doors shut and let it rot. I spent almost every hour of my time there for a formative decade of my childhood. Best case scenario, they will turn it into a storage facility. Maybe tear it down and build some soccer fields for the high school. They turned Pierre Moran into a strip mall, and when I was there today, every store except one was vacant. So no need for that.

I have been on such a heavy nostalgia trip, just wallowing in a horrible pit of memories. I drove by my old house today, saw my dead uncle’s house, cruised past my dad’s post-divorce single-wide trailer. I went to the dead Sears at what used to be Pierre Moran mall, stood in the parking lot where the mall once was, tried to figure out the layout of where things used to be. I went in the Big Lots that used to be the G.L. Perry department store where I’d buy Star Wars figures and Halloween costumes, where I first studied the Kiss Unmasked LP and wondered why the hell they took off their makeup. I went to the grocery store parking lot where my car blew up in 1991. They started remodeling the grocery, ran into asbestos, ran out of money, and abandoned it. There’s a lot of that around the area.

An old friend from New York messaged me this morning, and said she had stopped in Indiana to eat breakfast at a pancake place, asked me if I knew it. It was literally 1500 feet from where I was sitting. I ran over and talked to her for a few minutes. I think I last saw her in 2002. It was such a weird coincidental mindfuck. It was like walking into a K-Mart and seeing Iggy Pop and Gerald Ford playing Uno. It was a great surprise, but also fed into this weird nostalgia thing I’m far too deep into.

If you’ve seen Mad Men, you’ll know I’m ripping this off from Don Draper, and I’ll steal it from the Apple thesaurus to make sure I don’t screw it up. The word nostalgia comes from from the Greek nostos ‘return home’ + algos ‘pain’. After living in a dozen cities, it’s sometimes hard to say where home really is. But put me in a car in Mishawaka and tell me to go to the Tastee-Freez in Dunlap, and I will make every turn from one to the other without thinking. There is a deep familiarity there, things burned into my head, both good and bad, that are the basis for so many parts of my life. And revisiting that brings some pain I can’t avoid, that I want to continually revisit. I don’t want to move back here; I never could. But I have some sick fascination with going back to those memories, even as the physical world that formed them crumbles.

I feel a great need to stop doing this. I should be thinking about what book I should be writing next, or what I should be doing with my career, not trying to think of every record store that was open in the 219 area code in 1992. This area isn’t even in the 219 area code anymore. And there are almost no record stores. And I don’t live here anymore. You can’t go back. Whatever. I’m mentally ill. I should meditate or jog or take up knitting. I don’t know.

That night, thirty years ago, I got a ride home with a girl I had a crush on, because the starter on my car was broke. The next day, my family went to Chicago, stayed with my favorite cousins. We went to a mall that night and I saw the movie The Naked Gun, going into it blind, not even knowing it was a comedy, which was perfect. We drove back to my cousin’s after midnight in his 5.0 Mustang, blasting the song “Fade to Black,” which is an awesome song to listen to in the middle of the night on a highway in a big city in a fast new car. I was amazed that we were in a place so big and so cool that they played Metallica on the radio, and knew that someday, I would have to leave small-town Indiana. I was a senior in high school. I was getting ready to leave for college, start a journey that would eventually take me to the very end of that same highway, on the west coast, as far as I possibly could get from that point. That’s another story, another set of nostalgia points.

Anyway. It’s Christmas in 24 minutes. I have to Ambien out, see more family tomorrow. Hope your holiday is going well.

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Toys R Us

I was not a Toys R Us kid.

No, I wasn’t one of those weird religious kids who weren’t allowed to play video games, and I didn’t have hippy parents who thought GI Joe was promoting war. TRU just wasn’t an option for my corner of Indiana.

Like I mentioned in my previous post, K-Mart was a big part of my childhood. The two K’s really — K-Mart and Kroger. This was before Target, before Wal-Mart, and those two stores were the bulk of my retail experience in the mid to late Seventies. I spent all my time in the toy aisle of K-Mart; I could probably still note its location on a store map, had the store not been gutted and turned into a Big R farm supply. I also did a lot of my toy gawking at a now-gone variety store called GL Perry’s, which was just down from the Kroger in the also-gone Pierre Moran mall. But it was a few years before I really got locked into a proper toy store for my Lego and Star Wars needs.

The Concord Mall didn’t have a Toys R Us, but did have a Kay-Bee toy store. I was definitely a Kay-Bee kid. They originally had a narrow little store just to the left of the anchor that was then Robertson’s, and was later Meis, Elder-Beerman, and most recently Carson’s, before dying. It later moved into a bigger location in the middle of one of the arm’s spokes.

In my mind, Kay-Bee was slightly more disorganized and second-rate compared to TRU. The aisles were narrower, the shelves were more floor-to-ceiling and packed tighter, and the front half of the store was this blue-carpeted dumping ground for pallets and bins of toys, with little walking space between them. All the video games were locked away in glass cases behind the front counter, which was counterintuitive to browsing them for hours. It didn’t have the flow or the larger footprint of a bigger, standalone TRU store. It was a bit of a mess, but wonderful as a kid.

Another thing is that in retrospect, they had a lot more discount/clearance stuff, oddball brands and closeouts. It was a bit of a dumping ground for weird brands on the way out. And I used to fixate on that stuff, both because it was weird, but because it had the magical yellow tag on it saying it was discounted, showing the old price slashed out in red, the perfect argument for convincing a parent that you needed to buy it. And these strange off-brand things are now impossible to find online.

One weird example I was thinking about: so there was this big market for third-party Atari joysticks back in the day. Atari used a common 9-pin connector on the 2600, and they used the same circuit on the Commodore 64. I was always on the lookout for a better controller, a cheaper solution for the C64, and Kay-Bee was the dumping ground for every small company that tried to get in on the video game craze and got burned when it crashed. I remember buying a pair of the garbage wireless 2600 joysticks when those got dumped on clearance. I also had a weird touchpad controller that was like a mix of an Intellivision disc-style stick and the Atari keypads used by Star Raiders and nothing else. It wasn’t that great, but I have some obsession for finding it online, and it’s impossible.

