Okay, I have been a Bank of America customer since 1995, which is when I got my first paycheck at my first real job in Seattle, and went to their branch down in Pioneer Square and opened an account.  They had a special deal where you got an absolutely free checking account, as long as you promised to never talk to a human.  You could use the ATMs and the phone robot thing all you wanted, and it was all free.  This is good, because I generally don’t like talking to humans, and I like free.

Years later, I move to New York, and they don’t have BoA; the cheapest checking account I could find involved keeping a ton of money in the account and not collecting interest and still paying 20 or 30 bucks a month.  And BoA wasn’t out there yet.  But I kept the account, and resigned to paying a few bucks every time I used an ATM.  I later found that the ATMs in Loew’s movie theaters were somehow bizarro BoA ATMs and didn’t charge fees, so I would go to the movie theater every time I needed cash.  Also, every place I vacationed had Bank of America, so my card worked for free when I needed it most.

Later, BoA bought Fleet (the bank, not the enema manufacturer) and I could bank for free on the east coast.  Then I moved to Denver, LA, and SF, all of which are BoA country.  Over the course of the next decade and a half, they didn’t charge me a dime and I never talked to a human, but I estimate I pushed roughly a million dollars through this interest-free checking account, and as that money briefly sat in their institution between my payday and when I blew the cash, they probably made a few bucks off of me.

(An aside: people talk about stuff like cell phones and internet when the category of “stuff that absolutely changed 100% and we never expected it, like we expected that god damned jet pack we never got”.  But people overlook ATM networking proliferation.  When I was a child in the late 70s/early 80s, local banks had their own one-off technology.  Like we had St. Joseph bank and it had “Josephine” machines, but that card was entirely useless outside of the dozen or two Josephine machines in northern Indiana.  When I left for college, I had a checking account at a Banc One in Elkhart; when I went to the Banc One in Bloomington, I found that the two were completely unconnected, and I could not, say, have my parents deposit a check at the Elkhart branch and withdraw cash from the branch 250 miles away.  I don’t think I got an ATM card until I was in college at the IU credit union in South Bend, which had one single branch on campus.  But it did have a then-revolutionary connection to the Cirrus network, so if campus was closed and I drove around long enough, I could find the right gas station that would give me access.  Now, a debit card can be used at virtually any ATM in the US and some abroad (I think) and aside from the ridiculous fees and surcharges, it’s entirely seamless to the consumer.  If you told me this in 1991, I would have told you that you were totally fucking high, just like if your grandfather in 1947 was shown a cell phone or a Slayer album.)

So, of course, they get greedy, and the free checking story ends there.  They frame a “you WILL pay us every month” mandate with a “Hey! You can go green and save the earth by using our nifty iPhone app!” with the fine print of “oh yeah, you will now pay us every month, and get nickel and dimed on paper statements and whatever else we can think of.”  And there was all that nasty business about predatory lending and foreclosing on peoples’ houses when they never had a BoA loan, and so on.  So I decided to cut the cord.  I dumped all of my cash to another account, called, got put on hold 19 times, and then got someone to shut it all down and offer to cut me a check for my last $1.60.  Fine.  Done.

No.  I get a statement a month later.  They never cut me a check, and they charged me a $20 fee, so the account is now -$18.40 and I’m sure they will start assessing me a $39.75 per hour overdraft charge, so I call to unleash the fucking fury.

I end up in phone tree hell.  My account number and password don’t let me log in anymore, but after an eternity on hold, I talk to a level 1 idiot who can’t do anything and bounces me to someone who handles already-closed accounts.  They say they can’t handle this because my account is still active.  They bounce me to someone who says they can’t handle it because the account is closed.  They try to bounce me back to person #2 and the call hangs up and I have to start at the beginning again.  This happens a couple of times before I find someone that explains that because it’s a Washington account, there was some glitch closing it, so she offers to waive the $20 fee.  She then says she’ll close the account and cut me a check for $21.60 and we’ll be all done.

I say “WTF, don’t you mean $1.60?”  And she says, “oh, right, $1.60, have a nice day.”

This of course opens up the nightmare that in a month, I’ll get a check for $21.60, and in three months, get a statement saying “we fucked up, you owe us $20 plus $9723546 in overdraft fees and your account is still open, good luck talking to 19 more people, fucko.”

A few weeks later, I get a check from Bank of America.  I open it, look at it, and then… I don’t remember, I was in a hurry or something, but it registered that they sent me a check for $21.60, and I was upset but had 19 other things to do and I’m taking 16 different allergy and antibiotic medications right now, so I pushed it to slot #87 on the “deal with this later” queue.  Last Friday night, I had a vague lucid dream that involved being pissed about this.  Then I woke up and there was one of those “please take a survey about your recent customer service experience with Bank of America.  Please let one of the questions be fill-in-the-blank, I thought.

