In this episode, I talk to Jeff O’Brien, writer of Very True Stories, Big Boobenstein, Byron the Barbarian, and Heart Shaved Box.
Links from this episode:
Jeff O’Brien’s author page: https://www.amazon.com/Jeff-OBrien/e/B00B12WAM2/
Jeff’s Facebook page: https://www.facebook.com/jeff.obrien.author
I kept referring to a low-budget film director named “Ramirez” and blanking on his book name – Sorry, I am an idiot, and meant Robert Rodriguez, his film El Mariachi, and the book about it called Rebel Without a Crew (http://amzn.to/2ugboiV)
The Little A’Le’Inn: http://www.littlealeinn.com
The Day After Roswell by Philip Corso – http://amzn.to/2sQBMLT
New episode of The Koncast
Now that I’ve done a few episodes of The Koncast, I can give you a rundown of the tools I’m using.
I use two different methods for recording: remote and in-person. Face-to-face is best, but I interview guests all over the place, so I have to do some remotely.
- I am using a site called Zencastr to handle remotes. I fire it up in my browser, give the other person a link to open in their browser, and then we talk away over a VoIP connection. At the end of the session, both browsers upload their copy of the audio to Dropbox, and I can later mix the files together.
- You’ll need Dropbox for this, so go sign up for a free account.
- A good USB headset works well for this. We’ve been using a few of the Logitech H390 headsets. The quality is decent, and they’re only 25 bucks online.
- I’ve heard of people using Skype or Facetime with a plugin to record the calls, which would be easier for the other person, but it would sound like skype.
- The ultimate way to do this would be to set up Skype to use a real microphone and headphones, then have each person record their end of the conversation, but that’s way too complicated for the casual user.
- I’m using a Zoom H5 recorder. It records four tracks, and has a decent X/Y mic built in, plus handles two XLR inputs with phantom power, so you can use real microphones. One thing that’s nicer on this new version versus the previous H4N is that the built-in mic is removable, and you can swap it out for a different Zoom mic, or an attachment to add two more XLR inputs.
- For microphones, I use a Shure SM-58 per person. It’s a cardioid mic, which only picks up sounds in front of it, and won’t pick up background noises. I’ve messed with a few different condenser mics, and they seem to pick up everything, so every little bump and rustle and background noise is crisply present. The SM-58 is also pneumatically shock-mounted inside. It’s pretty close to its sibling, the SM-57, but it has a pop filter on it. And after a total nuclear war, the only thing that will be left are cockroaches and SM-58s. They can really take a beating. The only caveat on the Shure mics are that there are many counterfeit Chinese ones floating around eBay, so only buy from somewhere reputable.
- There are a lot of options for mic stands. I wanted a boom mic, so I got two of this Neewer stand. It seems to work okay, although the clamp can be an issue with table thickness. I recorded a few sessions in a hotel that had a table too thick for the c-clamp and I had to find another table. I have a few other stands as backup, but the Neewar ones are decent.
- I also use two XLR cables, but the SM-58-CN package from Shure includes those. Oh, don’t forget an SD card for the recorder. And I had a pair of Sony headphones already, but you’ll need something similar.
If you want to cheap out, you could get a Zoom H4n instead, or spend $150 on a Focusrite Scarlett interface and record straight into a laptop. I’m sure Behringer has a knock-off version of the SM-58, but I think the microphone makes the difference, and $100 is a good investment in a mic that’s going to last longer than you will.
- I use Logic Pro X to mix together my individual audio tracks and master them down to an MP3 for hosting. Logic costs $200, and is probably overkill, but I already had a copy, so that’s what I use. The Mac comes with Logic’s little brother, GarageBand, which works similarly. You could also use another DAW like Reaper, Reason, Ableton, or Adobe Audition. If you bought an audio interface, it might come with some bundled software. The Zoom H5 comes with Cubase LE, but I’m not sure how the LE version is kneecapped. Audacity is free, but you will end up deleting an entire episode or finding out it isn’t what you want.
- I used Band in a Box to record my theme music. Also had a copy of that laying around. BTW, the song is the Thelonius Monk jazz standard “Let’s Cool One.”
- I’m using LibSyn to host. You get a monthly upload quota, and then it’s unlimited downloads for everyone. It creates an RSS feed of your episodes, which you can then submit to iTunes or Google Play and tell people to go subscribe. You can also connect Facebook and whatnot, so it puts the links there. And it provides a basic blog of your episodes, so people can go there and see them.
The second episode of The Koncast is now live.
In this episode, I talk to Jessica Anshutz about the history of The Same Picture of Jon Konrath Every Day, and dead malls of the midwest.
Here’s the direct link: http://koncast.libsyn.com/episode-2-the-same-picture-of-jon-konrath-every-day-dead-malls
Don’t forget to subscribe in iTunes here, and visit the podcast site at thekoncast.com. Also, go add us on facebook here: https://www.facebook.com/koncast/