The other big example was that Kay-Bee was a big dumping ground for the liquidation of the Mattel Aquarius, which was my first computer. I’ve already written about this at length, but the bullet is that Mattel crashed and burned about fifteen minutes after they quick-released this underpowered, chicklet-keyboarded machine, and they started showing up at Kay-Bee for like a hundred bucks in a bundle with four games and joysticks and everything else. I got that for my thirteenth birthday, and that started a whole great career that led up to where I am now. (Not sure if that’s good or bad, but middle management at a software company is probably better than coal mining.)

Anyway, Kay-Bee became my default place to go in the mall. Any time there was Christmas money or extra allowance or a birthday coming up, I’d gravitate to that spot in the mall. And every obsession of my pre-teen world was there, almost like a cycle of things I fixated on as a kid. It went from Star Wars to GI Joe to model trains to model planes to D&D to video games. I know a lot of people talk or write about how music or punk rock saved their lives, but for me, in those years, it was everything in Kay-Bee. I don’t know what path, better or worse, I would have traversed if I had not spent the beginning of junior high memorizing the Dungeon Master’s Guide, but going to Kay-Bee (and to Walden Books) to pore over the collection of modules and figurines and dice was a major percentage of my time.

At a certain point, things changed, and the fixation went to the other wing of the mall, the one with the independent record store, Super Sounds. The toy store was somewhat forgotten. It changed its name at some point to KB, and the later, Mitt Romney and friends drove them into the ground, a story that would later repeat itself with TRU. I never shopped at Kay-Bee after a certain point, although sometimes out at College Mall, I’d duck into that location as a nostalgia trip. I remember Kay-Bee going under, but I was tuned out of the news for whatever reason, and never really mourned it in any way.

Much later, Toys R Us did come into focus for me, but it was a place to look for video games. I remember buying a Nintendo 64 there, at the one in Seattle at Northgate Mall, and I’d always check them out to see if they had any weird cartridges, in the pre-Amazon days when you could just look up every cartridge in the world and be a click away from owning it.

But Toys R Us never had that strong reverberation with me, that primal childhood pull, just because it was off my radar. I think Chicagoland had many locations, and there actually was one just north of University Park mall, but I never regularly went to UP until I started driving, and then the interest was in music (and girls, but nothing ever happened there).

I can relate to the same angst that people have about the TRU bankruptcy, and the various rumors about brand necrophilia, the stories that they might come out of bankruptcy court as a holiday pop-up, or a mini-store inside Target, or whatever. I went through this with Wards, which I really missed after working there for years. And some random mail-order place later bought their name and use it for this pickwick-like catalog of Chinese junk, which never sat well with me. Wards vanished quickly, and it’s impossible to find any traces of it anymore. I’m guessing the same will happen to TRU. Lots of people are taking pictures now, but they’re uploading them to cloud services that will also die or be killed. Try finding a picture you put on Kodak Gallery or MySpace ten years ago — that’s what will happen to all deadmall history in a decade.

There was a TRU in Emeryville, a few miles from my house, which is now becoming some sporting goods store. I took a few shots last weekend of the one out in Dublin, which is just sitting there. I’m always curious to see what will happen with these places, and what direction retail would go. I should archive more, but like I said, the more I get into this, the more depressing it gets.

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New/Old Camera

So, in the “buying old crap I had twenty-five years ago and threw out at some point,” I found another Vivitar camera that is (almost) the same as the one I had from 1993 to about 2000.

I talked a bit about my history with analog film a few years ago, when I last fell down the analog film k-hole. I bought this Vivitar camera during the summer of 1993, after not having a camera at all for about three or four years. I was working at Montgomery Ward that summer (in addition to another full-time factory job) and had an employee discount, so I picked up the most camera I could get for about $100 at the photo counter in their Electric Avenue department at the Concord Mall.

That hundred bucks bought a 35mm point-and-shoot. It had a plastic body, but a decent Series 1 glass auto-focus lens. It was a power zoom, so it could zip from 38 to 70mm focal length with motorized control. The film load/wind was also motorized; you dropped in a film cartridge, closed the door, and the camera automatically sucked the film into the takeup reel. When you hit the end, it automatically rolled it back into the canister. The camera also had blue-teal accents to it, which was Nineties as fuck.

I bought this camera with the intention of documenting shows. It was the height of death metal and the zine scene, and I wanted something I could sneak into concerts. I was going to a lot of shows with Ray, and getting free passes to stuff to interview bands. In practice, I never got to take pictures at shows, because security was always really shitty about it, even when a record label gave me a photo pass. And this was a fairly worthless camera for taking pictures of bands, except maybe candid, backstage stuff at a close range with a lot of light.

Ultimately, I didn’t take that many pictures with this camera. I think maybe two dozen rolls went through it during those seven years. I took a trip across the country in 1995 and shot maybe six pictures total. A Disney trip in 1997 was about two rolls. The 1999 cross-country trip was another three, maybe. Getting a camcorder in 1996 reduced the amount of film I shot. Getting a digital camera at the end of 2000 relegated this thing to the back of the closet. I don’t know when I got rid of it; maybe when I moved in 2005.

Ironically, the most-seen photo from this camera is one you may be familiar with.

I was hunting for this camera online, and found this 5500PZ on eBay for seven bucks, including postage. When I got it, I realized it’s not exactly what I had. Mine was slightly thinner, with the zoom controls on the back, not the front. I’m sure it’s optically the same. But it bugs me that it’s not identical, and scanning through other eBay auctions, I can’t find the model that is exactly like mine. Maybe Vivitar sold some oddball model exclusively to Wards. Anyway, for seven bucks, close enough.

I put a battery in this one to test it. It uses a small lithium battery that was hard to find online. The zoom motor is much louder than I’d expected, and the zoom itself is not smooth and very slow. It’s not exactly the auto-focus that my new Canon has. I didn’t have any film in the house, so I ordered a few rolls, and we’ll see how it goes.