I went to the stupid URL.  ”On a scale of 1 to 10….” 1 1 1 1 1 1 1 1 1, without reading a god damned thing.  And then gold.  A blank.  ”Please tell us what we could do to correct this issue.  So, I wrote:

You could put all of your executives on a war crimes tribunal, and when they are found guilty of crimes against humanity, they could be tied down to a table in the middle of a stadium and have a cauterizing laser start at their feet and every 60 seconds, make a pass and cut off a millimeter of their body, re-sealing the wounds, leaving them alive in anticipation of the laser slowly removing their genitals and internal organs while they watch in horror, sixty thousand people cheering in the stands.  Then, every customer would be able to go to their local branch, and throw one molotov cocktail through the front window, until every Bank of America is burned to the ground.  Lastly, you would hire Dan Savage to create some alternate sexual meaning to the term “Bank of America” and get everyone to virally link to it, ala Santorum, so future generations who wonder what a “Bank of America” is will find that it refers to drilling a hole in your skull, putting peanut butter in it, and having a wild dog skullfuck you.

I did not get a reply.

Then, I went to get the stupid check, to figure out who I needed to go to war with to get this straightened out.   The check was really for $1.60, and there was a note inside saying my account was closed.

I went through a brief period of wanting to be a Zen Buddhist, I think in 1994 or 1995. I mean, in that period, I went through a phase where I wanted to be everything from a writer to a motorcycle gang member to a Navy SEAL to an Alaskan shrimp boat captain. (I also wanted to be a technical writer and an author, so I guess I’m like 2 for 139 on the series.) I read a pamphlet or magazine in my shrink’s waiting room about controlling depression with meditation. And there’s the whole college path of trying to find your spiritual center, or the meaning in life, whatever that is. The good old fashioned Roman Catholicism baked into me at an early age hadn’t done much in that department.

Prior to this I briefly wanted to go back to Catholicism, mostly because I kept meeting all of these Jewish women, and any Jewish guy would seemingly get a free pass. I wondered if being a good Catholic would net me any free access to bad Catholics, so I did my first confession in a decade and started going to this hippy-dippy college version of a Catholic church, the kind that had a 5:00 PM Sunday mass so all of the drunks could show up after a night of heavy partying. But after about two or three Sundays, I realized the social awkwardness and alienation that made me a stanger in this world also extended to Church, so I stopped going and went back to the comfort and convenience of atheism.

The zen thing may have partially been because of Bruce Lee. I saw that movie Dragon and really wanted to learn Kung Fu, so I bought a worn paperback from the 60s that illustrated various Kung Fu and Tai Chi manuvers in grainy black and white pictures. That proved to be useless, because you couldn’t hold the paperback open to any given page and do the moves at the same time. But it led to another book of Tai Chi from the dollar bin at the used book store, and I started looking at the various angles of Buddhism, and zen. And that got me started buying these more expensive Zen books with elaborate color artwork and koans depicted in Chinese woodcut illustrations that always reminded me of a menu from a fancy Chinese restaurant, which always made me hungry for Chinese food, so maybe it wasn’t the best learning tool.

I remember plinking away at a couple of zen books, these logic puzzles really, the kind of thing that would say “does the world weigh as much as a pea?” and a good zen master would think about it for an hour and say “of course!” But I could never think that way; I’d be like “well a pea’s mass is a ratio of its mass to the planet’s mass, and it’s really an abstract concept, but something that science defines… etc etc.” There was a high bar for suspension of disbelief, but then I wondered if I had not been indoctrinated with stories of men coming out of tombs after being dead for three days and the parting of seas and the turning of water to wine, maybe that would seem just as crazy. Maybe I needed to reprogram myself. Maybe part of being a better person was burning the synapses in my brain to appreciate knowing these puzzles like the sound of one hand clapping.

I tried to learn to meditate. I burned a lot of incense, and bought a little rug at Pier One to sit on in the middle of my room. I even took a class once. The Student Union had these activities you could sign up for and pay the fees on your bursar bill. Like they had skydiving classes, whitewater rafting, hiking expeditions, ballroom dancing lessons, all of this outdoorsman, Teddy Roosevelt kind of shit, so kids from big cities could ride horses and camp in tents and meet girls who didn’t wear bras. I really wanted to take the skydiving, but every class landed on the day of a test of one of my night classes. Instead, I scoured that catalog, and signed up for this meditation class that promised to help me find inner peace in a single three-hour session on a Saturday morning.

The night before the class, I was insanely depressed, maybe had a drink or ten, and was plinking around on the VAX mainframes, writing stupid BBS posts and annoying friends with emails. This girl I was “whatevering” with logged in, someone I had a purely physical relationship with, on a too-infrequent basis.  We wouldn’t talk for weeks, and then end up doing battle in one of those little dorm beds. I somehow convinced her to take a cab up to my apartment. I’d done the same for her once, when she was morbidly depressed, probably about some other guy, so maybe this was her way of returning the favor.

