Birthday was okay last week. The superfloat went fine, but I couldn’t 100% lock into it for four hours. I think I’m about done with the whole sensory deprivation thing. I think the meditative part of it is good, and the isolation. But the process, especially with the salt water, is such a pain in the ass. Having to take a shower before and after, and then still having epsom salt stuck in your ears and elsewhere for the rest of the day is a hassle. And too many times, I end up in the tank and have an itch on my eyebrow or face, and I can’t scratch it, or I’ll instantly get salt-soaked water in my eye. I like the ritual I’ve done with it the last three birthdays, but as a general practice, I think it would be easier to just meditate in a dark room for a few hours. Also cheaper.
Still working on the stack of Christmas books, which now got hit with another round of birthday additions. I’ve been reading The Box by Marc Levinson, which is a history of the shipping container. Sounds like it would be boring, but it’s actually pretty fascinating, for some reason. Maybe part of the fascination is that I live within walking distance of the Port of Oakland, and always see the giant piles of metal boxes being loaded and unloaded with giant AT-AT-looking cranes. There’s also this timely connection between what’s talked about now with automation and the complete reinvention of the work economy, which is something that also happened in the fifties and sixties as Sea-Land and Matson completely disrupted the shipping industry.
I should be reading fiction, but I haven’t been. The only fiction I’ve read this year was Ben Lerner’s new one, and I was pretty meh on it. Most of the stack is nonfiction, but I imagine I’ll get back to it when I get back to it.
I did the usual free book giveaway on the day of my birthday, and gave away Help Me Find My Car Keys… for twenty-four hours. I think something’s gone on with KDP and Amazon is really throttling down these in their algorithm or something. I generally don’t agree with the way the giveaways work, and they’ve never really helped my rankings or sales or whatever. And the whole idea of gaming the algorithm and chasing numbers is part of the big race to the bottom that is destroying publishing. But I noticed a really large drop-off this time over last year, even though more people shared the giveaway. Yeah, my books suck and I’m horrible and I write unmarketable garbage, etc. But there’s something really up with it, and my conspiracy theory is that the numbers are being gamed because of Amazon’s paid placement ads, which I refuse to participate in. If they haven’t already, they are probably getting to the point where they will make more money on ads than on their cut of self-published books. Why mine for gold when you can get rich selling the shovels, right?
Another Kindle thing I did not know about, because I do not pay attention to this stuff at all: you used to be able to do a match thing where people who bought your paperback book got a free or discounted copy of the Kindle version. Looks like they took that away. I thought that was a great feature and I enabled it on all of my books, because I think charging people twice is sort of bullshit. But, no more. Sorry about that. Talk to Jeff.
Despite all of this, I quietly made the decision to stop publishing my books over on Smashwords. The ebook war is over and Amazon won. Having the books on Smashwords was a huge pain in the ass, produced a vastly inferior product, and almost nobody bought them there. I had a brief blip of Nook sales there a few years back, but not much else. If Amazon’s self-publishing completely implodes and they start charging a hundred bucks a book to publish to Kindle, I’ll ditch them and move to Smashwords, or whoever else. Or I’ll print out copies on my inkjet and staple them myself. Whatever.
Everyone’s talking about Kobe’s death today, but I’m still thinking about Sean Reinert, the drummer of Cynic, who died unexpectedly Friday. My memories of the band Cynic are how they were first a demo band in the late 80s and start of 90s, putting out these demo tapes that were absolutely brutal and technical and exact and powerful, probably better than most studio albums coming out, even at this apex area of the first wave of death metal and grindcore. They were signed by Roadrunner and recorded their fourth demo with them, and everyone was wildly awaiting their debut album.
There was a lot of delay after that, though. Reinert and guitarist Paul Masvidal played on the Death album Human, and were on tour with them when they ran into various financial/managerial/legal issues and ended up having their gear confiscated by a UK promoter for six months. The next year, the day they planned to go into the studio to record their debut, Hurricane Andrew hit Florida and destroyed their studio and equipment. They eventually recorded their first album Focus and released it in 1993, disbanding after that, with everyone going off to record 863 different solo/session projects after that.
The thing I remember most about Focus and Reinert’s work is that he really wasn’t a metal drummer. He obviously was the drummer in many metal bands, but his playing was very jazz/fusion-influenced, more prog-rock than the straightforward blast beat/double-bass stuff on almost every band that came out after Morbid Angel. I listened to that first Cynic album constantly in 1993, right on the tail end of my involvement in death metal, around the time I eventually decided to stop publishing my zine and go on to other stuff. But I always remember being mesmerized by that album, even as I was getting bored with mainstream metal.
Anyway, this is another one of those things where a guy who is actually younger than me dropped dead, with no cancers or medical problems, no drug use, no helicopter crash, and nothing else that would make one launch into the usual “better place” speech. Ugh.
Not much else going on. I still feel sick from the break, and can’t believe it hasn’t 100% gone away. It’s starting to almost get nice enough to walk outside now, so I’ll hopefully stop mall-walking soon. Writing’s writing. More on that later, maybe.