I’ve also gone back and started scanning some of the old photos I didn’t have scanned from this era 25 years ago. It’s a reminder how much of a pain in the ass film was. It also makes me think too much about exactly when and where photos were taken, since EXIF wouldn’t be invented for another half-decade. Trying to not get into too much of a nostalgia backslide, which leads to the regret that I didn’t take more pictures back then. But it’s understandable when I go to pay for film developing. Anyway.

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An extended shitpost about how I am too old to play video games

I have been wasting an inordinate amount of time playing X-Plane 11 on my Mac. I’m not very good at it. It’s a flight simulator and not an arcade game, so it’s much more about trying to flip every switch in a ten-page long takeoff checklist for a 737-800 and less about stick-and-rudder type antics. It’s honestly very boring and unrewarding. I still play it, though.

Probably the most boring thing I do is put a Cessna at the South Bend airport, then go through every air traffic step to take off, setting a flight plan to fly to Elkhart Municipal airport. This is an 18-mile drive if you’re in a car, and Google says it is a 31-minute trip, but if you speed and don’t run into an asshole Elkhart County sheriff trying to make quota, it’s like twenty, twenty-five.

It takes like an hour to fly this at 120 knots. Part of that is that you have to taxi across the entire 9R/27L runway, a mile and a half, and then sit around while three other planes in front of you take off. Then, instead of flying eighteen miles straight east to the Elkhart airport, ATC will route you about five miles east of Elkhart and sixteen miles south, then you swing around the city in a big sixteen-mile box, waiting for everyone else to land. And I know for a fact that three planes have never landed in a row at KEKM since the airplane has been invented, but you still have to wait. When it’s clear, you can then do another big box to approach from the south and land on the north-south runway. (This runway doesn’t have ILS though, or maybe I keep missing it, so I always have landed manually, which sort of defeats the purpose of the ILS flight in the first place.) This all on autopilot, so all you’re doing is adjusting one knob every fifteen minutes and listening to the radio.

The real challenge with X-Plane is that even with the highest-end MacBook Pro currently available, it still looks like shit. I see pictures from people with decked-out Windows machines, with thousand-dollar video cards and terabytes of photorealistic scenery, and it almost looks real. And then I start thinking, maybe I need to build another machine, a Windows machine with all gaming hardware, and then I realize I would waste hours and hours of time fucking with NVidia driver updates and blow three or four grand and still be flying from one regional airport to another. (And never mind that it’s currently impossible to buy a high-end GPU, because everyone is hoarding them to mine bitcoin. Seriously, a video card that cost $200 around Thanksgiving would probably fetch a grand on eBay, if you could even find one.)

I really want to play DCS World, which looks impressive in the trailers, but once again, it would require a PC I do not have and do not want to build. And keep in mind, I’m talking about spending thousands of dollars to build a machine that would prevent me from writing, so this is especially stupid.

Yesterday, I went on Steam because I heard about some new game that’s free to play where you fly planes, called War Thunder or War Kill or War Fucker or something, I forget what. It looked interesting, ran on the Mac, and it was free, so I clicked play, and it proceeded to download twenty gigs of installer to my machine. Twenty or forty minutes later, it started asking me to map 47 different buttons and axes on my joystick, which was overwhelming. Then it started me in a training thing, which was semi-impossible for me. Then it threw me into a battle.

I guess with this game, you can play as a plane or a tank, and there are these massive online battles where tanks mass at a border and shoot at each other, and then planes fly overhead, dogfighting. And I think tanks can shoot overhead, and planes can strafe ground objects. Because I was level 0, the game basically gave me a Wright Brothers biplane from 1903 with a pellet gun under the wing. I flew around slowly, in big turns, and there were tiny dots on the horizon, people barrel rolling and flying at almost the speed of sound in Mustangs and Messerschmitts. I fired my pellet gun at some microscopic things on the ground, and was immediately shot down.

I was then given opportunities to spam my Facebook friends to get coins or gold or bucks or something, which if I collected like a thousand and got some daily bonus, I could upgrade my pellet gun from .177 caliber to .22 caliber. I think if I did this seven days in a row, it moved up to a ten-pump BB gun. I would basically have to quit my job and play full time to get up to the worst US fighter from the beginning of the war with no guns, maybe by the end of 2018. And I’d have to buy some loot boxes or gold chests or whatever else.

After a minute, I got thrown into the game. I think my pellet gun hit a tank once, then I was immediately shot down. A fourteen-year-old popped open a chat window and offered several slurs related to my possible choice of a sexual partner, in which I would assume the role of the woman. I got back in long enough to run out of pellet gun ammunition and then crash into a tree. I was then returned to a hanger, which offered more opportunities to buy doubloons or upgrades or something, at which point I disconnected and deleted the game. My carpal tunnel wrist is still killing me, and I still have books to write. I’ll probably reinstall it next weekend.

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WordPerfect for Mac

A stupid memory… I was thinking about how I used to love WordPerfect on the Classic Mac OS. It wasn’t a port of DOS WP 5.1; a different dev team wrote their own program, and the company called it WordPerfect, so it worked much faster. I always found it better than Word on the old Sys6/7 Mac.

Anyway, found this page: http://www.columbia.edu/~em36/wpdos/mac-intel.html – Someone has set up the SheepSaver PowerPC emulator to run MacOS 8.6, along with a few versions of WordPerfect. So you can download one image file, and with almost no fuss (aside from the big download) you can then run WordPerfect on a modern Intel Mac.

I was messing with this and realized I have a Stuffit archive of the Mac machine I had at my first job, 22 years ago. I’ve never been able to un-stuff it, because of the weirdness of Mac resource forks or whatever. I brought it into this emulated machine, and it instantly opened it. So I had the same set of files I had back on my Centris 660 AV in Seattle in 1996.

