• On the Kindle for only 99 cents here.
• In print at Lulu.com for $8.74 here.
• In print at Amazon.com for $12.99 here.

Here’s the answers to some questions about this:

What is it?

Fistful of Pizza is a collection of short stories and flash fiction including ten pieces that have appeared in other publications and were otherwise unavailable until now.  I wanted to make the book as cheap as possible; actually, I wanted to make it free on the Kindle, but I can’t do that because I’m not a big publisher, so instead it’s the cheapest price they will let me.

What if I think the Kindle is stupid?

I also did a print version, which is a 150-page pocket-sized book.  Feel free to read it on the beach or lend it to your friends or drop it in the tub or burn it or do any of the other things that people who complain about the Kindle say you can’t do with the Kindle.

Why is the print version so expensive?

Because of the whole tree thing.  I could do what big publishers do and make the eBook version cost $8.74, or do what the biggest publishers do and make the print book $8.74 and the eBook $21.99.  $8.74 was about the cheapest I could go on lulu.

Can I get a preview?

If you have a Kindle, or have a PC/Mac/tablet/phone with the Kindle software, you can get a preview of the book for free.  Go to the Amazon page here and click on the Send Sample Now button.  This will send the cover and the first two and a half stories to you.

Does this include that one story where the guy flies a jet into a Wal-Mart in order to obtain an erection?

Yes, it does.

Why does the print version cost more on Amazon?

Because Amazon hates you.

Is this book suitable for my kid?

Any book is a children’s book if you teach your kid to read early enough.  Whether or not your child should read a book in which Richard Nixon pisses into someone’s gunshot wound is really your call, though.

What is a pocket book?

It’s a 4.3 x 6.9″ book.  It’s roughly the size of one of those drug store paperback books.  I think it’s a neat size and have wanted to do one of these for a bit.  I have no idea why it’s that exact size; it probably has something to do with a fraction of a standard size of sheep used for its skin in England or something stupid like that.

What 19th-century French civil engineer who specialized in hydraulics is one of the 72 names inscribed on the Eiffel Tower?

Jacques Antoine Charles Bresse.  It’s the fifth from the left on the northwest side.

Why is there a picture of you sodomizing a wax figure of Tiger Woods on the last page of the book?

The Sean Connery figure was out for maintenance at the time.

I’ve been your pal forever and would really like a copy of this book for free.  Can you give it to me?

If you drop me a line and tell me how you’ll help me sell copies to all your friends, sure.

Thanks for the support, and I hope you get a chance to read the book!

Some facts and numbers:

• The “ace” pitcher, Ubaldo Jimenez, does not have a single win.  Since he started the all-star game last year, he is 4-12.
• Jorge De La Rosa, arguably the team’s best pitcher, tore his UCL completely and will be out for the rest of the season.
• The ace of 2008 and 2009, Aaron Cook, hasn’t thrown a single pitch this year in the major leagues.  He fell apart last year (6-8) and then broke a toe, then messed up his shoulder, then slammed his hand in a door and broke his finger during spring training.
• Closer Huston Street has given up 5 home runs in his last 8 outings.
• There’s essentially nobody at 3rd base, and they just fired 2nd baseman Jose Lopez.
• There are no longer any left-handed pitchers starting.  They have only one lefty in the bullpen.
• They’ve gone from first to third in the division.  Depending on how the Dodgers do this weekend and how they do against the Dodgers in their upcoming series, they could very easily drop to 4th.
• Tonight they are starting a pitcher who has never pitched about the AA level in the minors against the team that has the most run production in all of baseball, in a hitter’s park.
• The team is 7-18 in May, and will most likely finish the month with 20 losses.
• There are a million other statistics you can look at to make this even more depressing.  (Stolen bases?  0 for 3 in 11 games?)
• Oh yeah, and the other day, a fan trying to slide down the railing in a stairway out by center field fell 20 feet and smashed his head in, and died the next day in the hospital.  Not only is this horrible for the fan and his family, but I’m sure it’s not helping a) the sagging attendance figures; b) the funk over the team; and c) the team’s finances, because I’m sure the guy’s family will sue the hell out of them because the safety rail didn’t have a safety rail.

