A Rush album of covers? Okay, I didn’t buy this when it came out, because I’d already seen all of the car commercials that featured these songs. It’s always amazing how old hard rock goes from the AOR stations to the brokerage commercials now. I mean, I love Led Zeppelin and The Who, and I’m glad somebody’s providing them some cash during their later years, but I don’t think the works of Jimmy Page are going to make me get off my ass and buy a Cadillac. Maybe if Keith Moon drove one into a hotel pool and expounded on the various safety features that kept the car from sinking like a rock, I’d pay attention. Anyway, the Rush album: a collection of cover songs, from a band that’s known for never covering songs. I’m not a big fan of buying filler albums of throwaway content. And how would a band that plays so surgically handle a bunch of old covers? What spin could they put on them, other than Geddy’s high-pitched voice?
Posts Tagged Rush
Rush – Feedback (2004)
Apr 6
Rush – Roll the Bones (1991)
Feb 11
Ugh. For Rush’s sophomore effort on Atlantic records, they slid further into mediocrity with more standard hard rock numbers, an unusually bright and bland production, and a general lack of noteworthiness that got them an album that somehow peaked at #3 on the Billboard 200, but failed to do anything interesting musically. Read the rest of this entry »
On the coattails of the wildly successful 2112, Rush decided to put out a quad-side, triple-gatefold live LP, named with a Shakespeare reference, recorded in their home town. This began a cycle where the band would release four studio albums, then bookend the era with a double live album. This time around, the band summarized their early career, an era that began as a bar band belting out Led Zeppelin-esque music, and progressing to a full-on art-rock band, complete with long-form concept pieces.
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I’m a sucker for “unofficial releases” that are nothing more than a journo’s taped interview with a band, later set to CD-R boot. And here’s a classic example of this non-canon release: a half-hour chat with Alex Lifeson. Although the internets give this a release date of 1992, the conversation dates it at 1987-ish, around the time of Hold Your Fire.
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Following a self-titled debut of Led Zeppelin-clone originals and immediately before a tour, John Rutsey, the drummer of this Canadian three-piece walked away from the band, citing health reasons and/or a lack of interest in touring. This could have been the end of the struggling band, but a dude selling tractor parts with his dad showed up with a carful of drums, and became a key component in this band’s huge future.
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Rush – 2112 (1976)
Jan 24
If you ask many music fans what the best concept album ever is, they will all answer 2112. This is because they’re stupid. I’m not saying that this is a bad album; I’m saying that it’s not a concept album. It contains one really long concept song on the A-side, and a bunch of useless filler on the B-side. And that mental disconnect is the difference between an album that everyone remembers as really great and an album that is really great.
The first concert I ever attended was Rush at the old Rosemont Horizon in Chicago, supporting the Hold Your Fire album. Imagine my amazement when I found that the exact tour I saw was released as a live album! They didn’t record the same show (thank god – the sound at that place was similar to recording a live album inside a large oil storage drum), but they did capture the spirit with the fifteen tracks recorded for this CD. I think if I would have reviewed this back in 1989 when it was released, I would have given it a ten. I think it’s interesting to come back to this two decades later and give it a second look. Read the rest of this entry »
Okay, before I start, I remembered this tiny bit of trivia, and it took me forever on google to confirm it, so I better just paste it in. This album, in the original LP form, had a bunch of city names under the names of each track. Turns out that the album was written on the road, and those are the names of the cities where that specific song was hashed out. I only find this interesting because a couple of these were written just down the road from where I grew up, in South Bend, Indiana. Here’s the full list, since this has been long-since deleted on CD reissues, as far as I know: Read the rest of this entry »
Rush – Rush (1974)
Jan 11
Every band has to start somewhere. What’s amazing about Rush, after listening to their self-titled first release, is that it’s so far removed from their later core releases, and they went through such a giant transformation by their second album. If you take their second or third album and remove the monster-solo prog-rock geekfests and the Tolkein-meets-Ayn Rand lyrics, you still aren’t anywhere near this one. It’s a miracle this obscure band, scraping by on a self-released album, even got the chance at a second one. Read the rest of this entry »
When I first got into Rush, my friend Derik Rinehart (now an accomplished prog-rock drummer) made me a tape from his LPs, with this on one side and Moving Pictures on the other. Of course, I played the hell out of both sides, and I probably liked Moving Pictures a lot more because it rocked, and everyone likes it more, right? But I still listened to Grace Under Pressure because I didn’t want to waste my precious Duracells rewinding the D-90 in my walkman, and the album burned it into my brain. And I’m not sure if it’s the content of the album, or the thoughts back to that era, but when I think of this LP, I think of a sterile bleakness. My pal Simms once told me, “It’s the Cold War, man. I love it!” And maybe he’s right. But it’s something that now, 20 years later, I can’t completely reconcile when I try to decide how meaningful this 39 minutes and 26 seconds of music is to me. Read the rest of this entry »