There wasn’t much there: the 1984 commercial in QuickTime; a bunch of QuickHelp source for the Spry Mosaic browser; some other assorted utilities, like DropPS and GraphicConverter. The fun find was I had a Sounds folder, which had a few hundred short clips of audio from Beavis and Butthead and Pulp Fiction. They were all sampled at like 10kHz; the whole folder is like 38 MB.

It reminds me of a time when Windows audio was almost nonexistent, unless you paid hundreds of bucks for a SoundBlaster, but every Mac had pretty decent audio, standard. There was a big culture of hoarding these little ten-second samples of Star Wars and RoboCop movie quotes. Like I remember hanging out with my Calculus teacher at IUSB – this must have been in late 1990. There were almost no Macs at the South Bend campus, but for some reason, he had a brand new SE/30. I went to check it out one time, and he spent half an hour playing me every sound file he had downloaded from the internet, these little clips from science fiction films, all hooked in so it would play Darth Vader when he started up or shut down his machine.

I don’t even know how to play these audio files outside of the emulator, but it works in the program. I guess now I can just go to YouTube and play the entire TV show if I want, but it’s interesting to see a snapshot of how it used to work back then. Also, the old Mac interface looks so blocky and weird now, which is hilarious.

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pre-digital observations

A bunch of thoughts, no particular order:

Try going in your kitchen or bathroom and finding a product with a printed package that doesn’t have a URL on it. Pick up food boxes, condiments, pet food, candy bars, canned drinks, toothpaste… anything. Everything has a web address on it. It’s like an address having a ZIP code now, or a two-letter state abbreviation. If you find some old-timey sign for ethyl gasoline from the 1930s, it might say “Oakland, Calif.” instead of “Oakland, CA 94607.” Now it seems like the URL is the way to date if a package is from the mid-90s or earlier.

I remember about the time when Coke cans started putting their URL on the cans. I started a Coca-Cola fan web site in 1994, and was getting more traffic than their site for a brief period. It really pissed me off when they started a site, started putting it on every can or bottle. Pissed me off more that it was “Netscape enhanced” and didn’t work for shit on a text browser. It wasn’t a site for information; it was for pretty pictures and layout that took forever to load on a slow modem. Now, cocacola dot com redirects to coca-cola dot com, and that is a site picker with a big world map and all the regional sites. All the information there is either for shareholders, or trying to convince you that you can be healthy and drink 6000 calories a day.

My site was something at bronze.ucs.indiana.edu/~jkonrath I think. It’s long gone. Bronze was a VAX machine. The machine is long gone; VAX machines themselves are long gone, for the most part, unless you work at some insane bank that could not transition away from them. Hell, UCS is gone now, part of some crazy merger/renaming thing twenty years ago.

I don’t think a civilian could register a hostname back then. I don’t remember how it was done before the late nineties, but I registered rumored with Network Solutions on 11/16/98. I remember it not being cheap, something like a hundred bucks a year. This was when they pretty much had a monopoly on it. There’s no way I could have paid that back in college.

Speaking of putting hostnames on things, I knew a guy who had his email address on the back of his car. This was in like 1990, way before that made any sense. I worked with him, and he was this funny Malaysian grad student who I’ll call K for plausible deniability. He drove some old beast of a seventies car, like a Monte Carlo or something, and had “k___@copper.ucs.indiana.edu” across the back of his trunk, in stick-on letters, the kind you would use to put your name on a mailbox. I have no idea why. He wasn’t running a business, in a band, anything like that. He just thought it looked cool, I guess.

I had to get checks printed in 1992 or 1993 – this was back when people still used paper checks, and to get new ones printed, you looked through a Parade magazine in a Saturday newspaper, and there would be an ad for a place that would print your checks on a design with an American flag or some kittens or Peanuts characters or whatever else. I picked this design that was a bunch of colorful geometric shapes – do a google image search of “90s graphics” and that’s basically what I got printed.

Anyway, I remember I called the 800 number to place the order over the phone. (No internet order form, no web site.) My name and address were three lines, the phone number was the fourth, but the check had five lines, so you could put a business name or something on it. I told the lady on the phone I wanted my email address. She had no idea what that meant. I then told her, my email address was jkonrath@bronze.ucs.indiana.edu, and I wanted that on my check. It was like I was speaking Klingon. I had to slowly spell out  jkonrath@bronze.ucs.indiana.edu over and over, jkonrath@bronze.ucs.indiana.edu, jkonrath@bronze.ucs.indiana.edu, jkonrath  at symbol bronze period ucs period indiana period edu. The whole transaction took twenty, thirty minutes.

I got the checks a month later, and the printer completely butchered it. Like I think they left out the @ and put two spaces after each period, so it was just a jumble of incoherent words with no meaning. And only 4% of the population knew what an email address was. I should have thrown the checks in the garbage and ordered new ones, but that would have taken another month, and more importantly, another twenty dollars. So I used the checks, until I moved to Seattle and got new accounts. And every time I wrote a check, which was often back then, the cashier would ask “what the hell is that?”

Also, I think those new checks I got in 1995? Had the bank’s URL on them.

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Death of the Concord Mall

I didn’t hear about this, and I saw it coming years ago, but the default mall of my childhood, the Concord Mall, is dead. I’ve written far too much about this mall in the past, but it’s time for me to drive in the last nail and ramble on about it a bit more, so here goes.

The basics: Concord Mall was built in 1972. At that time, it had two anchor stores, Montgomery Ward and Robertson’s. In 1976, they added a third anchor, JC Penney. The mall was a large T-shape, with a big fountain in the middle. Its current store count (total number, not occupancy) is about 60, although one reference I saw had it up to about 72 at its peak.

I’m about a year older than the mall, and my family moved to Edwardsburg, Michigan, which is right across the IN/MI line, around the time the mall was first built. I have no real memories of it until after the JC Penney was added. In 1978, we moved to Elkhart, about a mile from the mall. So it became my default destination for shopping and wandering around. There were two arcades, and a Kay-Bee toy store, plus the Walden Books sold enough D&D stuff to keep me occupied. There was a two-screen movie theater outside the mall, where I saw a lot of the films of my childhood. I remember fondly waiting in a giant line outside of there to see ET, which took several attempts, because it was sold out for weeks.