So movie, pizza, a few rounds of just-got-out-of jail-level sex, and she spends the night, quickly falling asleep while I attempt to toss and turn on my half of the tiny bed. The next morning, we wake up at the crack of dawn so I can go to this stupid class, shower, and go for another round.  I forgot to mention that the girl was on her period; the bed looked like a crime scene from a slasher flick, and I really should have done the shower/fuck sequence in the opposite order. My roommate was heading to campus — this was when I lived a few miles north and had no vehicle of my own, other than a ten-speed — so we took the car ride of shame to drop her off before depositing me at another dorm for my class.  I’m badly in need of another shower, my stomach’s rumbling like a motherfucker from a lack of breakfast, I have a touch of a hangover, and I think I slept two very uncomfortable hours with a near-stranger in my twin bed. Now, let’s learn to meditate!

The class was at Briscoe quad, one of the big party dorms up north of campus. I’d only been there once or twice; some friend of an old ex from my freshman year lived there and we visited her a few times. Her friend had a full-time hobby of fucking random dudes the way most people collect baseball cards. (So did the ex, but I didn’t find that out until after she moved in with me, which was wonderful.)  She seriously, while we were sitting in her dorm one Friday night, called some dude and left a message on his roommate’s answering machine saying “Bobby, pick up, it’s 6:00 on Friday night and I really want to suck your dick tonight!”

Meditation class was in a tiny classroom next to the weight machines in the dorm’s gym. It was taught by some middle-aged hippy chick that ran a meditation/bodyworks place out of a tiny hut that later became Tom Donohue’s CD store after I left town. Exactly two people signed up for an 8:00 AM Saturday class: me, and this other girl, a frumpy librarian type that reminded me of a random SNL character. As the class got more boring, I realized this girl had no friends and had the same social fears and awkwardness as me, and I knew it would not take much effort to convert this into a date situation. And last night’s fuck-buddy had given me an open invitation to come back to her dorm after class and continue what we started the night before, which also wasn’t conducive to clearing my mind of every thought.

I learned nothing in the class, except that my breathing was wrong. I thought breathing was an automatic reflex, but I guess I was doing it too much from my chest or doing it out from my chest and not my stomach, or something. I don’t know, it mostly confused me by making me think about my breathing, which made me not be able to not think about my breathing.  The desire to meditate, along with the desire to become enlightened, faded and I quickly became obsessed with writing a vector graphics Missile Command game for linux, or lifting weights, or something else.

The campus was empty in the winter cold, one of those eerie Saturday mornings when nobody was around.  I hiked over to the Brad’s Bagels and got my usual hangover cure, an everything with cream cheese and a giant vat of Coke, and thought about walking across the street for another round of conjugals, but decided it would be a bad idea. Instead, I walked home, plodding for three miles in the wind and cold, listening to a Henry Rollins spoken word album, thinking about writing, thinking about what to do next.

I just read this book,Weinberg on Writing, which talks about his “fieldstone” method.  The analogy has to do with those fieldstone walls you see on old farms.  (Watch the last five minutes of Shawshank next time it’s on TBS; they run it pretty much daily.  There’s a nice fieldstone wall in that.)  When a farmer builds one of those walls, they don’t go to Wally World and say “gimme a thousand yards of stones.”  They plow the fields, and when they hit a big stone, they pull it aside and save it.  After years of doing this, you have enough stones to build some fencing, or a nice fireplace hearth or wellhouse.  It takes time to find the right stones to fit the odd cracks and holes, but if you’re always looking, you never know when you’ll find it.

Most of the art of writing has to do with dragging your subconscious mind into your conscious mind and then dumping it onto pages in a way that can transfer into someone else’s conscious mind and creep into their subconsciousness.  Anyone that tells you it’s about marketing or the three-act structure or hitting plot points or what your cover looks like is full of bullshit.  That’s about selling books.  Salvador Dali wasn’t a genius because he painted the crying clowns and prairie field landscapes that he knew would sell; he was a genius because he would have fucked up dreams and then immediately paint them with no censorship or conscious thought, and those paintings haunt you and are hard to shake because they drill into the bottom of your mind.

The problem is, you can’t sit at a blank page and consciously think, “okay, let’s dump my unconscious mind into this buffer.”  You just see fits and spurts of what you need: while you’re in the shower, when you’re cleaning up cat shit, when you’re stuck in an endless meeting.  Something pops into your head, and it would be awesome in a story.  And then, if you’re above 40 and have spent your lifetime drinking from aluminum cans, it’s gone in ten seconds.

This requires some way to always capture this shit.  The current strategy is a three-pronged approach:

1) The iPhone notes program.  It’s pretty easy to use; it syncs up with IMAP in my gmail account, so I can also get at it from my Mac or my iPad, making cut/paste pretty easy.  The downside is typing with my thumbs, and it’s not always easy to whip out a phone and tap away.