It’s gotten so bad that I finally, after last night’s total clusterfuck of a 10-3 loss, deleted the MLB At Bat app from my phone.  Half of me thinks that they will eventually have to come back and start winning games again.  Half of me thinks it will only get worse, and it’s only a matter of time before Todd Helton gets his annual back injury and Tulo gets his yearly leg pull and Aaron Cook comes back from the DL and starts pitching like a batter’s high school coach at the home run derby.  I haven’t gone to any games this year, and I have no desire to drop a thousand dollars on a long weekend to Denver to watch them lose two or three games to the Nationals, or pay $100 for tickets to watch them get demolished in a sea of orange over at AT&T Park.

And it’s still May.  There’s still four months of this.

It’s so hard for me to give up on this, it has become so intertwined with my life.  I mean, I think about the time I spent in Denver and how much I liked it there, and how I loved going to games there.  Granted, I was not 100% happy there; I didn’t have a job for a good chunk of that summer, and I didn’t get much writing done during that era.  But I only remember the good stuff, and it’s odd how memory works that way, how I can smell a certain kind of suntan lotion and immediately think of the times I would slather on that SPF-80 and roast out in the 331 section during a day game.  I sit in my car that I bought back in Colorado and think of all of the times I listened to 850 KOA while driving up and down I-25, trying to keep up with the end of that 2007 season.  Even my iPhone – I think about all of the games I’ve watched on that stupid little app in the last couple of seasons, all of the time I’ve spent trying to follow this team while I was thousands of miles away.

We go to the movies almost every weekend, and it’s become this ritual, how I would get out of a show and flip on the phone and check the score.  And that’s the gotcha to all of this, the way those different disparate sensory inputs all twist themselves together: the wood trim on the mall we go to, the theater’s bright red carpets, the smell of the popcorn, the taste of the same Reese’s Pieces I always get, the design of the little icons on the screen, the feel of the phone in my hand, the look of the uniforms on the pictures in the news recap of the game.  It all fits together in such a perfect storm of pieces, that just taking out my phone now and looking at the hole in the icon screen where the app used to be makes me depressed.

I should channel all of this energy into writing.  And I’m trying to write, but I’m thinking about it too much right now.  And that’s the problem with both writing and baseball: thinking about it is your worst enemy.  If you’re standing 60 feet and six inches from a batter up on a pitcher’s mound, and all you can think about is the number of losses behind you and the ability of that batter and his stats versus your kind of pitching, you have lost.  If you stare at a blank page and think about how much you need to write and what you need to get done and how you need to get that next winning book out there, you will lock up completely.

Could be worse.  I could also be a football fan, and staring down that huge disaster of a lawsuit that’s probably going to derail their next season.  The more I think about sports, the more I miss the days when I hated all of them.

I have trouble saying that, because I feel like the many or most people would reply with “you’re not funny”. And I’ve probably spent a lifetime trying to make other people laugh, and maybe I have, but the only thing that sticks in my mind are the too-serious people who reply with “you’re not funny”. And that’s probably why I couldn’t become a comic – it takes a certain amount of confidence to get up on the stage and talk to people like that. But lately, there has been something compelling to me about the whole comedy world.

Last night, I saw this documentary I am Comic on netflix.  It’s sort of about comedian Ritch Shydner, who had a ton of old Carson appearances, and then graduated into bit acting roles and staff writing jobs.  In the movie, he decides to make a comeback to stand-up after 14 years, and it documents his appearances at open mics and small gigs, both the horror of bombing in these small places where people are more interested in the pool tables and TV sets than the comedians, offset by the total high you get from running a show like that.

But the movie is more of a primer on stand-up, the process, the lifestyle, and the good and the bad, told through interview clips with at least 40 top-rate comics.  The wide swath of appearances is awe-inspiring, from household names that we forget got their start in stand-up (Roseanne Barr, Tim Allen, Jeff Foxworthy, Tom Arnold) to the current a-list (Sarah Silverman, Dave Attell, Lewis Black, Margaret Cho), and lots of other great appearances.  It talks about middling, and comedy club condos, and life on the road, and jokes versus bits versus chunks versus sets, and worst shows ever.  It’s a great movie if you’re a huge comedy nerd, and I am.