As a teenager, I also spent a lot of time there. They had a Musicland, which was lame, and a local record store called Super Sounds. They had a better selection there, and cool people behind the counter. I bought my first CD ever there (Iron Maiden – Somewhere in Time) back when they were still sold in long cardboard boxes designed to fit in LP bins. They also had a Ticketmaster outlet, and I remember buying tickets to see Rush and Metallica there. And there was this metalhead guy Frank who worked there, who would sometimes turn me onto stuff. One time, he was listening to the advance release tape of some band that sounded like Rush, but way more metal. When I asked him about it, he popped out the copy and gave it to me. That was an advance tape of Dream Theater’s first release, When Dream and Day Unite, which I still have.

When I was a kid, I used to walk to the mall. I remember at some point, my parents forbade me from crossing US-33, which lay between my subdivision and the mall. But my friends and I discovered we could walk underneath a bridge where the road crossed  Yellow Creek and get to the mall without technically walking across 33. Later, I had a bike, and then a car. The mall was a routine after-school hangout, although it didn’t have many places to eat. I still wasted a lot of time flipping through every record at Super Sounds, looking for anything on Megaforce records I may have somehow missed.

In my junior year, I became further entrenched when I got a job at the mall. I became a Master Paint Specialist at Montgomery Ward, making $3.65 an hour or commission, whichever was higher. I worked in the Four Seasons department, which also included toys, lawn mowers, snowblowers, lawn furniture, and other seasonal items. I was a part-timer, but after I fell into the groove of things, I was spending more and more non-work time hanging around the store, shooting the shit with other employees, joking with the guys in Automotive and trying (and failing miserably) to hit on the girls in housewares. During the summers before and after my senior year, I weaseled my way into as many hours as possible, working in almost every department. I unloaded trucks starting at 6AM, painted the entire store one summer, worked shifts in mens’ wear, and ran a Nixdorf register in virtually every department of the four “worlds” of the department store.

Working in the mall showed me an entirely different side of the facility. I would sometimes get there before it was open to the public, or when only the inner concourse was unlocked for the mall walkers, all the storefronts gated, with the lights shut off. I stayed after closing all the time, counting down registers and signing in cash and checks after the 9:00 announcements. I used to work a full day, a ten to nine, never going outside, using a 30-minute break to run to a pretzel stand to get a corn dog and fries as my only meal of the day. I still went to school, but I spent more time at the mall and my store than I did at home.

I knew everyone in my store, but also knew a lot of managers and regulars at every other store in the mall. It was a good experience for me, because I was ostracized and introverted as a kid, and didn’t get along with many people at my school, because I felt like an outsider. Given the choice, I would have hunkered down with an Apple II for all four years and ignored the people around me, and I did a fair amount of that. But when I worked at the store, the adults treated me as an adult, even when I was a dumb 17-year-old kid who only cared about Metallica and Megadeth. I learned to interact with humans in a way I should have learned at school, but couldn’t, because I didn’t fit in there.

When I worked for Wards, I saw a few things happen that pointed to the huge wave that would eventually crest, the last big spike of growth in the mall industry:

  • Right before I started there, our store was given a massive makeover. The old yellowing-white tile floors, walls, and ceilings bathed in fluorescent light went out. They moved to more modern-looking eighties-style decoration, with maroons and pastels and cobalts as accent colors, and Helvetica everywhere. I’m not saying it looked cool, but it looked very 1987. And it always pissed off old people. Instead of being a giant rectangle with straight up-and-down alleys like a grocery store, the layout was a very subtle labyrinth, designed by shopping habit researchers to optimize floor space and give psychologically-designed flows through the merchandise. This is a huge science right now, and we were at the forefront of it in 1987.
  • That remodel also included modern point-of-sale systems. No more running a credit card through a carbon copy machine and looking up defunct numbers in a six-month-old booklet. Every terminal was wired to our credit agency, and inventories were also stored and updated in these then-modern PC-like machines. It was the beginning of an IT age in shopping. (And it was one that would – spoiler alert – eventually kill Wards – more on that in a minute.)
  • The paper catalog was killed right when I arrived. This really pissed off the old people, because the Monkey Ward catalog had run continuously since the birth of Christ, and it was suddenly gone. Why? Cost/benefit analysis, and the need to expand the retail business into more profitable ventures, like consumer electronics. It wasn’t Aaron Monty Ward calling the shots with his gut feeling anymore; retail was being run by MBAs analyzing data in spreadsheets.
  • Wards was divested from their corporate owner, Mobil Oil. In 1976, Mobil bought out Wards during the great Fourth Wave of mergers and acquisitions. When I was there, in 1988, there was a management-led leveraged buyout of the company (assisted by GE Capital, who retained half the company), for $3.8 billion. This was rich in the middle of the Fifth Wave of mergers and acquisitions, one that would set the stage for the eventual downfall of almost everyone.

OK, so back to this mall thing – I graduated high school in 1989, went off to college, and returned to work at Wards again two times, briefly: for about a week over the holiday in my first year of college, and then for most of the summer of 1993, unloading trucks from 6-10 AM.

A bit more background on the Michiana mall thing, too. There were four malls in the Elkhart/Mishawaka/South Bend area. Aside from Concord, Elkhart had Pierre Moran mall, which was in the bad part of town, and had Sears and Target as anchors, and a cool record store, but not much more. South Bend/Mishawaka had Scottsdale Mall, which was a double-decker with a much bigger Wards, a Target, and a fair amount of other stuff. The big one was University Park, right by Notre Dame, and it had everything.

So Peak Mall was about when I worked at Wards in 1993. First, Simon Property Group was formed in 1993, and they bought every mall they could find in this era. University Park is still a Simon mall; Concord was*, and I’m not sure of the others. But this was a time when malls were apex predators of consumerism, after we’d gotten out of a recession, when personal consumption was up and continuing to grow. There was no online, and catalog business was dead. Wal-Mart and other big-box stores were just finding their footing. And after the big decade of the mall and establishment of mall culture, suddenly these large public companies were ready to double down and rush into a huge arms race of spending that appeared like it would have no end.