2) A google docs document that does the same as above.  I use this less and less, but there are times where I’m not at any of the above three iOS machines, or where I need to cut/paste in something sizable, like a big chunk of an article.

3) A moleskine notebook.  The classic, hardcover, lined.  I’ve got a little folding pen that bungees right into the elastic cord, and it stays in my jacket pocket or bag at all times.

There’s a certain tactile satisfaction to keeping notes in a moleskine; that’s a huge plus.  And there’s an overwhelming joy in filling up one of these leather-bound pocketbooks, like you’ve accomplished something more than just dumping ASCII into a buffer.  I just finished one of the books, and it took me almost two years, just because I write in fits and spurts, and this “capture everything” movement just got into gear.

Now here’s the real problem with the moleskine: how to move these fieldstones into the production line.  The iPhone notes thing is easy: Ctrl-C, Ctrl-V.  The notebooks – well, first my handwriting is horrible.  And I barely hit the lines to get all of this stuff parallel to each other so OCR can handle it.  And I can’t ship it off to someone and have them transcribe it, since I can barely read it.

The current workflow is to scan the entire thing in as a single PDF using Preview and my printer/scanner.  This take some work, only because you end up with a 50-meg file, and there’s no way you’ll do a hundred scans without Preview crashing at least five or six times.  (I know, Windoze people are like “ha, it doesn’t just work”.  But I was able to use a piece of software that came on my system for free, without spending 19 days researching what third-party program works with my brand of scanner, brand of USB chipset, version of Windows, brand of USB cord, IRQ settings, motherboard configuration, and then find out the software I paid fifty bucks for is a “lite” version and the “pro” version costs $999.)

Then, I split the PDF into a hundred or so PNG images.  I have a Scrivener project that’s just a dumping ground for all of my fieldstones, failed stories and books that still have some reusable bits, and whatever else.  So I create a folder for the book, and dump the PNGs onto a file in the binder, then split that up into a bunch of files, and either type in the bits of each page, or ignore them.  (Sometimes a page will just be a partial grocery or todo list, or something I’ve already used, so not everything is gold.)

The process of turning these fieldstones into working stories and books – that’s another project, and a workflow I haven’t mastered yet.  But a lot of The Earworm Inception  came from fieldstones that were grouped and fleshed out, and this next book is using a lot of stuff collected like this.  Some of them will be duds; some just become a single line in someone’s dialogue, or a little aside.  And some will be the nucleus of an entire work.

So I’m having fun, transcribing this stuff, finding little gems.  And I’ve got the next Moleskine up and running, ready to capture whatever happens in the back of my head during my TPS report filing during the day.

Back in 1989, my friend Ray started a zine.  We listened to a lot of obscure metal, thrash and death metal, and you could barely find Metallica tapes in northern Indiana back then, let alone underground music.  Ray scoured the earth for this stuff, and started writing letters to weirdos in Sweden and Germany and Japan, trying to trade tapes or score free shit, and he eventually started writing reviews and printing a little homemade magazine that he gave away at record stores and sent to record labels to get free stuff.  He eventually got me to start writing for him, too.

(Various things we did not know at the time: these “major labels” like Earache and Nuclear Blast America and Roadrunner were run out of tiny closets of offices; the people in “signed” bands like Napalm Death probably made less money than I did washing dishes in college; there was a whole universe of zines outside of the arena of death metal that was about to explode; there was a whole world outside of Indiana that was infinitely more interesting, too.)

Ray handled all of the business issues with the zine, which was great because his mom ran a business that did some mail-order stuff, and things like postage rates and bulk-ordered envelopes and offset printing quirks were totally within his wheelhouse.  And so was finding all of this unknown metal music and talking to record labels and getting people to buy ads.  I never could have started a zine like this, because I wasn’t plugged into any of this, and this was long before the days of google, where you could just put “where can I find a printer that’s not totally into jesus” or “what the fuck is media mail” in a search engine and get your results.

I have no idea what it would take to publish a real magazine, but even publishing a zine was an arduous process.  Once you actually got all of the reviews and interviews done, you had to put them in a word processing program.  I knew a little about this, but Ray was the one that actually owned a computer, and he used some weird program called GeoWorks to get all the fonts done correctly.  When you had the actual pages done, you had to go to a printer and get a thousand or two of them printed at once, which cost hundreds of dollars.  (You could photocopy, but then each issue would cost two or three times as much, and look like garbage.) Then you had to sell those, and pay postage to get them all out to people.  All told, it didn’t seem like you could really do a zine for under a couple of thousand dollars, although once you made the nut on the printing, you could use the proceeds from orders to cover the postage.  But issues that went to trades or to record labels or otherwise as promotional fodder would come out of your own pocket.  You’d never print a thousand copies and sell exactly a thousand copies.