There’s a huge comedy boom going on right now.  I can’t quantify it and show you a Gartner report with pie charts or anything, but all the indicators are there:  there’s a whole world of podcasts and twitter feeds and web sites dedicated to stand-up; there are all of these shows like Last Comic Standing; there are tons of venues and shows; there are a bunch of stand-ups crossing over into movies and TV shows; there are something like 79 late-night talk shows now, every one employing a dozen staff writers and spotlighting a hundred comics a year.  It’s huge right now, which in my pessimistic mind means that there are orders of magnitude more people trying to break into the business, and I’m sure there are thousands and thousands of unemployed actors and directors and agents who are thinking “I need to start doing sets at open mics so I can segue that into a line producer job at Two and a Half Men.”  It also makes me think that if I decided today to become a stand-up and started writing jokes full-time, I’d just start to get momentum around the time 90% of the comedy clubs in the US shuttered and all of the trend-hop fans who are into Patton Oswalt today will move on to becoming professional salsa dancing fans, or whatever the hell the next trend will be.

I look at the huge growth of the comedy world as I look at the ever-dying world of publishing and wonder why the hell I got into a craft that’s so hugely unrewarding and impossible to crack.  As I try to study how to make it as a literary fiction writer, all I hear are horror stories about how there are now more MFA candidates trying to sell stories than there are readers of literary fiction, and there’s no money in publishing.  And yes, I could write genre fiction and make money writing hack murder mystery crap and publishing it myself, but you can’t choose your voice, it chooses you, and I can’t even read stuff like that, let along write it.  I write what I write, and I try to convince myself that someday the trend will change and people will trade in their vampire and zombie books for Kerouac and Wolfe.

But comedy has such an appealing ecosystem.  For one, you get up on stage at an open mic and go – there’s no trying to finagle blog followers and spamming your stuff to these lit e-journals in hopes that someone will pick it up.  You get on the mic and go, and there is immediate feedback.  I write a book, and maybe a year later, someone will read it and maybe I will hear back from them.  But comedy is immediately absorbed; you tell a joke, a person hears it, they laugh or they don’t.  And people seem to seek out comedy, go to clubs and pay money and see comics, and seek out these podcasts and XM Radio shows and live CDs.  I think in any art, there are two different cycles: either you follow the potential fans, or the fans follow you, and I feel like writing is very much the former right now, and comedy is the latter.  And maybe that’s not entirely true, and I’m sure a lot of comedians bust their asses trying to find Facebook friends and grow their mailing lists and post one-liners to twitter constantly.  But there’s not a huge audience of literary fiction fans out there eager to snap up anything you produce.

I recently took a comedy writing class, to see if I could do it.  And I found that I could and I couldn’t.  I mean, one of the assignments was to write something like 30 monologue-type jokes, which was hard only because I had to actually read the news, and I hate reading the news.  And after carving away at 30 jokes over the course of a week, I found that writers at Kimmel or Letterman have to write at least 40 or 50 jokes a day.  And their pay ranges somewhere between dick and shit.  I think I could hack away at being a comedy writer, or punching up scripts, but it’s probably as unrewarding as hacking away at user manuals all day.  And I don’t mean to knock the tech writing career, which pays more than all but the top tier of fiction writers on amazon, and gives me health insurance and paid vacation and pays me every day, whether or not I scare up sales.  But I remember that feeling when I hit ‘send’ and launched the final, final manuscript of Summer Rain to the publisher, after five years and a quarter-million words of pain and torture, knowing that it would be a 650-page chunk of my life and other peoples’ hands, and it was not the same feeling I get when checking in the final PDF of a developer’s guide for a software product that will literally sell a million times what my book does.

I wish there was a writing community more like the comedy community.  I mean, I look at stuff like the people taking UCB classes who are working with each other and building their careers and doing awesome things, and then I look at any number of literary sites where people are talking about their head shots or whether or not they should change their names to market to the Young Adult romance genre.  I’m slowly finding more authors that subvert this paradigm, but I need an order of magnitude of readers that do the same.  And lately, it’s hard to get people to pay attention to 140-character updates, let alone 140-page novellas.  But I think that will eventually change.