[*I may be hallucinating Concord ever being a Simon mall. I’m probably confusing it with College Mall in Bloomington, which is still a Simon mall.]

In my microcosm of these four malls, there were varying developments. University Park, roughly twice as big as Concord, continued to grow, and expanded. (Also, oddly enough, all of its big-box competitors like Meijer, and eateries like Red Lobster, Famous Dave’s and Olive Garden, popped up around the mall, but only seemed to make mall traffic surge.) Scottsdale, which was now poised on a new bypass road for US-20 and much easier to get to from Elkhart, expanded in this timeframe, adding a large multiplex and food court, plus redecorating. Pierre Moran painted their awnings blue. Concord added a new bathroom by the mall office, and waxed the floors once.  (Also, don’t fuck with me about exact dates and changes here. I’m writing this from memory.)

I left Indiana in 1995, and only saw the four malls on the occasional Christmas visit home. But the bottom line is that shopping habits changed. People were more content going to Wal-Mart, and later buying everything online. All of the malls (except University Park) fell apart. Major tenants went bankrupt and weren’t replaced. Other big tenants with new overlords or strategies moved to nearby locales where they could build new stores with more optimal freestanding layouts, usually in neighboring townships or cities where tax dollars and incentives were to be had.

The wheels fell off of Montgomery Ward in the late 90s. They filed for bankruptcy in 1997, with GE grabbing ownership of the whole company. Three years later, they closed their doors. The simple answer here is Wal-Mart, with a touch of Target. But really, the quicksand was much deeper. Remember that IT thing I mentioned? Wards went through a massive IT retooling in the mid-90s, spent way too much money on it, and it didn’t work out. Also, remember when I said they got into more profitable things like consumer electronics? Well, the margins fell out on that stuff, and it wasn’t profitable anymore. You can dig further and argue about how Wards stores were not as well-placed as Sears, and that the management had some borderline racist tendency to buy into locations further out from urban centers. But it was basic math: sales were down, profit margins were smaller, and too much money was pumped into a bleeding company that had massive debts from its leveraged buyout. (See also: Sears, Toys R Us, KB Toys, Circuit City, and 768 other recent retail deaths.)

Scottsdale Mall in South Bend never recovered after its Wards closed in 2000. They also lost another major anchor, L.S. Ayres, and floundered headless for about four more years. It was then de-malled, the building bulldozed and turned into an array of freestanding big box stores. Pierre Moran suffered the same fate a few years later; its Target bugged out for a new Super Target in an unincorporated area outside the realm of higher city taxes between Goshen and Elkhart. Its Sears and a new Kroger were made freestanding, and most of the rest became a parking lot for some little storefronts that never found tenants. University Park grew like a monster, adding a giant food court area, a huge Barnes and Noble, and upgrading the interior, while upping the roster of premium stores. (An Apple Store! A Tesla charging station! Is this still Mishawaka?)

Concord Mall never entirely recovered, but it still struggled. The Wards was sliced into multiple stores, the largest being a Hobby Lobby. The big fountain in the center of the mall was removed. The Osco’s drug store in the mall left, and was replaced with a food court that only had one tenant, a Subway. Much of the mall’s interior never changed, the same tile and brown wood trim that was in the mall in the seventies. Some stores vanished because they vanished from every mall in America: Musicland died; Walden Books went bankrupt. KB Toys was Romneyed into bankruptcy by Bain Capital. I don’t know if Aladdin’s Castle or Time-Out arcades still exist as a legal entity, but they vanished from every mall I’ve seen, including Concord. Other stores just spiraled down into low-rent alternatives. Jewelry stores became dollar stores. Boutique clothing stores became televangelist churches. Music stores became storefronts with nothing but vending machines in them.

I was at the mall in August, and was amazed at how many of the stores were closed. JC Penney is still there, as is the Hobby Lobby and whatever department store is now in the Robertson’s spot. The only other remaining stores I can remember: Enzo’s pizza, GNC, Jo-Ann Fabrics, and that’s about it. I can see some of the remains of stores, like the Super Sounds location’s wood walls are still evident in the bakery currently there. But it’s like a ghost ship now, empty and sad.

The plan now is to de-mall Concord. They are spending $50 million bulldozing the building, leaving the anchors, and building some freestanding stores as a “community center.” There are no named anchors or new stores, and apparently nobody even told the tenants of the mall until it hit the news. This approach is laughable, because like I mentioned, both Scottsdale and Pierre Moran de-malled, and both of them are ghost towns of empty stores. More than half of Pierre Moran (now Woodland Crossing) is vacant. Scottsdale, now Erskine Village, was recently sold at a sheriff’s sale when the owner stopped making loan payments. And while Elkhart’s unemployment numbers are down at the moment, it’s an incredibly streaky economy of all industrial jobs related to the RV industry. The next time gas prices fluctuate, the entire region will be wiped out again, like it was in 07-08.

I think the saddest part of it all is that the community is gone now. It’s easier for people to sit in front of their big-screen and click on the Amazon web site, along with a weekly resupply run to Wal-Mart for BluRays and high-calorie frozen foods. Elkhart doesn’t even have movie theaters anymore, aside from the Encore 14 north of town, which has been falling apart for 20 years. It seems like life there is entirely encapsulated and isolated. I mean, I left the state for a reason, but it’s distressing to see the end-stage capitalism unspool and see the last remnants of my past vanish.

I feel silly clinging on to these memories, and need to stop, but this is the last gasp of it, so there you go.

[Note: this is from 2016. You might also want to check out 2018’s Death of the Concord Mall, Redux)]

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I have a new zine out

I have a new zine out.

It is called Mandatory Laxative #14. It is about lunchables and satanism.

It is 20 pages long. It is printed on an inkjet printer. It is as lo-fi as possible. I didn’t even spell-check it.