I went back to college in Bloomington in 1991, and this major revolution in publishing was about to happen, and I didn’t realize it.  First, I spent all day fucking around on usenet news, and found some heavy metal newsgroups where I actually found other people who listened to bands like Carcass and Unleashed.  Sure, this was interspersed with a whole bunch of people who wouldn’t shut the fuck up about Guns N’ Roses or that new Metallica album Smell the Glove, but making fun of them was almost as fun as finding out about that new Entombed album before it came out.  This was as cool as writing to some freak in Denmark who knew all about the cool bands, except it didn’t cost a bunch of money in postage, and it was instantaneous.

This got me thinking: what if you did a zine where the whole thing was just a text file that you posted on usenet or emailed to people?  You could put in the latest news, maybe interview some people, review stuff, have addresses or ads for bands trying to sell tapes, and tell people to email in their news or band info.  There was no way to sell issues like this, and you couldn’t include any artwork or band logos or photos.  You also needed a computer to read it, along with a way to get email, and this was before AOL was everywhere, when a new PC cost four or five grand and a 2400-baud modem would run you a hundred more bucks. But it would be free to “publish”, and people would be able to write back right away if they liked it.

Ray came down to Bloomington in February, to sleep on the floor of my tiny apartment and hang out for a long weekend.  The band Prong was in town, and while they were not super high on our list of most extreme bands ever, but we got maybe one cool show a year in town, and tried not to squander it.  It was right after Valentine’s day, and I had been whatevering with this girl for a week or two and went straight from third base to the friend zone, so I was insanely depressed and in need of loud music and fun.  Me and Ray stayed up late every night, and talked about this zine thing, and whether it would work or not.  Late one night in one of the computer clusters, we typed something up, and I posted it online.

That was February 18, 1992.  Here is the original post.  It is somewhat horrible, far more than cringe-worthy, filled with typos and stupidity and corny fake satanism.  But it’s been there for almost twenty years.

This was insanely confusing to people at record labels.  My main goal was to get them to send me free stuff, and it was like explaining the Kindle to a geriatric.  Nobody had email then, and I tried printing out some copies and mailing them in, but that confused them even more, and defeated the purpose.  I thought about eventually doing both the electronic version and a print version, something whipped up in WordPerfect with some nice fonts and a few pictures and whatnot, and by the 4th issue did that, but I also wanted something out of a god damned Bruce Sterling cyberpunk story, a computerized mind-meld of text and music and artwork and interactivity.

There was a lot of disparate pieces of technology that weren’t linked together that offered pieces of what I envisioned. There was this thing just starting to show up called Gopher, a hypertext system that let schools and libraries publish linked documents on the internet.  It didn’t really have graphics, and only big institutions had servers running, without an easy or obvious way to publish your own info, unless you ran a university science lab somewhere, or worked at NASA.  We swapped a lot of text on the web in usenet and email, but just very unstructured stuff, with no real centralized organization.  Those of us in the know used FTP servers to look at pictures, mostly porno stills that would take hours to download and then offered blocky pixelated images.  And you could digitize music to .au files, which were gigantic, but could sound great.

Later that year, some people at CERN came out with a great improvement on gopher, that let you post pictures and sounds and let almost anyone make their own pages.  I quickly created a thing called a hyplan that played a sound clip from a Cannibal Corpse song, but didn’t envision that this would take off to the point where anyone in the world would use it to read zines online.  But of course, that’s basically what happened.

My little zine only lasted five issues.  Ray’s zine, Metal Curse, is still around today.  I didn’t make any money, although I got some free tapes and met some cool people and interviewed a couple of  decent bands.  More importantly, this put this idea in my head to write creatively, which eventually led to stories, and then to books.  And it instilled some DIY ethic in me, which made me start another zine, and then decide to publish my own book in 2000.

I have not made millions self-publishing.  (Someone with a name similar to mine has.  That’s not me.)  I think that aforementioned dishwashing gig brought in more money than all of my books combined.  The internet thing did land me a career doing technical writing, though.  I think if I added up all of my paychecks from when I started doing that in 1995 to today, it’s in the seven figures, and it gave me free health insurance and paid vacations, but also involved a lot of dumb meetings and things that make TPS reports look like a god damned Tolstoy masterpiece. But self-publishing gave me the ability to do what I wanedt, to not have to worry about changing me by changing my writing because Rumored to Exist doesn’t contain enough vampires or teenaged wizards to sell enough copies to keep a roof over my head.  It hasn’t been easy, but it’s been fun.

So here I am, 20 years down, 40,000 words into the next big book, and wondering what the next 20 will bring.

“Raul, even if any two apartments in this neighborhood had the same cable provider, I’m sure Time-Warner would somehow fuck up what channels they offered on any given day of the week so the lineup numbers never stayed the same.”

“Is the espanol cartoon channel,” he said.

“I actually don’t have cable,” I said. “I used to steal it from the guy in B5, but he died last year, and when they discovered his body six months later, the landlord disconnected all of his utilities. What’s on the cartoon channel?”

