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	<title>Tell Me a Story About the Devil &#187; ARZ</title>
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	<description>The assorted ramblings of a Midwestern writer in California</description>
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		<title>ARZ &#8211; Solomon&#8217;s Key (2008)</title>
		<link>http://rumored.com/journal/2009/03/07/arz-solomons-key-2008/</link>
		<comments>http://rumored.com/journal/2009/03/07/arz-solomons-key-2008/#comments</comments>
		<pubDate>Sat, 07 Mar 2009 21:18:22 +0000</pubDate>
		<dc:creator>jkonrath</dc:creator>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[ARZ]]></category>

		<guid isPermaLink="false">http://www.progslob.com/?p=566</guid>
		<description><![CDATA[When I hear that a group of musicians first got together in a Yes tribute band, the last thing I expect is anything heavy.  The first ten seconds of the new ARZ album, Solomon&#8217;s Key, completely changed that opinion for &#8230; <a href="http://rumored.com/journal/2009/03/07/arz-solomons-key-2008/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>When I hear that a group of musicians first got together in a <a href="http://www.progslob.com/?tag=yes">Yes</a> tribute band, the last thing I expect is anything heavy.  The first ten seconds of the new ARZ album, <em>Solomon&#8217;s Key</em>, completely changed that opinion for me.  Forget any preconceived notions that a couple of guys imitating London&#8217;s premier prog giants would be doodling in some Roger Dean-backdropped universe of lofty art school tunes &#8211; this duo is putting out some awesome instrumental progressive rock that mixes a prog metal edge with a deep artistic core and incredible musicianship.  It&#8217;s also one of those albums that constantly makes me think &#8220;how do they ever play this stuff live?&#8221;  But they do!<br />
<span id="more-1852"></span><br />
First of all, I did say duo.  The Portland, Oregon-based ARZ consists of guitarist Steve Adams and drummer Merrill Hale.  What&#8217;s interesting about this is that both also double on an array of various synth and electronic doodads, with Hale adding to his standard drum kit a <a href="http://www.roland.com/products/en/SPD-20/index.html">Roland SPD-20</a> drum pad, essentially a Rock Band controller on steroids that triggers a whole array of various synth and world music percussion instruments.  Adams also uses some MIDI magic to play along his synth parts while still tackling the guitar parts.  (He&#8217;s also the de facto vocalist of the band, although there are no lyrics on the latest release.)  When I first heard of these guys, I thought maybe this was just a gimmick or a studio-only trick, something done in lieu of having some additional members, or while between bassists and additional guitar players.  I&#8217;ve often heard bands doubling up the strings in the studio, or playing along with a drum machine, in a demo-only situation while seeking out other members.  But this is a system that works well for the band, and within the first track or two of this release, the complexity of the music made me forget I wasn&#8217;t listening to a four or five-piece group.</p>
<p><em>Solomon&#8217;s Key</em> is an eight-track concept album of sorts, using the theme of the myth and mystery of the Middle East as a medium to explore various minor-mode tapestries of instrumental rock.  I don&#8217;t know the exact storyline behind any of this album, although I know King Solomon from the old testament of the bible, and there&#8217;s a medieval book on magic called Solomon&#8217;s Key that might be part of the mythology of the songs here.  There are three sub-five minute songs following more rock-oriented structure, but the rest are longer form pieces, with the title cut weighing in at just over 18 minutes.</p>
<p>What I like most about this album is that it weaves heavy, straight-up metal with more complex, prog-oriented melodies, and doesn&#8217;t do one while sacrificing the quality of the other.  For example, the first cut, &#8220;Almadel&#8221;, starts with a super-low-end power metal start, like a Nu-metal band out of the gate, but then immediately cuts into a harmonized, Steve Howe-esque clean guitar melody, and trades off intricate verses with metal-form guitar solos.  Adams is a student of classical technique and jazz performance, and uses his intricate playing style to meld together multiple styles of music.  This is a band that&#8217;s well-schooled in all of the classics, like <a href="http://www.progslob.com/?tag=rush">Rush</a>, Yes, and ELP, but manages to mix in jazz and world music influences into a project that moves beyond the typical rock band structure.  Add to this the fact that Hale&#8217;s robo-drum setup enables him to weave things like tubular bells and glock within the acoustic and electric guitar, and you&#8217;ve got an incredible soundscape.</p>
<p>Aside from the writing and musicianship, I was also impressed with the quality of recording and production in general.  For a release without the funding of a major label, there&#8217;s an incredible amount of production skill here.  They&#8217;ve skipped the step of physical retail on this one, and went direct to digital, making this release available only on iTunes, Napster, and other digital format mediums.</p>
<p>Head over to <a href="http://thearzuniverse.com/">thearzuniverse.com</a> and check these guys out.  You can also find some video evidence there that these two can actually play this stuff live.  And stay tuned &#8211; their next album is already in the works!</p>
<p>Rating: 9</p>
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