It contains the following “stories”:

  • Pain Is Only Temporary (Unless It Is Chronic)
  • A Scene Where A Guy Goes To A Colonics Clinic, Falls In Love With The Cashier, And Almost Ends Up Shooting A Fountain Of Coffee From His Ass
  • Sleep Letter Zero
  • Letter to Freddy
  • I Am A Satanist And I Like Toast Because It Is Cult And Evil
  • Someday This Could Be You
  • I Love Lunchables
  • Late At Night With Dwight Dingleson
  • Remember the Alamo, Motherfucker
  • Two Men Discuss Low Calorie Pizza Before A Ritual Satanism Killing
  • This Knife Means Fucking Business
  • Chili Sweats at Aerie #666
  • The Inevitability of an Accidental Saline Enema

It is listed on Goodreads here.

It is not available on Amazon. It is not available as an ebook or a PDF. It’s barely available at all. It is a limited edition of about 30 copies. If you really want a copy, and you are in the US, paypal me $4 and your postal address. jkonrath at rumored.com.

 

 

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My occasional history with film

I’m still thinking about film a lot, maybe too much. I’ve ended up buying two 35mm cameras on eBay this week, a Canonet QL17 rangefinder and an Olympus Trip 35 point/shoot.  I ran the first roll of film through the Trip (see attached picture) and I love it.  I need to take more pictures, figure out a good workflow for developing, scanning, and posting things, and determine what I’m really doing with photography. Mostly, I need to learn, and I feel like there’s a deep rabbit-hole of things out there to master. And the whole thing has me falling down a deep nostalgia hole, thinking about previous experiences with analog film.

A couple of years ago, I bought a photo book by the parents of Christopher McCandless, the guy that died in Alaska, described in the book and movie Into the Wild. His parents self-pubbed Back Into the Wild, which contained his journals, letters, and snapshots.  The book had a strong impact on me, not because I particularly admire his story and plight, but because it was a strong link to a nostalgic period of the recent past.

All of the guy’s photos were taken with cheap 35mm cameras, the point-and-shoot variety now largely forgotten.  The book also included copies of post cards and envelopes, with old stamps and cancellation/postmarkings that also reminded me of the early 90s.  I did so much mail for the zine around that time, and the look of those old 22-cent stamps and the cancellations, with their little public-service messages (“end breast cancer!” or whatever) draw me back instantly.  I still have old paper mail in storage, pieces in their well-creased envelopes, and it all reminds me of that period so much.

But the film, the cameras – they mentioned a few of the makes and models, and I googled these, wanting to see what gear he brought along on his adventures.  In the 80s and 90s, there were so many junk cameras, so many different brands.  it was like that with any electronics, too. Today, if you wanted a CD player, you’d have a choice of maybe three or four brands (Sony, Panasonic, Samsung, and some no-name Chinese thing) and maybe three or four models for each brand, and each one would be very similar to the other, aside from a differentiating feature like Surround Sound or digital output.  But back in the 80s, if you wanted, say, a VCR, there were dozens of brands, all of these different major Asian players shelling out radically different versions, competing with a dozen different American firms, with factories in San Jose or Dallas, plus all of the no-name Korean brands imported and given an American label, like the JC Penney brands or Sears versions.  And they were all so completely different, not identical in any way.

I remember I used to go through a lot of jam box tape players, because for a long period, I didn’t have a good car stereo, and would instead go to a pawn shop and buy a $50 jam box and then wire a 12-volt adapter in the car and use that until it got stolen a few months later.  And at the pawn shop, that $50 would buy so many different types, with removable speakers, various space-age plastic chrome finishes and grilles, fabric-covered woofers, and mystical buttons that offered hi-fi settings or switched on LCD power meters that measured nothing from a scientific standpoint, but would light and rise and fall with the volume of the music.  And they all had different EQ types and tone knobs or “boost” switches and different tape counters and ejection mechanisms, and the feel of the mechanical buttons was always different.

Cameras were the same way.  There were the high-end SLRs, which were all too expensive for my blood, but I had a friend or two, usually working for the yearbook club, who would learn how to work a good Canon or Nikon, and maybe borrow one from the school. SLRs all looked similar, but had weird differences, and there were the usual Pepsi/Coke religious wars about which one was best, although it was a ten-front war back then, not just Nikon/Canon.  There were also the low-end things, the Kodak 110s and disc cameras, and cheap Polaroid one-shots with no controls at all, just a dust cover, a trigger button, and a place to plug in the flip-flash with the exploding bulbs that would cost a fortune and smell of burning plastic after they ignited.  My parents liked these cameras, the ones with no settings, the Brownie or the 126, with nothing but maybe a film advance lever to manually crank through the roll after each shot.  And there were also a wide variety of cameras between the two, with some advanced features, some things missing, and some fully automated.

When I was a kid, I won one of the cheap-o cameras at the company picnic for my dad’s job.  It was a Kodak 110 kit, a little rectangle with the lid that pivoted open and worked as a sort of handle, hanging off to one side.  It was as thick as one of the plastic film cartridges, and had a little eyehole to look through, to frame shots.  This model had a “zoom” lens, a glass piece that slid back and forth on a track, so you could snap it into place and increase the range by a small factor.  Everything else was manual, with no focus, no aperture setting, just a film advance lever and a shutter button.  It would take me a year to take a dozen shots, carefully framing them, snapping a picture, and then not knowing for months if it turned out or not.  As a ten-year-old, I never had money for a flash, and would shoot everything in daylight with fingers crossed.  When done, the exposed film got thrown in a junk drawer, with pens and checkbooks and broken calculators and instruction books to appliances.  If we were lucky, a third of the film I shot as a kid was developed.  It always looked bad, with faded colors, grainy prints, and half of the shots underexposed or dark.  Everyone had red eyes, and all of the macro photography I attempted with Star Wars models never looked anything like the films.  It was disappointing, and not a hobby for me to get into, so I didn’t.