“Es Muy Dangeroso. I miss it tonight to go to ramrod.”

“I’ve heard about that one,” I said. It was a Telemundo rip-off of a bunch of American cartoons: Spongebob Squarepants, Dora the Explorer, etc, except a group of Mara Salvatrucha gang soldiers terrorized a prison cell block of cartoon characters. It’s insanely popular with Chicano boys, who love how the MS-13 ringleaders start prison riots, commit forced sodomy, and engage in human trafficking and retribution mutilation of the corpses of their victims. “Sorry I can’t tape it for you. Maybe I can download the torrent after it’s run. Check back with me tomorrow, and we’ll look for it.”

“Thank you meester!” he said, running back to his apartment to get ready for a night of water sports and hallucinogenics.

http://www.weirdyear.com/2012/02/2312.html

Favorite paragraph:

“YOUR MOTHER SUCKS HER GUATEMALAN OPTOMETRIST!” We sat at a 4-way stop, and Odin kept screaming insults at a group of ten-year-old kids waiting for the bus. “YOUR ECONOMIC PREDICTION MODEL OF THE VIETNAMESE GOVERNMENT IS USELESS IN A TARIFF-BASED ECONOMY! KILL YOUR DENTIST! DO IT NOW!”

I had another story there a year ago, “With Sleep, All Things Are Possible”, which ended up in the collection Fistful of Pizza, which is available for only 99 cents on the kindle.

Weirdyear’s also got a lot of other good stuff within the same wheelhouse, so be sure to check out the other authors there.  And that bit about chopping up Sudafed tablets and snorting them in my story – not medical advice.  Don’t sue me if you try it.

A book of this size is difficult to manage. It’s big enough that Scrivener stutters a bit when you try some intensive operations, like if you select all of the text and reformat it in one pass.  (And this is on a relatively fast machine with 8 gigs of RAM).  I also got enough shit when I released my first book, Summer Rain, which was about 220,000 words.  That translated into about 650 pages, which I think is perfectly readable, but that was ten years ago, and now people tune out in the middle of a 140-character twitter update.  But printing a 650,000-word book presents challenges other than attention span.  CreateSpace can’t even handle a single volume that big; unless I made some creative font and margin choices, that would most likely take three book.

I am not sure if I’ll actually pursue this, because I really need to be writing new stuff, and even if I did, it would be some kind of best-of with a couple hundred pages, max.  But I was googling around and looking for the relative sizes of various books (Infinite Jest, War and Peace, etc.) and I found a guy who wrote a seventeen million word book.

Check it: http://marienbadmylove.com - it’s by a guy named Mark Leach.  It sounds interesting, a B-movie romp through time travel and UFOs and all sorts of things, but it also looks like it’s more performance art than readable fiction.  I mean, even if it was the best damn stuff in the world, it would require a year’s sabbatical from life and a forklift to handle all of the possible volumes.  But it appears he’s done a lot of Burroughsian experimental stuff, like using the cut-up method, to generate that much text, so this isn’t like sitting down to a Dan Brown novel.

This makes me think I should take all of those out-at-third-act novels I never finished, dump it into a big cut-up tool, and mix it down into some gigantic sick and twisted mess of a book.  It’s a thought.

This hasn’t been entirely clarified, but I’m guessing that games will force you to do some sort of online activation scheme, or otherwise be bound to your Microsoft ID.  If you can’t beam home and lock that copy to your ID, you can’t play.  This would probably be swaddled in some distraction, like saying “I’m going to go online now and download all of your COOL NEW GIANT BONUS GUNS!!” and then lock down the game while pulling down updates.  The DIVX DVD player from a decade ago had a similar system, and failed miserably.  It used a phone line to connect back to the mothership, like an old-school cable box did for PPV purchases, but now that every home (in theory) has wifi and ethernet and broadband, that part of the equation is less of a big deal.

I was just reading a J.G. Ballard interview where he talked about the influence of used book stores when he was younger, how he’d dig around these places after some old geezer kicked the bucket and his widow hauled off a century’s worth of book hoarding for six pence a title, and find among the pulp paperbacks the occasional gem.  I used to do the same thing, partly because the prices were always good, but partly because the only other book stores around were Walden’s-type places that didn’t stock anything interesting, or maybe the occasional Border’s that would have the last one or two of an author’s works, at full cover price.  I spent so much time poring over titles in basement stores, taking home books that looked cool, and occasionally stumbling onto something life-changing.

I did the same thing with CDs and music, too.  I mean, I worked both sides of the deal, dragging a backpack of the lowest-rated titles from my collection every time I was broke and had to pay a massive phone bill or buy enough groceries to coast into next payday.  But I’d often spent hours going from A to Z in those used CD places, trying to find something obscure, or just looking for bands I’d never heard, so I could try them out for half the price of a retail CD.  I buy 100% of my music digitally now, and that experience is completely gone now.  I can listen to 30-second clips of an artist’s songs in the iTunes store, and that’s helpful, but the entire tactile situation of running my fingers over five thousand plastic spines on jewel cases to find some obscure d-list band on Earache is gone.