Oh yeah, I did standup once.  It was 1988 and I was in the Catskills and I did a talent show/open mic in some bar in East Windham, in front of maybe 20 people.  I don’t remember a single joke I did, but I vividly remember between the time I put down my name and the time I took the “stage” (really just the same floor as the bar), I went on this long walk in the upstate New York summer night, and listened to the bugs and talked to myself and tried to write a set on the spot.  I remember the smell of the August night, and the cool feeling when it was like a hundred all day and all you could really do is sit in the pool or hide in the AC of the motel, and the temp would drop to like 75 at night, and it would feel almost cold.  And I’m walking by myself, muttering “okay, no, start with that, then go into this, and then, no, then say this, and then mention I’m not from here, and go into that, and, and, and….”  And the set completely bombed; I think one joke got laughs.  But I did it.

Anyway, here’s one of my assignments from this class.  All of the jokes are months out of date, which in this news cycle is like centuries, and I’m not going to re-edit this, and in the real world, of this thirty, I would expect maybe two or three to be good, but you get the idea.

Anyway, after a long pause in publishing, I’m now putting together issue #13. And I am looking for a few more writers to fill the pages. Issue 13 will be about all things bad luck related. If you’re interested, please check out the contributions page, and drop me a line.

The deadline for #13 will be February 1. Please let me know quick if you are interested; spots are filling quickly. And if you are new to this game, please check out our back issues to see the kind of stuff I like to publish.

http://www.nytimes.com/2009/09/14/nyregion/14diary.html?_r=1

And in the last year, forget about it. I haven’t been able to spend more than ten seconds in front of my home computer, given my work schedule. I thought about a lot of different book projects, and would chip away a few words here and there, but I think in the last year, I’ve managed to write maybe a few thousand words. I did finish one short story, and I sort of dicked around with a few ideas for books, but never committed. And like waking up one day a decade after college and finding oneself fifty pounds overweight, I simply do not write anymore. It might be like riding a bike to some people, but I think it’s a perishable skill, and if you don’t sit down and work on something every day, it goes away. I now flip back to some of my old writing, the books or even stuff on here, and I’m amazed at how much better it is than anything I’ve tried to do in the last few months. And it’s because I used to write every god damned day, and now I write about as much as I go to the gym, which is basically never.

I’ve been talking to my friend Michael about this, and finally came to the conclusion that I just need to man up, wake up earlier every day, and pound out some writing every day, even if it is not for a project. That was the original intention of this journal, to give me some practice every day before I got to the actual writing. But there are a lot of political reasons I can’t just dump anything in here. I’m always afraid of who will read it, and I want things to have a start and a finish, and I want to match a certain theme, and blah blah blah and then I end up paralyzed by fear and unable to write anything. But I need to write SOMETHING.

That’s when I decided I needed to dump more into automatic writing. I’m not talking about the spirit world trance writing bullshit; I mean sitting down at the keyboard, starting with a thought, and just typing, dumping thoughts straight into the buffer with no concern about plot or structure or underlying anything, just brain to hard disk, trying to capture a scene or a feeling. I don’t know the history of this method; I guess Kerouac was pretty hip to it. But my goal was to sit down at 5:30 AM, eat my bowl of cereal, and speed-type down a thousand words a day of something.

I dropped this into my .emacs file:

(defvar write-directory "~/writing/automatic-writing")
(defun writing ()
  (interactive)
  (find-file
   (expand-file-name (format-time-string "%Y%m%d.txt" (current-time))
                     write-directory))
  (goto-char (point-max))
  (newline)
)

(global-set-key "\C-c\C-w" 'writing)

Now I can hit Control-C Control-W in emacs and open up a text file with today’s date, and type away.

I’ve been doing this for the last two weeks, and it has been amazing. I’m just writing stupid stuff, memories of old computers and cars and places I’ve lived, bits I’ve vaguely forgotten and have never put into stories, or things that don’t even make stories but have some good potential for description. I think of an idea in the shower, then without thinking too much, start hacking away. I’ve really been able to knock the rust loose, and I feel like my ability to write is coming back. I am not assembling together the next War and Peace or anything, but it’s something I’m thoroughly enjoying, and I look forward to doing it every day.

My next goal is to (maybe) try to get up a hair earlier, and see how I can work on actually getting the next book going. Or maybe I need to actually focus on a list of vague topics, and see if I can eventually knit together a hundred days of this stuff into something more substantial. But for now, a thousand a day, until I can do it in my sleep. (I sort of am doing that already…)