In high school, on a lark, I bought another 110 camera.  This was a small “spy” camera, a tiny piece of plastic that clipped over a 110 cartridge, leaving most of the film case exposed on the outside, not much more than a lens and advancing mechanism that clipped over the film cart.  I don’t remember if it had a flash, but I do remember it had no viewfinder, just a small plastic rectangle that clicked up on the top.  I bought this in October of my senior year, right before visiting Canada for the first time.  I took a few rolls of shots with this, and paid to develop them myself, since the $3.45/hour wages at my job afforded me this luxury.  The quality wasn’t much better, but there was more immediacy, and I took a lot of pictures of things.  I knew I’d leave town in a year, and want to remember old friends and my old car and my old house, so I captured it all to film.  And that Canada trip yielded a few good shots, too.  The film quality was still bad, lots of reds to the color mix, and the plastic-lens camera was total garbage.  But the small size, the novelty, and the budget to actually develop photos made it a decent experience.

In my freshman year of college, I had a few bucks of christmas money to blow on the after-holiday sales, and bought a 35mm camera at an Osco drug store.  It was some semi-known name, like Vivitar, but was a low-end, all-manual affair, similar to the ones McCandless used.  This was my first foray into a middle ground that existed, with the pro film format (35mm) but the cheap and easy to use camera that offered no settings or adjustments.  It did have a cheap built-in flash, and it maybe had an aperture setting (a little lever with an icon of the sun and another of a cloud).  And it may have had a similar focus (picture of a mountain, picture of a person’s head.)  But it had no zoom, no focus ring, no tripod mount, none of that.  It also had a manual film advance, and you had to load the film by hand, stretching the first flap out of the film canister across a set of sprockets before closing the back door.

This camera only lasted a few weeks, before the film spool broke, the cheap plastic splitting apart, in an unrepairable way that instantly let in the light, making the $25 gadget useless.  But I got two rolls of film through it; one while I was still home, and one at school.  The school roll had some great shots on it.  I walked a loop of the campus during the day, and the January sun and blue sky made for some great shots of the old limestone buildings, a perfect capture of the 1990 glory of Indiana University.  The home set of snaps had a couple of good pictures of Tom Sample at New Year’s, and the only picture of first college girlfriend Angie I still have.  (A horrible picture of her in my mom’s car.)

I did not have another camera until the middle of 1993, when I was home for the summer  I don’t know what compelled me to dip back into photography, but I think it was from working on the zine, the idea that I would take pictures at shows.  I spent close to $100 on another 35mm camera, once again one of those fixed-focus things.  This one was closer to a DSLR in its general shape, and it did have a motorized zoom lens, along with a better flash, and a motorized auto-load, the kind where you would put in a can of film and it would quickly suck up the end after you closed the back door.  And then at the end of the roll, it would suck the film back into the canister for you, instead of spending minutes cranking on a small dial or lever manually.

I got really into the idea of becoming “a photographer” even though it was a cheap and cheesy all-plastic camera.  I’d buy expensive film, like 1600 ISO Fujifilm or Kodachrome, and keep it in the fridge and get it developed at the one-hour place, always asking for matte prints.  I went to a lot of shows that summer for the zine, getting in for free by talking to record labels, and I’d always ask for a “photo pass” to try and get better access.  I never got any good pictures at shows, just blurry, poorly-lit snaps of Glen Benton or Cannibal Corpse, completely unusable stuff. I took some decent snapshots though, artsy pictures of Goshen College, some pictures of friends, along with a roll or two of the Milwaukee Metalfest, although none that were actually of the bands, just the booths and the drive there and back.  I also got the last few shots of the Mitchell House before I moved out, the only pictures I have of that place.

The camera went into “occasional mode” after that, only getting pulled out on a whim here and there, for parties or trips.  I wish I would have taken far more photos back then, many more shots of people and places, images capturing the Bloomington of 1994 and 1995.  I never knew the importance of these things, that I’d want to write about them, and I got a few good shots, but not enough.  I did a little more later, but I’ve taken more digital pictures in the last three months than the grand total of every frame I ran through that cheap 35mm.

That camera followed me to Seattle, chronicling that voyage.  I didn’t travel much when I was living in Jet City, but it made a few trips down to California. And then after K and I broke up, there was a period where I wanted to be a “photographer” again and went around taking pictures of cemeteries and airplanes and lakes.  It also went with on my long trip from Seattle to New York in 99. Once I got to NY, maybe a roll or two went through it, shots of my apartment, or maybe Times Square.  I’d switched to video for the most part by then, which is bad because the quality is so low, and the camcorder was bulky enough, I didn’t shoot as much.    By the time I started to take vacations, like my first trips to Vegas, it was 2000, and I had my first digital camera, so the film went away forever.

Anyway, the McCandless book reminded me of this, because he took these shots of the desert, the wide open spaces of Alaska, the plains states, and everywhere else off the beaten path of the early 1990s America.  And his pictures, the feel of film going through the low-end optics of a cheap import camera, I could feel the places he visited, much more so than if he’d just snapped some Instagram pics with his iPhone.  That particular type of shot, the lenses or the grain of the film or whatever else, just screamed 1990, the same way my dad’s old slide film 135 shots from when he was in the service are easily IDed as being from the late 1960s.  They just had a certain feel to them.

I made that journey across the desert in 1999, driving through New Mexico and Arizona and Nevada and Texas, on some of the same roads as him, and pulled over many times to walk across the flats and look at dry riverbeds and take a few shots with my cheap camera.  And his pictures remind me of my pictures.  And my pictures remind me of standing there alone, feeling the nature and lack of mankind around me, in a way that a hundred snaps from a camphone would not.  That era is so close to us now, only a few years ago, but it seems like a lifetime away.  And when I pick up a film print I took from them, or look at the copies of his, it makes me jump from my life back to that one.

Anyway, enough rambling.  More film will be shot.  And I have a huge project I dread, involving scans and restoration of these giant tupperware storage bins of negatives and prints, before they all rot into rancid chemicals and fade into nothing.  I should get on that.

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