I don’t know how big the used game market is these days, although at the height of my PlayStation 2 days, I’d frequently turn in the duds in my collection for store credit.  I was always the kind of gamer that would be stuck on a single title for weeks and months on end, instead of having to get the latest games as they came out and then immediately solve them.  I am guessing if you’re that kind of gamer, you probably use one of those Netflix-like game rental services, although this begs the question if they will also be screwed by a one-player-per-title system.

The main thing killing the console game system is another reason why the game-ownership system makes less sense.  When you play something like Mafia Wars, you don’t buy the game; the client is your browser, and you “own” your online account.  You don’t spend money buying a physical disk; you buy game currency or points or guns or upgrades or whatever else.  I think more games will follow this WoW model where the client is either free or cheap, and you either pay for upgrades or pay per month or hour or whatever.

I’m also wondering if this will cause a “dark ages” in collecting of systems in the future.  I can hop on eBay and hoard away any number of Atari 2600 titles.  But will there be a point in ten or twenty years when the then-middle-aged person goes to buy all of the XBox720/PS4 games they didn’t have as a kid and be as screwed as that guy who built a replica Cray supercomputer and can’t boot it because nobody has an OS for it?

My birthday, ten years ago

I turn 41 today.

Five years ago, I ate dinner at Per Se in New York.  I had a twelve-course meal that cost something like $750.  Then I went home and watched the movie Idiocracy.  Then my iTunes library crashed, and I spent the next day restoring it, so a huge chunk of my songs say they were imported on 1/21/07.

Ten years ago, I went to Las Vegas with Bill (who shares my birthday), Lon, and Todd, starting a long tradition of going to Sin City for our birthdays. Todd took pictures of me sodomizing pretty much every statue on the strip.  While we were in town, I bought 40 acres of land in the mountains of Colorado, starting that whole obsession.  I also shot a full-auto M-16, bought this ridiculous Coke jacket, and made far too many references to Fear and Loathing over the weekend.

Fifteen years ago, my uncle died from brain cancer on my birthday.  I lived in Seattle then. I went out the weekend before, with a bunch of people from Spry (Bill, Todd, others) and I bought a new bed, but I spent the actual day of my birthday at work.  A somewhat boring and introspective day, but those are good too.

Twenty years ago, I turned 21 and could legally drink.  Me and Bill went to Kilroy’s, the dumb jock bar in Bloomington, to get our free drink.  I still have the glass.  Then I went to a liquor store to buy something with more octane than the fruity drink with ten drops of rum in it, and the fuckers didn’t even card me, which pissed me off.

Twenty five years ago, I turned 16 and hit the age when I could get my driver’s license.  I didn’t get it for a few months, but that was the first big step in escaping orbit.  I think my obsession at that time was Iron Maiden.

Thirty years ago, I think I had a Superman cake.

Forty years ago, I was in Edwardsburg, Michigan and I still have the picture of me putting my hands in the chocolate cake that pretty much everyone has from their first birthday.

It’s now 8:43, and at 8:53, I officially turn 41. I’m still in bed, plinking at the laptop, enjoying a day off.  Later, I will go to Denny’s.  Not really thinking about my own mortality or where the time went or any of that stuff.  Just thinking about pancakes.

Anyway, thanks to everyone for everything in the last year.  I hope the next one is even better.

I do know that my keyboards have been the main focus of this hell.  I mean, I also bought extensions to raise my desk, a different mount to raise my monitor, and one of those freaky bicycle seat-looking office chairs to prevent me from slouching, and that all helps.  But I think in the last decade, I’ve probably put down about a million words between work and fiction, and all of those go through my ten digits via some kind of USB-connected appliance that’s based on a design originally thrown down a hundred and a half years ago by opium-deranged business machine sadomasochists trying to find a way to keep busy women in between bouts of making sandwiches.  Never mind the fact that we don’t yet have machines that read our minds or let us simply talk to our computers like we’re Scotty whipping up a batch of god damned transparent aluminum. The fact that we still use essentially the same QWERTY design as a century ago, the one that was specifically invented to slow down typists, is a travesty to all things mechanical.

When I got to Seattle in the mid-90s, ergo-mania was happening, and I knew more people who had RSI or carpal tunnel than I knew in Indiana who thought the earth was created 3000 years ago, and that’s a lot.  Ergo was huge, and there were all of these bizarre startups running out of garages churning out short runs of chording keyboards and strange split devices and custom DVORAK layouts, not to mention all of the alternate mouse designs, like track balls and track pads and track pens and track cocks and whatever else.  And this was before the advent of USB, when this stuff became really easy to make, and before Microsoft upped the ante on RSI by inventing prolific right-click menus and then the scroll wheel, two things that have caused more arthritis of the right hand than all of the collected works of Megan Fox.

Microsoft both created and destroyed the ergo market by coming out with their own mass-produced split keyboard.  I will give credit where credit is due and say this is one product that Microsoft got mostly right.  I’ve gone through a succession of these split keyboards, most recently using the Ergo 4000, which has a large number of “media” buttons, which are nice for doing things like pausing iTunes or skipping tracks or zooming the browser window.  However, aside from the fact that I go though about one of these a year (mostly because of a combination of eating at my computer and the fact that the letters wear off almost instantly) there’s always been something slightly wrong with these peripherals.

Before the Microsoft models, I went through a series of IBM Model M keyboard clones; in fact, my first keyboard I bought in 1991 was an honest-to-god 83-key IBM keyboard from a 5-slot 5150 PC.  In 2012, there are a lot of issues with these keyboards, aside from just the total lack of ergonomic comfort; you’re not going to find a Windows key or an Apple key, and they use a cable that predates USB by at least two or three iterations.  Most of the vintage ones have also gone from the 90s computer beige to the yellow-brown color of linen in a ten-pack-a-day smoker’s house.

But the switches in these keyboards were magic.  New keyboards don’t use individual switches; they use dome switches, where the keys push this rubbery sheet that contains little bits that complete the electrical connection. The result is a quiet and cheap keyboard that feels like typing while your fingers are suspended in a bowl of mush, and at some point, the little domes will sporadically fail, and every 10,000th character you type will randomly miss, eventually causing insanity and the cost of both replacing the keyboard and the window you throw it through in a maddened rage.  The old keyboards used actual mechanical switches, each one happily clicking with a sharp tactile feel as you snapped away at the keys.  Even if you couldn’t type fast, it felt like you were typing fast.

This introduces this never-solvable paradox that seems to creep up in every damn aspect of my life.  I want an ergonomic split keyboard, that is modern and uses USB and has all of the new keys people use like Win and Alt, and has mechanical key switches.  The Microsoft ergo uses rubber dome switches, and at some point, those fail and cause madness.  It also means that even with a brand new keyboard, it feels like I’m typing underwater.  There’s a whole cult of mechanical switch keyboards, mostly from gamers who need lightning-fast key response.  Those are all standard layout, mostly because gamers only use the WASD keys.  There’s also the issue that these keyboards are all marketed to 14-year-old Asian boys, and have names like the “Viper Frag Kill 9000″ and you will pay $200 for backlighting and extra buttons specifically used for Skyrim or whatever.  And outside of Microsoft, the ergo keyboard market has largely been killed.  Add to this the frustration that every single computer sold comes with a keyboard, and because the cheapest way of making them is good enough for a person who types at most 140 characters in a row, the $19 OEM POS is fine for almost everyone.

My problem with this – or with building a kitchen island, or finding the right desk, or getting a set of sliding glass doors done, or whatever the hell else, is I fall down these deep internet k-holes of endless searching and frustration.  There are several internet discussion boards full of game playing fiends touting their favorite boards.  But of course, if you posted asking for a good ergo keyboard, you’d get a thousand responses saying RSI is a myth, kind of like if you went into a random bar in Arkansas and asked the locals about global warming or evolution.  And your first 900 results in a google search are links to the Microsoft Ergo 4000.

This fall, I finally gave up and bought a Kinesis Advantage.  They are not cheap; I spent just shy of $300 for mine.  But they use actual Cherry mechanical switches, and feature a unique split system, where the bulk of the keys are in two “bowls”, and all of the modifier keys (ctrl/alt/win/apple) plus keys like the backspace, delete, enter, and space, all sit under your thumbs.  This means you can do 99% of your typing without stretching your hands out of the home position, and the keys happily clack away to confirm your speedy typing.  The Kinesis also has a complex and powerful system of keyboard remapping and macro programming in its firmware, which I will probably never use.   The one real bummer, aside from price, is that the function keys are these little rubber chicklets that will inevitably get jammed or stop working.  There’s also the issue that I am not historically a touch typist, and I had to spend a month using a touch typing tutor program (the wonderful and open-source Tipp1o) to get to the point where those ring and pinky fingers were hitting the As and Ses and Ls and ;s with regularity.

The k-hole has been reopened lately, though.  I’ve been wondering if there’s a good way to replace those damn chicklet keys.  Maybe I should get a keypad or jog-shuttle control to remap these keys.  Maybe I should get out the dremel and buy a dozen and a half loose Cherry keys and replace the switches.  Maybe I should remap the largely useless Home key so Home-1=F1;Home-2=F2, and so on.  Maybe I should stop all of this and actually write books.  Sure, right after I try to find a Kinesis macro programming FAQ online, and then hem and haw about buying a Griffin PowerMate.